Buy/stream: https://kompakt.fm/releases/the_floor_is_lava_2xlp_dl

Michael Mayer albums don’t come round too often, which is one of many reasons why his fourth collection, The Floor Is Lava, is a genuine event. It’s been eight years since his last one, the collaborative & released on !K7; its predecessors, Mantasy (2012) and Touch (2004), took their sweet time, too. It’s no real surprise, given the many hats Mayer wears – globetrotting DJ, revered remixer, inveterate collaborator, and boss of both Kompakt and Imara – that his solo productions are relatively sparing. But this also speaks to their quality: Mayer’s name on a record sleeve is a sign of quality, of music that’s both looking to the future and calling back to the past, that balances the imperatives of the dancefloor and the loungeroom, that’s as exploratory as it is functional.

On The Floor Is Lava, Mayer seems to be taking the temperature of both the music that surrounds him (past and present), and the ideas of the industry he works within. There’s that iconic album title, for a start. “The album’s mindset,” he says, reflecting on those four words together. For Mayer, it’s partly a critique of the way the industry boxes in both producer and listener, focuses them on genre, on market, on the next new thing: “Being a free minded spirit that transcends genres has become an uphill battle.” A battle worth fighting, though, and with The Floor Is Lava, the result is an album that’s varied, quixotic, idiosyncratic, charming, and deeply, addictively listenable.

Throughout, Mayer finds thrills in exploration and juxtaposition, allowing unexpected things to blossom and giving them their life, their platform, throwing the listener exciting curveballs: “It’s a DJ album by a DJ that’s easily bored.” Either easily bored, or endlessly curious, The Floor Is Lava is rich with ideas. It opens with “The Problem”, which looks back to look forward, embracing the rickety way early house productions threw samples together with gleeful abandon. Mayer mentions Pal Joey, and the scene around Rockers Hi-Fi and their Different Drummer imprint, as reference points, and you can hear that freewheeling spirit throughout.

That’s The Floor Is Lava: then and now, brainwaves and nerve structures, problems and solutions, genres on fire; the real, the unreal, and the surreal. An album for the easily bored and the endlessly curious. Mayer has the last word, telling us all you need to know about the album’s spirit: “Burning for the cause, being zealous, being addicted to the heat of the night, the exuberant powers of music.”

The Floor Is Lava

Ardor

Michael Mayer - Ardor

Naoussa was born in Montreal, from the meeting of two worlds — a Franco-Algerian mother and a father from Guinea-Bissau. From this rich heritage, he draws rhythms that travel beyond borders, weaving stories in sound.

Rooted in the soulful pulse of Chicago’s original house and enriched by the depth of African percussion, his sound blends grooves, warmth, and rhythm into what he calls "La house des îles". Influenced by his origins and an endless curiosity for new music, his sets draw from a vast palette of house subgenres — from 90’s house and afrohouse to acid, minimal, and deep tech.

Through his music, he invites listeners to discover, connect, and share moments of pure joy on the dance floor. Each set is a celebration of the house spirit — timeless, borderless, and endlessly alive.

Label, booking agency & online record shop

Demo submission: 
We receive a lot of demos every day. Please understand that we are unable to listen to everything. Send your private soundcloud link to: label@kompakt.fm.

Musik ⚫ Love ⚫Life ⚫ Animals 🖤❤️✨🎶🎧🐼🐻🐾
Liebe ist stärker dann Hass❣️
Unser Herz weist uns stets den rechten Weg im Leben, denn es ist das Zentrum unserer Emotionen. 😍🥰💝
Self defence in this cruel world, is vital!!! 👊🥋🥊
When you can't beat them, join them 😉
Scorpio sun 🦂♏🧿
Capricorn rising 🐐♑🪬
Essere non apparire 💝
Indipendent woman ✊🏻