This piece is the third song of Christ Our Saviour - Christmas Carols. The text is based on a 15th-century English carol with some adaptations. The text interweaves a narrator's voice with that of Mary, proclaiming the Good News of Jesus' birth. Mary's gentle lullaby responds to the narrative with overflowing love for the newborn Christ. Text follows:

Lullay, My Liking
(Modern English version)

Verse 1
I saw a fair maiden sit and sing,
She lulled a little child, a sweet young King.

Lullay, lullay, my dear Son, my liking,
Lullay, lullay, my dear heart, my darling
My own sweet darling.


Verse 2
That very Lord is He who made all things,
Of all lords He is Lord, of all kings He is King.

Lullay, lullay, my dear Son, my liking,
Lullay, lullay, my dear heart, my darling
My own sweet darling.

Verse 3
There was much melody at that Child’s birth,
All who dwell in Heaven made great mirth.

Lullay, lullay, lullay, lullay.
My dear Son, my dear heart.

Verse 4
Angels bright sang through the night,
And said to that Child: “Blessed be Thou”

O Light of Light, blessed be Thou.
O Light of Light, the world’s true Light.

Lullay, lullay, lullay, lullay. 
Hope is born to end the night.

(Hum)
My own sweet darling.

Photo credit: Luna Wang on Unsplash

Lullay, My Liking

A song with questions about life that everyone has to answer for themselves.

Do You Know What Life Is

A composition for string orchestra - a genre I have always liked since my early days of composition when all I had was a four-track cassette tape machine and a SIEL Orchestra 2 synthesiser with quite crude but sometimes evocative sounds... This demo plays the first half. If you are good string orchestra or a film maker interested in good theme music than we may be able to work together!

Purple Waltz

"I have come here to chew bubblegum and kickass." - 1988

1988 (Timeless Journey)

Starlight & Porcelain – Original Soundtrack by Johny Borges

Starlight & Porcelain was composed for Seraphboros, capturing the ethereal presence of Vigil, a seraphim inhabiting a porcelain doll in the distant realm of New Eden.

Let's collaborate! 🎶

🎵 VGen:  https://vgen.co/Johny_Borges
💼 Fiverr: https://www.fiverr.com/johnyborges
 Instagram: @johny_borgs
 Twitter: @hesjohny

Starlight & Porcelain

Ballad in Dm — a raw, emotional instrumental built around a soft piano motif and ambient textures. A slow-burning ballad in D minor: intimate, cinematic, and aching with space for a voice to soar. A Composer’s Archive original.”

Made in Dorico — no DAW used.


Ballad in Dm

Character theme for a wanderer stepping through a desert portal into an enchanted garden. A blend of cinematic strings, harp, and atmospheric magic.

Sandbloom

Track 2 from my upcoming full-length original score for the first book in my fantasy/comedy series 'Horn-Horn'.

A great accompaniment to the book's prologue, we descend through the clouds into the ice kingdom of the Palace of Danube, protected beneath a magical ice dome. Within, the residents sing their national anthem.

Lyrics:

"I lost the will to fight for my cause
When the ogres settled down,
Called this land their own.

I didn’t know where to go,
But then the people, they called me
Back to Danube thus to stay.

Vikings, they ruled our planet
Well deserved
And if one might say the truth,
Let them serve.

Our mighty nation stands to rule
Peacefully, undisturbed
’Til the end of time.

Let us hold hands and say:

Danube
Great and mighty
Fallen, never
Ice, stand tall on our behalf
Pledge your hopes, fears and love into our dome town
Never to leave
Always home if you need
The great palace of Danube.

Danube!

Danube."

Music & Lyrics composed by Tommy Lellan (C) 2025

Prologue [Danube Anthem] - "The Horn-Horn Series"

gloomy

Un fragment de l'ancienne égypte...
Hennoutsen; la reine courtisane... Une histoire bien triste qu'Hérodote nous transmet...



hennoutsen

A cinematic Christmas journey carried on the wings of a full symphonic orchestra.
"Where Angels Leave Footprints" begins as a simple piano meditation—an original melody and harmonic foundation—then blossoms into a sweeping film-score tapestry of lush strings, extended harmonies, and breathtaking emotional depth.
This instrumental piece weaves pop sensibilities into symphonic grandeur: intimate verses that swell into soaring choruses, carried by broad legato string lines and romantic orchestral colors. It's the sound of snow falling over candlelit villages, of reunions and quiet miracles, of everything Christmas feels but words can't capture.
Born from human composition and elevated through AI orchestration, this track brings film-score magic to your holiday season.
Close your eyes. Let the strings carry you home.

Where Angels Leave Footprints

Step into a winter wonderland where the golden age of swing meets the magic of Christmas! "Snowflakes & Brass" is an original instrumental composition that wraps the warmth of the holiday season in velvet brass and dancing rhythms.
Born from an original melody and chord progression crafted with pure Christmas joy in mind, this track was then brought to life through AI-assisted orchestration, allowing the spirit of the big band era to breathe new life into the festive season. Picture snowfall outside frosted windows, a crackling fire, and a room full of people ready to swing the night away.
Featuring lush horn arrangements, walking bass lines, shimmering piano fills, and that unmistakable swinging shuffle, this piece captures everything we love about both vintage jazz and Christmas cheer—wrapped up in one irresistible package.
Perfect for holiday parties, cozy evenings, or anyone who believes Christmas deserves a little more brass and a lot more rhythm.
An original composition enhanced by AI creativity. Human heart, machine magic.

Snowflakes and Brass

Hi everyone! I composed a track inspired by my favorite game of this year, Silksong. The strings I used ended up feeling a bit too romantic compared to the game's musical style, I layered Cinematic Studio Strings and Spitfire Chamber Strings but I plan to test VSL Synchron Elite Strings in my future works. I believe Christopher Larkin uses VSL too, though I'm not sure which library exactly. I also recall reading that he uses Lexicon reverbs, although I usually prefer Bricasti M7 type reverbs for orchestral works, I used Softube's Lexicon emulations for this piece: RC-24 and RC-48. Hope you enjoy it, thanks for listening!

Wanderer Crest - Hollow Knight: Silksong Fan-Made Soundtrack

Downlioad

Water Level Type Beat - Franklin Would

Which Tasks Should I Start First? - Franklin Would

Hi there and welcome to my latest release, 'A Christmas Carol'

Every year I try to write a few different Christmas tracks.  I really enjoy the challenge of writing Christmas tracks as it helps me reflect and gets me in the mood for this special time of year. I really hope one day that one of my tracks will attract the attention of someone that wants to use my music,  either for a stage productions, as short film or perhaps a Christmas concert. 

In this track I hope to portray some of the themes I feel could work for 'A Christmas Carol' This track took a lot of work and there are 50 or so instruments in total. I am really please with the finished track, but do wonder if I may need to create a part II to continue the story.

I hope you enjoy my creation and that it helps you to get ready for Christmas.

Comments and feedback most welcome

Thanks for listening

Peace, Love & Respect

Matt

A Christmas Carol - Matt Baker

Accompanying Music Video:
https://www.youtube.com/watch?v=2AQUS9c-51Q

A basic, rock trio presents a new remixed version of "Chris is a Fool". The story of a man named Chris dealing with job searching, but making a fool out of himself.

Digital Single: A-Side
Written and performed by Cherry Street
Recorded from November 2019 to January 2020

Personnel:
Eddison Buenano: Electric Guitars, Lead & Backing Vocals
Raymond A. Corriea: Bass, Harmony & Backing Vocals
Jeffrey Wickun: Keyboards
Christopher Antonucci: Drums

Mixed & Mastered by Jeff Wickun: January 14, 2023
Jeff Wickun: @jeffwickunmusic

Date Uploaded: December 5, 2025

Chris is a Fool (2023 Mix)

"tell me you've watched spirited away without telling me you've watched spirited away" kinda song..

daydreaming

Experience across Music and Media Industries. Always interested in new ways to compose. 

Please consider visiting my page for commissions and works.- https://johnyborges.carrd.co/

Songwriter, singer, composer, and regular writer from Melbourne, Australia.
www.tommylellan.com

Producer & Visual Artist 

for booking, questions, collab or artwork : 
franklinwould@gmail.com

Franklin Would, a multidisciplinary artist based in Montreal, has been immersed in music production for over 10 years. Captivated by the power of PK Sound systems a few years ago, he shifted toward a deeper & bass-heavy Dubstep sound while retaining strong influences from his early days in Phonk/Trap. His productions and mixes, rich with deep basslines, are also heavily inspired by Hip Hop, a genre that remains at the core of his creativity. Primarily playing 140 Deep Dub, Dubstep and Trap, he also surprises his audience with touches of Drum & Bass, UKG, and Experimental Bass/Space Bass.

Beyond his musical work, Franklin Would excels as a visual artist, mastering mediums such as Photoshop, acrylic, watercolor, and aerosol painting. He has collaborated with renowned platforms like Underpressure and Décover Magazine. As a performer, he has opened for artists such as Flamingosis at Newspeak and Smal B at Redroom. His involvement extends beyond music, as he also organizes events, notably with CAdB, where he oversees artistic direction.

for booking, questions, collab or artwork : 
franklinwould@gmail.com

Charagma is a late‑life composer who began with re‑arrangements and grew into original works, weaving rustic realism and humor into every track. His archive is a living cycle of runes—each song carrying its own backstory, whether comic relief (Billy Bob and His Truck), adaptation under pressure (How Soon Is Now), or ballads of absence (Not Home for Christmas).
Raised on rhythm guitar and shaped by family influences, Charagma’s music blends classical roots, folk storytelling, and experimental twists. Genres are never fixed—they’re playful, paradoxical, and often tagged with “…ish,” because only Charagma knows where the lines truly fall.
From contrabass spikes at 20Hz to choir adaptations and rustic ballads, his work is less about perfection and more about memory, humor, and ritual. Each track is a mark left behind—a charagma—echoing both the thunder of transformation and the quiet of echoes without thunder.

I write music for church choirs and musicians, using texts from old hymns or directly adapted from the Bible. All the songs posted here are set for SATB choir and piano, with the exception of a couple of duets. To preview sheet music, click on "Buy." You will be redirected to Sheet Music Plus. My latest songs, however, are not available there. Please email me at bellawumusic@gmail.com for purchasing details. 我寫教會詩班適用的合唱曲。在這網頁上你所聽到的詩歌，有些有中文翻譯版。在不久的將來也會把我其他中文詩歌上載。若有興趣購買，請與我聯絡。 bellawumusic@gmail.com

- Part Pianist, part composer, part poet, part IT technologies technician/programmer, 100% musician. -

Otoniel Rojas is a Dominican pianist and composer celebrated for his unique fusion of classical music with the rich rhythms of his homeland. Born in Santo Domingo, Dominican Republic, he was immersed in a vibrant musical environment from an early age. His father, an accomplished musician, served as the principal flutist and later as the piccolo player in the National Symphony Orchestra of the Dominican Republic, instilling in him a profound appreciation for music.

At just seven years old, Rojas began his formal music education at the National Conservatory of Music, initially focusing on the violin. Simultaneously, he nurtured a passion for the piano, teaching himself to play and developing exceptional sight-reading abilities. His prodigious talent quickly became evident as he accompanied his father in numerous public performances, church services, and television appearances across his native country.

Determined to refine his pianistic skills, Rojas pursued formal piano instruction, excelling in performance, counterpoint, music theory, and solfège at the conservatory. Despite his musical successes, he briefly explored an engineering career at the Universidad Autónoma de Santo Domingo (UASD). However, his unwavering dedication to music led him to resume his artistic journey.

Seeking broader horizons, Otoniel relocated to the United States to study at Brooklyn College of the City University of New York—a hub for international students and a springboard to esteemed institutions like Juilliard. Under the mentorship of acclaimed pianist Agustin Anievas, a celebrated American classical pianist known for his recordings of Chopin and Rachmaninoff. Under Anievas' tutelage, Rojas flourished, graduating with a Bachelor's degree in Piano Performance, earning the distinction of Cum Laude. His exceptional musicianship was recognized when he won the conservatory's piano competition, performing Beethoven's Piano Concerto No. 3 with the college orchestra.

Deeply involved in the college's musical community, Rojas participated in chamber music ensembles, served as a piano accompanist, and sang in both the specialized chamber choir and the conservatory choir. He expanded his compositional skills under the guidance of Robert Starer, an Austrian-born American composer known for his contributions to contemporary classical music. His collaboration with the university's ballet program led to his composition "A Passing of Time" being incorporated into the ballet's repertoire, which was performed internationally by the university ballet in Prague.

To further diversify his expertise, Rojas studied conducting with Karoly Kope, chamber music with Stoddard Lincoln and Marion Feldman—a distinguished cellist and professor at New York University—and delved into music history under H. Wiley Hitchcock, a leading authority on American music.

Upon returning to the Dominican Republic, Rojas continued to compose and perform. He was commissioned by the Sinfónica del Cibao to create "Mozartina," an orchestral piece that masterfully intertwines traditional merengue rhythms with themes from Mozart's "Jupiter" Symphony. The work features the tambora, a traditional Dominican percussion instrument, symbolizing a fusion of his classical training and cultural roots. "Mozartina" premiered with the Sinfónica del Cibao and was later performed in a revised version by the National Symphony Orchestra in Santo Domingo under the baton of Caonex Peguero, a prominent Dominican violinist/conductor/composer.

Today, Rojas continues to share his music with audiences worldwide. Through platforms like SoundCloud and published sheet music, he brings a unique blend of classical and Dominican musical traditions to listeners and performers alike. His journey reflects a lifelong dedication to music and a commitment to bridging cultures through his art.

Music has always been an integral part of my life. From my earliest memories, it has shaped how I express my emotions and bring my creative ideas to life. Whether it was hours spent with a slightly out-of-tune upright piano or strumming on my sister's guitar, I was hooked. While I struggled with traditional music theory and never quite mastered reading or writing music, my passion for sound and composition only grew.

My journey truly began with a Casio VL-Tone, a keyboard that allowed me to record simple melodies. Throughout my teenage years, I poured countless hours and resources into building my first collection of music gear, recording everything from theme songs to pop and punk covers with friends. In my early twenties, I played in several bands and immersed myself in the live music scene, which was a great experience but often came with late nights and long hours.

During this time, I also began exploring electronic music more seriously, acquiring my first proper setup: a Kawai keyboard, Technics sequencer, Alesis HR16 drum machine, and a Yamaha MT100 4-track recorder. These tools opened up new possibilities and inspired me to experiment with electronic music production and midi-based compositions.

A lifelong fan of science fiction, fantasy, and cinematic soundtracks, I soon found myself gravitating toward composing thematic music. Movies, being my second greatest passion, heavily influenced the direction of my creative work.

In my 30s, life’s demands shifted my focus toward career and family, but my love for music never waned. Entering my 40s, I had the opportunity to refocus, acquiring new gear and fully committing to my musical development. With the help of modern technology, I now have a home studio where I can bring my musical ideas to life with greater precision and depth.

My current setup includes a Korg Triton LE, Cubase 12, Nektar LE88, Steinberg UR824 interface, and an array of VSTs such as Kontakt, Halion Sonic SE, Retrologue, and EastWest Symphonic Choirs, among others. This home studio, built over nearly a decade, allows me to push creative boundaries and explore new sounds and compositions.

Based in Liverpool, I’m currently writing is almost every style. Rock songs for my band Inner Fire. Pop tracks inspired by the 80's and 90's. Theme music inspired by film and literature with the aspiration of one day scoring a full-length production. 

Since joining SoundCloud, I've had the privilege of connecting with talented musicians and creative minds from around the world. One of the most fulfilling collaborations has been with John Styles, where we’ve explored a wide range of musical genres. 

I’m also proud to serve as the principal composer for Music for Brains, a project dedicated to healing through music and creativity. Working on this project has been deeply rewarding, as it has allowed me to connect with individuals on an emotional level, crafting compositions inspired by their stories.

I’m always open to feedback and collaboration, as it helps me refine my craft. While working in the music industry is a dream, I am also a grateful family man, and the support of my loved ones plays a crucial role in fuelling my passion. I am thankful to have such a strong network of family and friends who encourage me to keep pursuing my musical ambitions.

If you're in need of music for a production or project, feel free to reach out. I would be excited to contribute my creativity and help bring your vision to life.

Thank you for taking the time to explore my music—I look forward to hearing from you.

Best regards,

Matt

Timeless Journey (Kelly Lavaux) is a self taught independent artist. If you like what you hear, please show your support - like, comment, post reviews and spread the word. #TimelessJourney #TimelessJourneyMusic

Composer:
Original Classical music for string orchestra, chamber ensembles and solo instruments (inc. piano). Original Folk music for various groups. Occasional forays into rock and jazz... renaissance and earlier…

Songwriter (singer / guitarist):
Songs of nature & myth (Celtic / Arthurian).

Artist & Designer:
Celtic Art and Design: Original designs, commissions, teaching and advice.
Original labyrinth designs and workshops.

To contact: follow links below...

I am a singer, songwriter, composer and producer. Select from my different styles like ambient music, German Retro hits, classic scores and modern songs. It is my passion to create soulful and melodic music.

Since I have already reached the limit of my free upload capacity I have to delete older tracks with less replays from time to time. Sorry for that!

Depuis ma chambre d'adolescent jusqu'à ma 23ème année, petit poucet rêveur, je sème des fragments de chansons sous mes pas.
Si mon univers t'intéresse, nous pouvons peut-être créer ensemble.
Basé à Rennes, jeune, amoureux de musique et motivé... Un bassiste, un guitariste et un batteur qui vibrent sur la même fréquence, voilà ce qu'il me manque...

New tracks tagged #Original Composition