Buy/stream: https://kompakt.fm/releases/velvet_desert_music_vol_3_lp_7_dl

Kompakt unveils the third volume of Jörg Burger’s “Velvet Desert Music” compilation series, dedicated to music that hits the sweet spot between the cinematic, the (pop) ambient, and the psychedelic. With “Velvet Desert Music Vol. 3”, Burger and his friends wander afar, taking trips away from, or adjacent to, the dancefloor that’s acted so long as the crucible for the Kompakt aesthetic. Like its predecessors, it’s a gorgeous, lambent collection of late-night mood music.

Because it’s such a broad church, “Velvet Desert Music” admits all kinds of new experiences, as well, with Burger looking for music that “goes beyond the desert to explore different corners of the velvet universe”. Indeed, of all the volumes in the series, this third installment feels closest to an album made by a true collective. The roster has changed, with new contributors Flug 8 and Seb Martel, both with his trio Las Ondas Marteles and with Chocolate Genius and Zsela as La Finca, joining regulars The Novotones, Mount Obsidian, The Golden Bug, Paulor and Sascha Funke.

Burger himself shows up alongside Fritz Ackermann of The Novotones and Max Würden and Thore Pfeiffer, in The Velvet Circle. Their contributions are pure lush life electronica: “Our Tribe” hitches a ride with a low-slung groove, flickering psychedelic reels of acoustic guitar traipsing across moody bass and taffeta layers of drone; their opening remix of Flug 8’s “Puerto Rico” gently introduces the album with softly tangling electronic tones, while guitars, drenched in reverb, pirouette in the background. Mount Obsidian’s remix of Burger´s The Black Frame “Sacrosanct” spins around the listeners ears like a kaleidoscope catching the reflections the sun makes in San Luis Potosí’s ornately decorated churches.

La Finca’s electronics and voice miniature, “What Clouds Say”, is a masterclass in poetic restraint; Martel’s “Dark Mambo”, remixed by Burger, is one of the collection’s big surprises, for it indeed does what the title says, a drifting, surrealist take on the mambo form, full of pensive chords, rich with unrequited longing, a breathy saxophone whispering under the song’s sly rhythmic carriage.

Old friends reappear, too: Golden Bug’s “Es Cucuruc” is a muted slow burner. The Novotones chime in with a slyly propulsive, Krautrock-esque charmer, “Liberty Bell”, and the guitar-led tone-drift of “Valley of Oblivion”; Paulor’s “The Last Coke in the Desert” is a chiming, lilting dreamscape; Mount Obsidian are joined again by vocalist Charlotte Jestaedt for two modern takes on early-hours art song, „Fade“ and „Marole“, the closing track of the compilation, which is a spooked requiem for times passed. Sascha Funke’s “Mathias Rust” is a lavish dancefloor dream, vocal samples drifting through the song as it slowly envelops the listener in its opulent radiance.

What’s most compelling about “Velvet Desert Music Vol. 3”, perhaps, is the way everything sits together so tightly, so neatly – it’s the album in the series so far that feels the most like it’s been made by collaborators in one long, playful session of experiment and exploration; everyone’s on the same page, exploring the fractured wastelands, dust squalls, sunburnt scapes and psychedelic cacti of the psyche; burnt sienna, desert lilies and willows, fairy dusters, yucca and greasewood… an extravagance of blooming, riotous colour, erupting from the sun-cracked landscapes within each of us.

This is just a taste of the rich pleasures of Velvet Desert Music Vol. 3, a triumph of a compilation that takes the psychedelic visions of its predecessors and looks for the desert within, a dusty kiss, a road-movie hallucination flickering on the listener’s eyelids, a cinematic projection from deep inside the mind.

Velvet Desert Music Vol. 3

Mathias Rust

Sascha Funke - Mathias Rust

My collecting of music often is between genres and this one is in the space between house electro acid and trance.
Enjoy the ride 
Not for the faint hearted (danger danger ⚠️)
Pure vinyl madness ..and as mandalorian said this is the way.
Mixed with a ✨acidic⚡️mind and passion

GWGT and the cosmic cult ( Vinyl sorcery)

Mattia Tuliozi in arte Tulioxi live performer e produttore di musica elettronica, rilascia per OneHour uno spettacolare live set in chiave indie dance e nu disco, con sonorità tribali e ipnotiche che intersecano le ritmiche delle batterie. Live set potente da sentire e da vedere, un vero performer.

1HR - OneHour w/ Tulioxi (Live) - Ep. 49

Buy/Stream

Oceanic - Even If I Lose Everything (DJ Version)

@bayaputra & @chrismasseymusic - Anila dancer
Label - @sprechenmusic

All Sinchi premieres available on 
Soundcloud: https://soundcloud.com/sinchicollective 
Spotify- https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG

♫ Info + Buy ♫

PREMIERE - Bayu Putra & Massey - Anila Dancer (Sprechen)

A year of nightmare for civilians. All proceeds from this EP will be donated to the humanitarian crisis in the Middle East through www.bonheur.ch/collectes/crise-humanitaire-au-proche-orient/

Ripperton - Breaking Waves

Recorded live @ Festival POP MESSE 2024 - Brno, Czech Republic. 
Thanks to: Tomáš Kelar, Ivan Bařina & Tereza Kalábová
Special thanks to: Jiří Glett 
Mastering: Jakub Šotola @ Silent Sound Studios.
Graphics: Alena Vavrdová
Model: Ryan Gosling

Joshek - Live @ POP MESSE (2024)

Download

CigarettesOutTheWindow126

"Midas Touch" é uma faixa de afro house que combina elementos de ritmos africanos tradicionais com uma produção moderna e sofisticada. A música é caracterizada por uma linha de baixo pesada, percussão energética e uma melodia cativante que vai ficar na sua cabeça por dias.

Midas Touch

Step into a moonlit river of sound. Session XIX — Lanterns Over the Water drifts through the heart of Japan’s shrine and lantern traditions, weaving non‐lexical shrine chorus hums, shakuhachi sighs, koto glissandi, and taiko heartbeat pulses into a deep, meditative lounge journey.
Inspired by Kyoto’s Gion nights, coastal lantern festivals, and the still elegance of Shinto shrine waters, this session captures a ritual calm where fireflies, incense smoke, and floating lights move as one.

▸ REGION: Japan — Shinto shrine ambience, lantern festivals, Gion street nights
▸ VOCALS: nonverbal shrine chants, breath vowels (“aaa–ooo–eee”), whispered blessings (“mizu,” “tsuki,” “kokoro”)
▸ INSTRUMENTS: shakuhachi, koto, taiko, suzu bells, temple woodblock, night cicadas, water ripple field recordings
▸ MOOD: moonlit stillness • ritual elegance • drifting light on water

🎧 For meditative evenings, incense-lit moments, or midnight walks by water.

#LanternsOverTheWater #JapaneseChill #ShintoAmbient #BuddhaBarVibes #DowntempoBeats #WorldFusion #ZenChill #AmbientLounge #RitualMusic #GlobalLounge #TaikoBeats #KotoMusic #ShakuhachiFlute #LanternFestival #Ætherflux #ChilloutMusic #OpiumLounge #SlowBPM

Tenzo

A dense, tenebrous vocal exploration from Berlin-based singer, producer and synthesist, Eva Geist, out soon on Miajica (Alma Negra)and Mehmet Aslan's @fleeting-wax label.

Eva Geist's 'Blumareciano EP' is out September 11th.

Pre-order: bit.ly/2xOIsge

@andreanoce

Blumareciano [Fleeting Wax]

Premiere: Eva Geist – Begüm [Fleeting Wax]

Label, booking agency & online record shop

Demo submission: 
We receive a lot of demos every day. Please understand that we are unable to listen to everything. Send your private soundcloud link to: label@kompakt.fm.