Ambiente

Probemo esta wea

Taking care of our Ghosts
We asked grief how it felt to make us smile
We use the holes they carved for resonance
We dress a new trope for each name
Spellbound by memories
Held by rituals
Noir with hope & grateful for occasions

Africa, RDC, +256, on est ensemble

Cover: Yann Biscaut

Support

01 OCCASIONS OF LOVE

lentil

freeform jazz

South Side (feat. Shing02)

Retrato Mal Hablado

Árbol de Limones

A Buen Encendedor (feat. Bufalo Dit & Ed Neidhardt)

Jazzy instrumental hip hop with intricate frantic percussion evolves much like my own electronic music journey, into music with a lot of kick drums (and intricate frantic percussion).

skylight - konfluence

Eastern Sounds (Remastered)

Love Theme (From "Spartacus")

Broshuda’s infamous social vocabulary is filled with obscure terminology and coded cross references to the likes of “Ambient Punk”, “Glambient" and “Aquatic Romanticism”. These might come as bizarre attempts to define his peculiar and hard to pin down style of electronic music, while simultaneously mocking the need to market music through highfaluting press and academia- approved labels. This same skewed ambiguity informs much of the berlin-based producer’s creative attitude and the rest of his output, for his first release for Haunter Records generating pieces of apparent simplicity that gradually unravel to engage in complex emotional vignettes, drawing from a limited pool of sound sources while paying a great deal of attention to detail in the construction of sound and temporal structure. Subtly tweaking and rearranging the focus, he emphasizes the background’s definition while meditating on blurring and masquerading what should have been foreground into new forms and shapes, evoking a world of hallucinatory sonical flora steadily in flux, descending and ascending through thick layers of shifting motions and memories, touching upon multitude of non-places along the way. An array of tools and techniques on display akin to those of classic dub, contemporary sound design on obscure and random equipment and post-rave power ambient poems, coalescing with a pronounced melodic element, giving the release a profoundly introspective and earthy character.

Broshuda -  Goscha (w/ Vuptes) [FROM SPCTR009 - BROSHUDA - JEMI / OUT FEB 16, 2018]

REACHED THE DOWNLOAD LIMIT, YOU CAN GET IT HERE: http://krts.bandcamp.com/track/until-the-colours-come-krts-recoloured  Just messing around the studio and somehow decided to do this.  Nothing major, nothing too epic.  Just a fun smoothy.  If you enjoy it, play it, and play it loud.  Be ready though for the first LP on Project: Mooncircle, "The Dread of an Unknown Evil". Snippets here: http://soundcloud.com/projectmooncircle/pmc108-krts-the-dread-of-an-unknown-evil

Until the Colours Come (KRTS Recoloured)

“A Typical Night in the Pit” is a collection of new music by Los Angeles’ Nick Malkin. It is an album that finds the artist absorbed in the density and chaos of the urban complex. It is unquestionably an “LA album,” but not the LA of hi-fi listening bars and twinkling, Instagram-ready New Age. Rather, Malkin navigates something more akin to the LA found in the films of Robert Altman or Alan Rudolph— overheated, tense, hazy, frayed— with blue-lit, nocturnal compositions that at times recall Mark Isham’s noirish scores for those subversive (anti-)Hollywood pictures. Enlisting a revolving cast of LA experimentalists, Malkin has assembled a record that is as chameleonic as it is cohesive, offering up vignettes ranging from the skewed MIDI-jazz of “Sixth Street Conversation” to the skulking menace of “Estacionamiento Privado,” before giving way to the wide-eyed, cloudy closer “View From Two Perspectives.” C’mon, let’s go in here and get outta this heat.

Releases January 17, 2020
Mastered by Kassian Troyer at D&M
Artwork by Alex McCullough and Niall Wynne Lewis

https://sodagong.bandcamp.com/album/a-typical-night-in-the-pit

Nick Malkin - Perfect Terminal

confluence is defined as the meeting of two or more forms to create something new and indistinct such as when rivers meet the sea, each individual part losing its identity and becoming part of a greater whole.
konfluence takes this philosophy and applies it to bass music, seamlessly fusing genres and styles into something new.

starting his bass music journey in dubstep he was quickly introduced to jungle, dub, drum n bass, tech house followed by uk funky, trap and bassline. after further years of delving into all the corners of dark dance music he could find he's landed on a sound fusing glitch hop, ghetto funk, tech house, techno and bass house with smatterings of all his earlier influences and many more. it comes together to create bass music not quite like anything you've heard before.

@krischan-uk for lighter and older productions/mixes