Split Sheets

MAMA & DADDY track on I-TEARBAHN debut E.P "POSITIVE MENTALITY".

I-TEARBAHN_MAMA& DADDY (SHUMBA PRODUCTIONS +27747290202)[2]

This track have elements of R&B and Soul with a fusion of Hip Hop. The song is all about giving thanks to our Mothers. #BLACK WOMAN IS GOD!
EMPRESS AMANDA, KEYLOW & KONGO

MAMA NGUWE

Maximum Stylez Records & Publishing Music 2018

GENERAL ZONE RIDDIM

12 Star General

12 STAR GENERAL

Mitah Sperepere

Mitah Sprerepere

[Verse 1: XXXTENTACION] Yeah, me haffi
Big up, yuh
Big up, yuh, big up, yuh
Like Kiara and Lanthia
Use bad man for their bread when the mortgage up
Big up, yuh
Big up, yuh, big up, yuh
Gyal, you’re my Kingston
How come everybody wanna hear me on this one?
Man, what’s cool is that the shit change
When you use me for the money and the cars, yeah the big range
Yeah, it’s funny how shit change
Poor shorty wanna young nigga drawers, that shit stains
In a poor house, fiscane
Now I’m in the coupe with a crib, niggas Chris Paine
Never can’t forget all the nights it was just pain
Now I’m finna come for the throne, don’t forget, mane
[Chorus: Ky-Mani Marley] Royalty, inna mi bloodline
Dem soldiers yell on these front lines
Don’t know why, know why
But demons come to test us sometimes
In my scheme from longtime
Defeat where you’re confined
[Verse 2: Stefflon Don] Nuff tings a get lock arff
Iced out rings nah come off
Clean from me born, tell a gyal she fi chuck off
We can’t stall, we a rise, we a take off
(We make the boys do wha’ dem a do)
‘Cause the gyal a set trends
Name just a bubble pon the endz
Tic, me a toc pon the sumtin ’til it bend
We no friend badmind, we no ‘fraid of dem (We no ‘fraid)
Win, we a win ’til the end
[Chorus: Ky-Mani Marley] Royalty, inna mi bloodline
Dem soldiers yell on these front lines
Don’t know why, know why
But demons come to test us sometimes
In my scheme from longtime
Defeat where you’re confined
[Verse 3: Vybz Kartel] His Imperial Majesty, Haile Selassie, so we royal
Triple X crew, so we loyal
Big body, fat pussy, broad gyal
Come here, back it up gyal, buss a whine, mhm
Bend up inna 10 and inna 9, mhm hm
Miami gyal, Caribbean whine
Yardie say, you a real buddy bruka
Yankie say, you a bad muh fucka
Ky-Mani, who waan fi war?
We can work the army
War like Irani
Man grimy, crimy
Can’t style me, parrie
Man Triple X to Tentacion
Pull up on dem endz deh like taxi man
Nah spray cologne, we spray hot metal
Cho man!
Real bad man like Sandokan
Real hot gyal badman go pon
Anweh we walk, the street govern
No fairytale, no Alice, no Peter Pan
Versace style, Louis V pattern
We strike the street hard, no FIFA
Plan kick you from Mobay, Halfway Tree you land
We born fi get dough, no need no man
We life a sort, ask the reader man
We balls a work, we a the breeder and
Nah laugh with it, badman Riddim
Smoke high grade and fly like pigeon
Real badman, we no haffi have image
Score like scrimmage inna any gyal village
Fuck dem wicked and squeeze out liquid
Sharp shooter like big lip bigot
Haffi live twice fi do things that they did
TJ, tell dem we’re wild and wicked!
[Chorus: Ky-Mani Marley] Royalty, inna mi bloodline
Dem soldiers yell on these front lines
Don’t know why, know why
But demons come to test us sometimes
In my scheme from longtime
Defeat where you’re confined

Royalty (feat. Ky-Mani Marley, Stefflon Don & Vybz Kartel) - Single

XXXTENTACION - Royalty (feat. Ky-Mani Marley, Stefflon Don & Vybz Kartel)

Inhliziyo - Ft Rasmelody

For more I-Tearbahn Music follow:

https://www.youtube.com/channel/UC9O63sCp5kJqn8sbdJbY1VA
https://soundcloud.com/itearbahn 
https://audiomack.com/artist/itearbah...
https://www.facebook.com/ITEARBAHN/  https://www.reverbnation.com/itearbahn

Single

PRESS MI BUTTON

Botafish

Black Dillinger - Botafish

Kongo is an upcoming South African Reggea/Dancehall artist born 23 July. Hails from Soweto & grew up in  Alexandra, Kongo Matriculated in Vosloorus where he fell in love with music, particularly reggea and dancehall genre. Technically speaking Kongo never got an opportunity to study music but he had to teach himself how to wrtie songs and sing, with the ability to play around with his voice. Kongo Music is too political addressing the socio-economic issues facing South Africa, and such issues are articulated in his Zulu Mother tounge. This artist is versatile with his capability to fuse different types of genres and sing in different langauges. Kongo only had an opportunity to perform his unrecorded songs, but recently attempted to manage his time and compress his busy schedule in order to make time for studio recordings.

MAMA NGUWE

KONGO FAYA

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