Nicol - Analogue Vertigo

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "DC Salas - Voces EP (Live At Robert Johnson)". Out December 09th 2022. Buy here: https://dcsalas.bandcamp.com/album/voces

Brussel's beat smith DC SALAS is back on the block - the Robert Johnson block that is! His 3rd release for LIVE AT ROBERT JOHNSON is also his 20th official release to date - so we have two things to celebrate spread over Diego Cortez Salas' powerful four-tracks EP called 'Voces'.
Let's start with the title track: 'Voces' is a call to alarm right from the beginning with its stabbing synth bass line and sirens. Add a couple of drum breaks and a heavy beat - et voilà: You have the first of four tunes to jump up and down to. Et oui, Salas surely knows how to built tension in a track - even in a voiceless track named 'Voces'.
Next up is 'The Lights' - and oh boy does Salas turn them on! These are quite trippy lights with a sound that could easily come from a twisted didgeridoo … The beat of 'The Lights' is (of course) groovy as f*** - excuse our French. So let's turn on 'The Lights'!
B-side opener 'Metallic Glow' does just that: The track glows in bright metallic from the first second and features plenty of crazy sounds to do a crazy dance. Did we mention the groove? No? Well … just listen.
For 'Safe Pace' Diego pulls out beautiful percussive elements and the 303 thus surfing on a not so safe pace to be honest: The last track of 'Voces' is as fast and demanding as all the others.
DC Salas again manages to build four really solid stompers to set any dancefloor on fire - these are REALLY SERIOUS SOUNDS you all should listen and dance to. NOW.

Artist social media:

https://soundcloud.com/dc-salas
https://www.facebook.com/dcsalasmusic

Label social media:

https://www.facebook.com/liveatrobertjohnson
https://www.instagram.com/robertjohnsonclub
https://soundcloud.com/live-at-robert-johnson
http://www.robert-johnson.de

Voces EP

The Lights

PREMIERE : DC Salas - The Lights (Live At Robert Johnson)

Buy/stream: https://kompakt.fm/releases/velvet_desert_music_vol_3_lp_7_dl

Kompakt unveils the third volume of Jörg Burger’s “Velvet Desert Music” compilation series, dedicated to music that hits the sweet spot between the cinematic, the (pop) ambient, and the psychedelic. With “Velvet Desert Music Vol. 3”, Burger and his friends wander afar, taking trips away from, or adjacent to, the dancefloor that’s acted so long as the crucible for the Kompakt aesthetic. Like its predecessors, it’s a gorgeous, lambent collection of late-night mood music.

Because it’s such a broad church, “Velvet Desert Music” admits all kinds of new experiences, as well, with Burger looking for music that “goes beyond the desert to explore different corners of the velvet universe”. Indeed, of all the volumes in the series, this third installment feels closest to an album made by a true collective. The roster has changed, with new contributors Flug 8 and Seb Martel, both with his trio Las Ondas Marteles and with Chocolate Genius and Zsela as La Finca, joining regulars The Novotones, Mount Obsidian, The Golden Bug, Paulor and Sascha Funke.

Burger himself shows up alongside Fritz Ackermann of The Novotones and Max Würden and Thore Pfeiffer, in The Velvet Circle. Their contributions are pure lush life electronica: “Our Tribe” hitches a ride with a low-slung groove, flickering psychedelic reels of acoustic guitar traipsing across moody bass and taffeta layers of drone; their opening remix of Flug 8’s “Puerto Rico” gently introduces the album with softly tangling electronic tones, while guitars, drenched in reverb, pirouette in the background. Mount Obsidian’s remix of Burger´s The Black Frame “Sacrosanct” spins around the listeners ears like a kaleidoscope catching the reflections the sun makes in San Luis Potosí’s ornately decorated churches.

La Finca’s electronics and voice miniature, “What Clouds Say”, is a masterclass in poetic restraint; Martel’s “Dark Mambo”, remixed by Burger, is one of the collection’s big surprises, for it indeed does what the title says, a drifting, surrealist take on the mambo form, full of pensive chords, rich with unrequited longing, a breathy saxophone whispering under the song’s sly rhythmic carriage.

Old friends reappear, too: Golden Bug’s “Es Cucuruc” is a muted slow burner. The Novotones chime in with a slyly propulsive, Krautrock-esque charmer, “Liberty Bell”, and the guitar-led tone-drift of “Valley of Oblivion”; Paulor’s “The Last Coke in the Desert” is a chiming, lilting dreamscape; Mount Obsidian are joined again by vocalist Charlotte Jestaedt for two modern takes on early-hours art song, „Fade“ and „Marole“, the closing track of the compilation, which is a spooked requiem for times passed. Sascha Funke’s “Mathias Rust” is a lavish dancefloor dream, vocal samples drifting through the song as it slowly envelops the listener in its opulent radiance.

What’s most compelling about “Velvet Desert Music Vol. 3”, perhaps, is the way everything sits together so tightly, so neatly – it’s the album in the series so far that feels the most like it’s been made by collaborators in one long, playful session of experiment and exploration; everyone’s on the same page, exploring the fractured wastelands, dust squalls, sunburnt scapes and psychedelic cacti of the psyche; burnt sienna, desert lilies and willows, fairy dusters, yucca and greasewood… an extravagance of blooming, riotous colour, erupting from the sun-cracked landscapes within each of us.

This is just a taste of the rich pleasures of Velvet Desert Music Vol. 3, a triumph of a compilation that takes the psychedelic visions of its predecessors and looks for the desert within, a dusty kiss, a road-movie hallucination flickering on the listener’s eyelids, a cinematic projection from deep inside the mind.

Velvet Desert Music Vol. 3

Mathias Rust

Sascha Funke - Mathias Rust

Mattia Tuliozi in arte Tulioxi live performer e produttore di musica elettronica, rilascia per OneHour uno spettacolare live set in chiave indie dance e nu disco, con sonorità tribali e ipnotiche che intersecano le ritmiche delle batterie. Live set potente da sentire e da vedere, un vero performer.

1HR - OneHour w/ Tulioxi (Live) - Ep. 49

@pvlomo - Infraworld
Label - @darkroomdubs

All Sinchi premieres available on 
Soundcloud: https://soundcloud.com/sinchicollective 
Spotify- https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG

Pvlomo - Infraworld EP [Darkroom Dubs]

♫ Info + Buy ♫

PREMIERE – Pvlomo – Infraworld (Darkroom Dubs)

@bayaputra & @chrismasseymusic - Anila dancer
Label - @sprechenmusic

All Sinchi premieres available on 
Soundcloud: https://soundcloud.com/sinchicollective 
Spotify- https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG

PREMIERE - Bayu Putra & Massey - Anila Dancer (Sprechen)

A year of nightmare for civilians. All proceeds from this EP will be donated to the humanitarian crisis in the Middle East through www.bonheur.ch/collectes/crise-humanitaire-au-proche-orient/

Ripperton - Breaking Waves

ECOUL167 By Francesco Tamburrano (@ft-dubtechno)
.
https://ecoulsnd.bandcamp.com/album/poliedrica

Francesco Tamburrano - Iconica (Preview)

See the most expensive headphone on Amazon: https://amzn.to/3JwXv7Z

Minimal techno at 112 BPM with a steady, dry 4/4 kick, subtle sub-bass, crisp hi-hats, and tight percussive loops, The oud plays repetitive, plucked phrases with natural resonance and slight microtonal inflections, blending organically with the groove, No melodic lead, just evolving textures and rhythmic interplay between electronic elements and the oud, Sparse delays and reverb, used tastefully to keep the atmosphere minimal and focused, No vocals, no cinematic or industrial elements — pure stripped-back groove with a touch of traditional warmth.

#minimaltechno #technomusic  @DeepPulseBass 

Minimal Techno + Oud (Middle East) | Electronic Techno Music

Minimal Techno + Oud (Middle East) | Electronic Techno Music

Nomadic Dreams

A strong horse gallops over the rolling hills of the Bittersweet Strasse. As the mysterious stallion chases across the sheer endless plains of oriental allure, it finally reaches the elephantine peak; where the Gulyabani Blues converges with a mysterious cordyceps species, whom are particularly abundant and diverse in humid temperate and tropical forests. With BLOOM oriental blues brother AS SMOOTH AS
delivers a powerful debut on BELLY DANCE SERVICES. Concepted for worldwide belly dance fun, the Belgrade/Istanbul based producer Sertac Ogul takes us on a steady joyride through dark wavy synth loops, rolling percussions and intense drumbeats. Disco Halal's Kincaid joins the Belly Dance Squad with a sharp remix of the EP's title hero BLOOM, giving his version an extra pinch of darkness and creating an unresistable lowkey dance track.

https://soundcloud.com/assmoothasas
https://soundcloud.com/kincaidofficial
https://soundcloud.com/bellydanceservices

Pre - order

PRÈMIÉRE: As Smooth As - "Bloom" (Kincaid "Cordyceps" Remix)[Belly Dance Services ]

Label, booking agency & online record shop

Demo submission: 
We receive a lot of demos every day. Please understand that we are unable to listen to everything. Send your private soundcloud link to: label@kompakt.fm.