The more I listen to it the more I like it. This parts is great!!

Fantastisches Stück!❤️👍 Diese ziemlich komplexe melodie fliesst wunderbar leicht dahin! Eine Freude zuzuhören!

very beautiful piano and very emotional and passionate 👏👏👏❤️🙂

Amazing work..just floats so beautifully!

I love this track because it dances with vibrant joy, each piano note a sparkling farewell that lifts the spirit and celebrates the promise of new beginnings.😍

Magnificent context for this beautiful piano piece

Amazing composition Konrad! It has every bit of that leaving feel, striving toward that new bright beginning!😊 Wonderful job, you're talented!👏🏻

Wow! So gorgeous. I would love to sit and marvel at this track played live with a coffee and a comfortable chair. So Great!

Janne Hennie

Scores to this track can be found at https://www.youtube.com/watch?v=ZNskWHKp_kE.

This piano piece is dedicated to all people that need to leave. Their homes, their loved ones, their lifes that they had so far. Because they see no future, because some regime presses them to go to war, because they have broken with their loved ones. All the best to you and may you find a new home!

Compositionwise: The piece is structured into 4 parts (starting @0:02, @0:45, @1:38 and @2:44). Each of the parts starts with a question-like motive built around Ninths. As with most of my pieces, I investigate applied perturbation theory also in this track by starting these 4 parts almost – but only almost – with the same notes and exploring, how initially tiny tweaks in the beginning of the parts evolve over time into distinctly different melodies, harmonics and moods.
Overall, the piece constantly oscillates between melancholic minor and consoling major harmonies and periods of relative calm interrupted by more restless forward driving parts. The transitions between the parts are made more seamless by ritardandos and by question-answer pairs such as e.g, @ 1:28 or @ 2:33. Most of the accompaignment in the left hand is in Vienna classic-like triad decompositions but for the climax of the track starting @ 2:02, the left hand switches to rock-piano-like octave jumps to increase the sense of emotional agitation. The track starts in A major and ends in Eb major which is said to be a warm and melancholic tonality. Tthe two keys are opposite each other (6 jumps away), so I guess, this is the maximum range of modulation possible to emphasize the sense of distance and leaving. 
The track can also be found on Spotify and on Youtube. Enjoy!

Leaving (Solo Piano)

Eternal Light

Cast of Characters:
TexMex Shaman–@texmex-shaman –Stephen–guitar, mix, and production

J.J. Terrell–@j-j-terrell –electric piano, organ, and arrangement

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

Llanpsych–@llanpsych –Tez–guitar

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass, guitar, arrangement

  This is a song that began as a drum track that Ken came up initially as a beat for another SoundCloud user, who respectfully declined it. Instead of letting a solid track go to waste, Ken set it loose with JJ and Josh, who came up with an arrangement for the music over top of what they felt was a very killer beat. What was originally a jam, turned into a showcase of the entire Eclectic Collective. Josh also did some guitar work in this one, and with Stephen's brilliant harmony, came up with the opening theme that reoccurs about halfway through. His guitar can also be heard briefly right after the opening theme. Along with Stephen's other half of the theme, he is also responsible for the dynamic, climactic leads through most of it. Tez added his incendiary guitar to the final section, when all else was said and done, as a cherry on top. After all the tracks were in the digital can, we were lucky enough to have Stephen produce and mix it for us. 

  We hope you all had a wonderful Thanksgiving and are looking forward to the winter holidays. We also hope you enjoy this ride as much as we enjoyed assembling the vehicle.

Helium Weights (Eclectic Collective)

zerosan

Original by Kris Kristofferson 1972              
vocals: Janne Hennie 
all instruments: Little Man (pj project)

Why Me   W/PJ Project

Sound of the Summer Sky

Hatsukoi - Joe Hisaishi - Piano Cover

Hatsukoi means "First love" in Japanese. It is a beautiful gem of a piece composed by Joe Hisaishi.

Hatsukoi - Joe Hisaishi - Piano Cover

It has been a minute since Jeff and I have done anything wacky (I'm in the process of moving and it is a time consuming thing) so I was really glad to see this one come together.  I had sent him the main riff that makes up the song and he colored it inside and outside the lines as only he can. The result is 'The Sea Shanty One".  Listen as the Siren’s song calls throughout the journey. We ain’t fall for it though 











Ok

The Sea Shanty One - w/Stonerjazz

I love the image of castles sitting on top of the clouds, drifting off into the horizon, echoing the fantastical lore of faraway worlds across the hills and valleys, streams and skies to dreamers like me.

Castles in the Sky

Anger's always wrong
Fits of rage
I need some gentleness, self control

Love, Love, Anger's always wrong
Sing my song, that's never wrong
I want to see your light, I want to see it, I want to see the light
Show me something like I've never seen before
Don't shut the door

Some turning point
Some turning point
Some turning point

Tell me what to do to get next to you
Tell me what to do to get close to you
Show me some mercy
Tired of being a slave
Slave to this frustration
Can't get away, can't escape
Words like freedom calm my nerves

Get away from me anger
You're always wrong

Sing my song, that's never wrong
I want to see your light, I want to see it, I want to see the light
Show me something like I've never seen before

Tell me what to do to get close to you
Anger is always wrong
Fits of rage now
Self control - Love
Insecurities, Insecure, Insecurities

Some turning point
Some turning point
Tell me what to do to get next to you

trampolines in barns

Some Turning Point

Many thanks to Remnant60 for adding some sound effects.

Evening Mood II (feat. Remnant60)

Montage et photographies : 
© 2024, Chartrand Saint-Louis
Lien vers la vidéo : https://youtu.be/Uk8-jMGQQtE 

Musique :
© 2024, pièce de piano, titre : "Une rivière aux multiples facettes", par Albert, 1:21 min.

Mixage, révision et sonorisation par Albert

Une rivière aux multiples facettes

"Une rivière aux multiples facettes", par Albert; Mixage, rév. et sono. par Albert [lien vidéo]

No Power

Piano 4-7

Euroraver - Piano

The piano is not just an instrument; it is a storyteller. My lifelong companion. Each piece holds the memory of a moment in time, of a period in life. Here, I share my personal journey—one miniature, one experiment, one story at a time.

I’m Konrad Spittelberg, 52 years old. Though I’ve always called Vienna my home, I have pursued various interests, building an interdisciplinary background that spans education in Latin and Greek, studies of Mathematics, Physics and Economics and a carreer in Consulting and Risk Management. Sometimes, you might also find me immersed in games of Go, Chess or D&D. 

But only when I’m not making music. Of course. Still then, all of my interests have shaped the way I think — and, in turn, the way I compose.

The instrument of my life is the piano. I play it since the age of six, the first 16 in music school with my dedicated teacher Margarete Gerlach (and also thanks to the city of Vienna to the incredible publicly funded music schools!). My piano playing saw multiyear interruptions due to travel and workload. But in recent years I’ve found the time to pursue my passion again—with renewed joy. I devote many of my evenings to developing, refining and rehearsing my piano miniatures. 

I inhale music wherever I find it. In the echoes of Renaissance motets or contemporary cluster music with my local choir, which I joined 30 years ago. In music running in the background of a fashion store which I Shazaam for later enjoyment. Or live concerts - there are so many gifted artists in the world! 

My music is a dialogue between tradition and exploration. Rooted in classical and romantic traditions, it ventures into jazz, rock, and pop.  I love to experiment—playing with unexpected tonalities, syncopated rhythms, and dynamic contrasts. My compositions often evolve through shifts in tension, rhythmic complexity, and harmonic modulations, sometimes venturing across the circle of fifths. I’m also diving deeper into the art of mastering, an area where I still have much to explore.

If my music speaks to you, I’d love for you to follow my journey. Follow along, share your thoughts—whether in appreciation or in challenge. Music, after all, is meant to be a conversation—and I’d love to hear your voice in it.
Enjoy your time with my music! 
Contact: konrad.spittelberg@gmail.com
Spotify and Youtube: https:\\konrad-spittelberg.carrd.co

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Leaving (Solo Piano)

Konrad Spittelberg

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