This track was never remixed so i figured i'll do one just for fun. 
This was made like 4 years ago and now it is here!
Only available on Bandcamp:

https://thomassjackson.bandcamp.com/track/thomass-jackson-fantomas-thomass-jackson-re-mix

Check it out!

Fantomas

Fantomas Re-Mix

Thomass Jackson - Fantomas (Thomass Jackson Re - MIx)

Buy/stream: https://kompakt.fm/releases/velvet_desert_music_vol_3_lp_7_dl

Kompakt unveils the third volume of Jörg Burger’s “Velvet Desert Music” compilation series, dedicated to music that hits the sweet spot between the cinematic, the (pop) ambient, and the psychedelic. With “Velvet Desert Music Vol. 3”, Burger and his friends wander afar, taking trips away from, or adjacent to, the dancefloor that’s acted so long as the crucible for the Kompakt aesthetic. Like its predecessors, it’s a gorgeous, lambent collection of late-night mood music.

Because it’s such a broad church, “Velvet Desert Music” admits all kinds of new experiences, as well, with Burger looking for music that “goes beyond the desert to explore different corners of the velvet universe”. Indeed, of all the volumes in the series, this third installment feels closest to an album made by a true collective. The roster has changed, with new contributors Flug 8 and Seb Martel, both with his trio Las Ondas Marteles and with Chocolate Genius and Zsela as La Finca, joining regulars The Novotones, Mount Obsidian, The Golden Bug, Paulor and Sascha Funke.

Burger himself shows up alongside Fritz Ackermann of The Novotones and Max Würden and Thore Pfeiffer, in The Velvet Circle. Their contributions are pure lush life electronica: “Our Tribe” hitches a ride with a low-slung groove, flickering psychedelic reels of acoustic guitar traipsing across moody bass and taffeta layers of drone; their opening remix of Flug 8’s “Puerto Rico” gently introduces the album with softly tangling electronic tones, while guitars, drenched in reverb, pirouette in the background. Mount Obsidian’s remix of Burger´s The Black Frame “Sacrosanct” spins around the listeners ears like a kaleidoscope catching the reflections the sun makes in San Luis Potosí’s ornately decorated churches.

La Finca’s electronics and voice miniature, “What Clouds Say”, is a masterclass in poetic restraint; Martel’s “Dark Mambo”, remixed by Burger, is one of the collection’s big surprises, for it indeed does what the title says, a drifting, surrealist take on the mambo form, full of pensive chords, rich with unrequited longing, a breathy saxophone whispering under the song’s sly rhythmic carriage.

Old friends reappear, too: Golden Bug’s “Es Cucuruc” is a muted slow burner. The Novotones chime in with a slyly propulsive, Krautrock-esque charmer, “Liberty Bell”, and the guitar-led tone-drift of “Valley of Oblivion”; Paulor’s “The Last Coke in the Desert” is a chiming, lilting dreamscape; Mount Obsidian are joined again by vocalist Charlotte Jestaedt for two modern takes on early-hours art song, „Fade“ and „Marole“, the closing track of the compilation, which is a spooked requiem for times passed. Sascha Funke’s “Mathias Rust” is a lavish dancefloor dream, vocal samples drifting through the song as it slowly envelops the listener in its opulent radiance.

What’s most compelling about “Velvet Desert Music Vol. 3”, perhaps, is the way everything sits together so tightly, so neatly – it’s the album in the series so far that feels the most like it’s been made by collaborators in one long, playful session of experiment and exploration; everyone’s on the same page, exploring the fractured wastelands, dust squalls, sunburnt scapes and psychedelic cacti of the psyche; burnt sienna, desert lilies and willows, fairy dusters, yucca and greasewood… an extravagance of blooming, riotous colour, erupting from the sun-cracked landscapes within each of us.

This is just a taste of the rich pleasures of Velvet Desert Music Vol. 3, a triumph of a compilation that takes the psychedelic visions of its predecessors and looks for the desert within, a dusty kiss, a road-movie hallucination flickering on the listener’s eyelids, a cinematic projection from deep inside the mind.

Velvet Desert Music Vol. 3

Mathias Rust

Sascha Funke - Mathias Rust

soul movement-father

i like

Bandcamp

Dorisburg - Tundra

Taken from 'The Night Land Remixed'
18/05/18 - http://smarturl.it/thenightand-remixed

Dins El Llit  - Superpitcher Remix
The Ghosts Hood - Samo DJ Remix
Brutal Chugga Chugga - L.B. Dub Corp Remix
Loser’s Hymn - Powder Remix


John Talabot and Axel Boman teamed up in 2017 for their R&S debut ’The Night Land’ where they got to flex their creative muscles over eight tracks of rich synth jams.  

The two electronic artists have been independently successful in their respective careers, but as Pitchfork expressed in their glowing review “Their collective output doesn’t sound much like either’s work; it doesn’t even necessarily reflect the thin, convex sliver where their interests overlap. Instead, they’ve hit upon something new.”

This new sound also proved to be a hit with the likes of Mojo, Phonica, XLR8R, Self Titled and DJ Mag all including it their annual best of lists.

The artists have now handpicked four artists to create their own vision of the Talaboman sound.  
Superpitcher, Samo DJ, Luke Slater under his L.B. Dub Corp alias and Powder have all seriously delivered the goods.

Talaboman - Dins El Llit - Superpitcher Remix

OUT NOW: https://lnk.to/redaxesPH69
A Sipoor
B1 Teroof 
B2 Bad Time Story

Already a well-established presence on the outlandish fringes of experimental, alternative and dance music, celebrated Israeli duo Red Axes make a surprise left-turn onto Phantasy with a three-track 12”, ‘Sipoor’. Unsurprisingly, the results are as pleasingly out-there as the occasion requires. 

Following on from last year’s self-released LP, ‘The Beach Goths’, ‘Sipoor’ immediately announces the Axes’ uncompromising return to the front and centre of the dancefloor with the raw, provocative ‘Bad Time Story’. Brazen, brash acid triggers this particular tale, as Red Axes briskly modulate their way through a ruff, tuff but never less than musical landscape of 303s and 808s. 

‘Sipoor’ takes a more gradual approach to building offbeat rave tension, featuring an unknown male using his native tongue to request some kind of house, some kind of techno and some sort of release. His wish (and we hope, yours) is the Axes’ command, as the music goes deep before seamlessly unfolds around a throbbing bassline and a playful, familiar keyboard sample, beckoning feet to the dancefloor and perhaps tongues ever so slightly to cheeks. 

Concluding the 12”, ‘Teroof’ takes each of Red Axes’ signature ingredients - deeply rhythmic EBM-inspired drums, spiralling electronics, unapologetically odd vocal distortions - and reconstructs them amid what sounds like the Monaco Grand Prix, as high-velocity motors speed past the soundscape, kicking up some serious dust.

Follow Red Axes:
FB: https://www.facebook.com/redaxesmusic
SC: https://soundcloud.com/redaxes
SP: https://open.spotify.com/artist/5Owm9QgL9BSCRQKTX6T08G?si=ORqWEgQ_Tyu_ih3vu2IoQg
IG: https://www.instagram.com/red_axes_we_are/
BP: https://www.beatport.com/artist/red-axes/208430

Sipoor

Buy 12" + Download

Teroof

Cocoon Compilation R

Yes Let

A. Giske
B. Mozart

Written and Produced by Lost Scripts
Artwork by Arnau Pi

Release date: September 26, 2019
Digital release date: October 24, 2019

Order here: https://bit.ly/2W96MGg

© 2019 Hivern Discs

HVN055

Giske

Artist: Thomass Jackson & Cornelius Doctor
Title: Alcachofas
Label: Duro
Release date: April 17th
Buy: durolabel.com/album/muy-duro-vol-3

Photography by www.elenakulikova.com

PREMIERE: Thomass Jackson & Cornelius Doctor - Alcachofas [Duro]

Avocado Dreams

Cenote

Label, booking agency & online record shop

Demo submission: 
We receive a lot of demos every day. Please understand that we are unable to listen to everything. Send your private soundcloud link to: label@kompakt.fm.