Spotify: https://open.spotify.com/intl-de/album/3ROhTHrVNxzfcoLKJvhTbY
Youtube: https://www.youtube.com/watch?v=UjIFwZ_Puog


The inspiration for this track is a vision where I am not sure whether it is a faint memory from some childhood holiday or whether I have dreamt it  :
Standing on the edge of a rocky cliff, gazing out at the tumultuous ocean below. The waves crashing against the rocks with a thunderous roar, the force of the water sending a spray of mist and foam high into the air. In the distance a lone lighthouse
overlooking the scenery. A glimps of the power and majesty of nature and our own smallness in comparison. 

Composition-wise: The piece consists of three parts (@0:01, @0:59, @1:45) that always start with the same 5 note-motive but then develop into three distinct variations with different characteristics but throughout the track there is a certain sense of dramatic scenery.
The left hand is throughout the piece mostly in octave jumps (which became quite challenging condition-wise at the end of the piece) that segment the 4/4 beat into groups of 3-3-2 (the only notable exception is the part @0:35ff with its chromatic baseline).
The right hand alternates between lyric parts such as in the beginning or @0:59ff and rhythmic syncopic parts such as @2:30ff that leads to the final where the right hand preceeds the left hand by a beat to create a sense of energy.

The track has been recorded on a Roland FP-90 and mastered in Cubase by adding compressor, reverb, a Stereo enhancer and fiddling a bit with the EQ. 
The picture was created with Stable Diffusion.

Lighthouse On The Rocks (Solo Piano)

De nos jours, chacun d'entre nous accomplit des choses bien plus spectaculaires et plus complexes que par le passé. Savoir  imaginer, motiver, coordonner, sont pour beaucoup d'entre nous des objectifs.
Mais au présent, il faut reconnaître, que chacun « travaille » pour soi, et que hélas, les États se substituent aux volontés collectives et, l’individualisme est devenu roi. Chacun paie sa redevance dans tous les domaines et considère ainsi, avoir sa part de bonheur, sa part de liberté ....
Nous déléguons de ce fait, toutes les taches de la vie collective, et même trop souvent de la vie domestique, perdant ainsi la capacité d'avoir un semblant d'autonomie, et devenant dépendant de l'argent …. nous empilons les chèques, avec l'espoir d'une certaine tranquillité de vivre. Est-ce vraiment une bonne chose ? 
Je vous laisse méditer sur ces quelques lignes ....

Maintenant pour parler, de ce qui nous intéresse musicalement ici, vous pouvez écouter de cette nouvelle collaboration, avec notre ami David, qui donne avec sa guitare, tout son sens à cette logique harmonique conçue en égard à cette voix si belle et particulière de Clara Sorace.

Merci David d'avoir usé de ton temps pour cette excellente collaboration ….

Vous pouvez découvrir, ou le redécouvrir ici: @david-dunhamuser589535203
Participation virtuelle, au chant Clara Sorace: https://clarasorace.com/

*********************************************************************************************************

These days, each and every one of us achieves far more spectacular and complex things than in the past. Knowing how to imagine, motivate and coordinate is a goal for many of us.
But in the present, we have to recognize that everyone is "working" for himself, and that, alas, states are replacing collective wills, and individualism has become king. Everyone pays his or her dues in all areas, and thus considers that they have their share of happiness, their semblance of freedom ....
As a result, we delegate all the tasks of collective life, and all too often even domestic life, thus losing the ability to have any semblance of autonomy, and becoming dependent on money .... we pile up cheques, in the hope of a certain peace of living. Is this really a good thing? 
I'll leave you to meditate after reading these few lines ....

Now to talk about what interests us musically here, you can listen to this new collaboration, with our friend David, who gives with his guitar, all its meaning to this harmonic logic conceived in consideration of Clara Sorace's so beautiful and particular voice.

Thank you David for responding positively to my request, and for giving up your time for this excellent collaboration ....

You can discover or rediscover it here: @david-dunhamuser589535203
Virtual participation, singing Clara Sorace: https://clarasorace.com/

Shadow Or Light .... With David Dunham & Clara Sorace

Lyrics by Tony Harris
Vocals, Music & Mix by Glen Granthem
Poem that inspired Glen is listed below.

WOKE UP THIS MORNIN'	
THE SNOW WAS FALLIN'	
ICE WAS ON THE WINDOW	
CHILL FACTOR WAS TEN BELOW 	
	
I HAVE NOWHERE TO GO	
WHY WORRY ABOUT THE SNOW	
HAD A GOOD NIGHT'S REST	
I KNOW I'VE BEEN BLESSED 	
	
(CHORUS)	
AS I LOOK AT THE SNOW ON THE LAWN	
ANOTHER YEAR HAS COME AND GONE	
WE ALL HAVE SOME UPS AND DOWNS	
AS THE WORLD GOES ROUND 	
	
I HAVE A ROOF OVER MY HEAD	
AND A WARM COZY BED	
SHOES ON MY FEET	
AND PLENTY TO EAT	
	
LIFE IS VERY SHORT, MY FRIEND	
WE NEED TO ENJOY IT TO THE END	
GIVE SOMEONE A HELPIN' HAND	
YOU WILL BE BLESSED, IN THE END 	
	
(REPEAT CHORUS)	
	
2024 ©Lyrics by Tony Harris

Ups and Downs - Collab by Tony and Glenny G's One Man Band - Original

Blues from the Breeze

Words and Music Dave Rose
A song I wrote quite a while ago. I have recorded it a few ways but like this one the best I think. Final mix :)

Lyrics

Hello, how are you where you been Timbuktu 
I haven’t seen you since god knows when 
So how the hell are you 

Remember when this world was young 
Life was simple and so much fun 
And the sun it always shone and the days went on and on 

In the park playing seventeen a side 
And the game would only end when it got too dark to see the ball ⚽️ 
So we’d all head home ‘til we could do it all again 

Remember when this world was young 
Life was simple and so much fun 
The sun ☀️ it always shone and the days went on and on 

Remember the big lad he lived down my street 
He stole my tortoise 🐢 Tom and he stole your rabbit 🐇 Pete
So we surprised him once when we pushed him in the pond 
He couldn’t swim oh we nearly drowned him 

Well we’ve all grown up and moved on 
Got mortgages and wives and kids and so on 
And this life goes on 

Hello, how are you where’ve you been Timbuktu 
I haven’t seen you since god knows when 
So tell me how are you 
Tell me how are you 
Tell me how your doing 
Oh let’s keep in touch 
Let’s catch up 
Do you use facebook or twitter (x)
Or I could WhatsApp you or I could phone ☎️ you……..

Hello How Are You

Hello, How Are You

Still enjoying the re-read of Asimov's Foundation series. I found the cover art in the retro futuristic section of Pinterest - I'm sure it's AI generated. Love the colours!

All the guitar parts were played on a Fender Telecaster with Texas pickups.

Foundation And Empire

5 Star Highly Commended Entry in the 2024 UK Songwriting Contest
Vocals, Acoustic guitar, Electric guitar, Bass guitar - Graham Williams
Strings & Percussion - Cubase
Cover art inspired by Keith Haring

When you say that you love me, what I feeling I get,
When you say that our love is forever, I'm so glad that we met,
It makes me so happy, to have a love we can share,
Life can be so wonderful with something so precious and rare,

When you say that you want me, when you say that you care,
When you say that you can't live without me, and you'll always be there,
It makes me so happy, to have a love we can share,
Life can be so wonderful with something so precious and rare,

I'm like a love struck teenager in love for the very first time,
I hope this feeling lasts for my whole lifetime,

When you say that you love me, what I feeling I get,
When you say that our love is forever, I'm so glad that we met,
It makes me so happy, to have a love we can share,
Life can be so wonderful with something so precious and rare,
It makes me so happy, to have a love we can share,
Life can be so wonderful with something so precious and rare,

When You Say...

Hi My friends this is my last track...
Photo....eacuna https://pixabay.com/es/users/eacuna-29334/
What happiness a sunset on the beach
Better with headphones
enjoy it

Be Happy

Signal

JAM Duo (Cello and Piano) perform Love Again by Dua Lipa.  Arranged here for Cello and Piano.

Wedding Musicians in the UK, JAM Duo are a Cello and Piano Duo who can provide day time music for your wedding which includes, Ceremony, Drinks Reception and Wedding Breakfast as well as the First Dance.

Find our more by visiting our website at www.jamduo.com

Love Again (Dua Lipa) - Cello and Piano

AGARES 'Vocis Occultae Magistrum' - Demon No.2

The piano is not just an instrument; it is a storyteller. My lifelong companion. Each piece holds the memory of a moment in time, of a period in life. Here, I share my personal journey—one miniature, one experiment, one story at a time.

I’m Konrad Spittelberg, 52 years old. Though I’ve always called Vienna my home, I have pursued various interests, building an interdisciplinary background that spans education in Latin and Greek, studies of Mathematics, Physics and Economics and a carreer in Consulting and Risk Management. Sometimes, you might also find me immersed in games of Go, Chess or D&D. 

But only when I’m not making music. Of course. Still then, all of my interests have shaped the way I think — and, in turn, the way I compose.

The instrument of my life is the piano. I play it since the age of six, the first 16 in music school with my dedicated teacher Margarete Gerlach (and also thanks to the city of Vienna to the incredible publicly funded music schools!). My piano playing saw multiyear interruptions due to travel and workload. But in recent years I’ve found the time to pursue my passion again—with renewed joy. I devote many of my evenings to developing, refining and rehearsing my piano miniatures. 

I inhale music wherever I find it. In the echoes of Renaissance motets or contemporary cluster music with my local choir, which I joined 30 years ago. In music running in the background of a fashion store which I Shazaam for later enjoyment. Or live concerts - there are so many gifted artists in the world! 

My music is a dialogue between tradition and exploration. Rooted in classical and romantic traditions, it ventures into jazz, rock, and pop.  I love to experiment—playing with unexpected tonalities, syncopated rhythms, and dynamic contrasts. My compositions often evolve through shifts in tension, rhythmic complexity, and harmonic modulations, sometimes venturing across the circle of fifths. I’m also diving deeper into the art of mastering, an area where I still have much to explore.

If my music speaks to you, I’d love for you to follow my journey. Follow along, share your thoughts—whether in appreciation or in challenge. Music, after all, is meant to be a conversation—and I’d love to hear your voice in it.
Enjoy your time with my music! 
Contact: konrad.spittelberg@gmail.com
Spotify and Youtube: https:\\konrad-spittelberg.carrd.co