Beautiful piano performance, Konrad ... the music itself tells a story, that comes through beautifully ...

This composition is a GREAT work, inspired by pure musical art!

Un seul Homme pour une telle création... Bravo monsieur !

Inspiring piano technique, what a gorgeous composition

This piano piece is superb.  I love it ✨🫶✌️

Beautiful how you bend the rhythm at 1:20: it’s not just technique, it feels like life teaching us that even a slight deviation creates new meaning. Inspiring.

j'adore ❤️‍🔥 c’est magnifique 🤩

Related tracks: UNREST IN THE GALAXY

Franck Douvin joue sur une flûte PRIMA SANKYO Sayama en argent massif avec une embouchure en argent massif et cheminée en Or 9K "Faulisi" PARIS

- Spitfire Audio - LABS - Vintage Keys : The Seventy Three (Fender Rhodes)
- Spitfire Audio - Ólafur Arnalds Chamber Evolutions - Chamber Waves
- Spitfire Audio - BBC Symphony Orchestra Pro - Bassoon
- Spitfire Audio - Spitfire Appassionata Strings - Violins Legato
- Spitfire Audio - Albion II - HornEuph
- Spitfire Audio - Contemporary Drama Toolkit - Electric Cello
- Spitfire Audio - Contemporary Drama Toolkit - Combi Textural
- Spitfire Audio - Albion - Solstice
- Spitfire Audio - Originals Rare Flutes
- Spitfire Audio - Spitfire Studio Strings - Celli(6) Legato Performance
- Spitfire Audio - British Drama Toolkit - Alto Sax
- Heavyocity - Foundations Emotive Choir
- Arturia - CS80

Old Textures - Variation Avec Franck Douvin

Voice of the nation

MIRAGE

Ode to Gabriela Mistral by Pamela Illanes-Tatsuoka
Piano: Pamela Illanes - Tatsuoka
© 2025 Pamela Illanes - Tatsuoka. All Rights Reserved.
 https://youtu.be/xxb1P5xjeJQ?si=h1R6CAc6U1M0Yy6E

Ode to Gabriela Mistral (Live)

Ideal voices and much beloved
Of those who died, of those who are
Now lost for us like the very dead;
Sometimes within a dream they speak
Or in the ticking brain a thought revives them.

I am thinking back to the time when for the four of us, the known world hardly existed; days became simply the spaces between dreams, spaces between the shifting floors of time, of acting, of living out the topical… a tide of meaningless affairs nosing along the dead level of things, entering no climate, leading us nowhere, demanding of us nothing save the impossible— that we should be. 

Justine would say that we had been trapped in the projection of a will too powerful and too deliberate to be human— the gravitational field which Alexandria threw down about those it had chosen...

from Justine in the Alexandria Quartet, Lawrence Durrell

written & produced by naldo & guillaume
orchestration by guillaume

hear more of guillaume's music here: soundcloud.com/guillaumelecompositeur/tracks
.....

Justine In Alexandria

Reminiscence – The Gentle Return
Sometimes the heaviest moments are the quiet ones.
When a single piano speaks louder than any voice,
not with words, but with the aching stillness left behind.

Reminiscence is the sound of looking back,
of revisiting the empty chair, the quiet room,
the laughter that once filled it – now just an echo.
It’s not a cry for comfort, but a slow exhale of memory.

This piece doesn’t try to escape the sorrow.
It walks beside it – unafraid, tender, honest.
Because some things cannot be forgotten.
They live on in sound, in silence, in the spaces between the notes.

Performed entirely on the Bechstein  –
a grand piano from EastWest, known for its haunting intimacy.
Its velvety resonance and delicate detail bring life to the sadness,
like a whispered goodbye that lingers in the air.
Every nuance was shaped by human hands – with reverence, with grief.

Part of the album Tides of Melancholy.
No AI. No shortcuts. Just soul, sorrow, and sincerity.

Composed, played, and felt by myself –
for all those who carry someone in their heart but can no longer hold them.
Thank you for listening – and for making space for this gentle return.


Reminiscence – Die leise Rückkehr
Manchmal sind es die stillsten Augenblicke, die am schwersten wiegen.
Wenn ein einziges Piano lauter spricht als jede Stimme –
nicht mit Worten, sondern mit dem Schmerz,
den nur die Abwesenheit kennt.

Reminiscence ist ein Blick zurück.
Zu dem leeren Stuhl. Dem stillen Raum.
Dem Lachen, das einmal darin lebte –
nun nur noch Erinnerung, verhallt im Nichts.
Dieses Stück sucht keinen Trost.
Es atmet die Trauer – langsam, behutsam, aufrichtig.

Denn manche Verluste verblassen nicht.
Sie bleiben – in einem Klang, in der Stille,
in dem, was zwischen den Tönen unausgesprochen bleibt.

Eingespielt auf dem Bechstein Sus Rep Lite DYN –
ein Konzertflügel aus der EastWest-Piano-Serie,
geschätzt für seine emotionale Tiefe und intime Klangcharakteristik.
Sein samtiger Ton und seine fragile Präsenz
verleihen dem Schmerz eine Stimme,
wie ein leiser Abschied, der in der Luft stehen bleibt.
Jede Note wurde mit Sorgfalt und Gefühl geformt – von echten Händen.

Teil des Albums Tides of Melancholy.
Keine KI. Kein Trick. Nur Seele. Nur Trauer. Nur Wahrheit.

Komponiert, gespielt und empfunden von mir –
für all jene, die jemanden im Herzen tragen, den sie nicht mehr in den Armen halten können.
Danke fürs Zuhören – und dafür, dieser leisen Rückkehr einen Platz zu geben.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Reminiscence

LYRIC VIDEO : https://youtu.be/FhXG2eUCCJs
This Song is What Can Happen when I have a Bad Week or the Heavy Weight of the World is Spinning in my Head & my Imagination Kicks In :-)  
To HOPE  !!!
It was a Fast Write & Really Fun to Record ~~
Hope Everyone Likes It !
©2025 Donna Dior

UNREST IN THE GALAXY

Special thanks to Ashesndreams for her acappella

Lyrics :
Baby no me pidas que me aparte
Yo ya te he buscado en todas partes
Solamente vengo a recordarte que estoy
Imaginandote
Una y otra vez
Que tu estas aqui conmigo
Acariciandome
No seas timido
Dejate querer
Que si dudas te prometo
Que vas a volver

No tengo miedo
Soy un kamikaze
Mi imaginacion se prende con lo que me haces
Diario yo te pienso
Te tengo en mis suenos
Eres el motor para escribir todos mis versos
No te voy a mentir te quiero todo pa mi

IMAGINANDOTE. 🎧.  feat  Ashesndreams

This track is my very personal take at the Koan "Hear the Clap of your Hand". My lyrics version (https://soundcloud.com/konrad-spittelberg/the-clap-of-one-hand-pp) might make things clearer. (yes, this is my sneaky strategy to guide you from one song to another :-))

Compositionwise, the track is roughly split into two equal parts. The first part introduces its cinematic theme in the very beginning, taking it thereafter up several times with slightly different accentuations and rhythms which gives it a fresh feel with different highlighted nuances in each repetition. Several interludes contribute to the cinematic feeling. 

The second part, starting @1.53 starts by a more Jazzy version of the main theme. However, from 2.20 onwards, it is very restricted in its harmonies - only two harmonies are used from thereon until the end, C major and C# major. The tension arises purely from the rhythmic changes (such as the shift from 4/4 to 3/4 @3.17 and back), climaxing at the end.

The Clap of One Hand (Piano Miniature)

Thursday

An improv composition in celebration of the perfect, simple days that bring us moments of happiness and wonderful memories. Wishing more of these days to everyone listening.

The Perfect Day

This is actually the third version of the song. I felt the original idea I’d roughed out with the keyboard and computer could be more interesting. So I reworked the whole track again (twice) adding several ‘hooks’. These were some vocal ‘stabs’, some keyboard/synth riffs as well as writing ( what I hope ) is a more interesting bass line. I beefed up the drum section too. I hope the fun I had creating it is reflected in the overall vibe of the track. Having said all this, the question is: did it actually work? 


Get Up

https://open.spotify.com/intl-fr/album/10sxiy3Ds20LZwmXCscjae
https://music.apple.com/us/album/funny-days-ep/1822802207
https://www.youtube.com/channel/UCm8WMUk78ieCvdKBsnjLuVg

recorded in Area 52 Studio, Saugerties New York   
Steve Rust on Bass, Harvey Sorgen on Drums, Olivia Siegel Keyboards     Barbara Browning Vocals & Cello   Imre L. Vocals, Guitars, Hammond organ

"FUNNY DAYS" EP MEDLEY TEASER (see description for links)

Lyrics: Mag ik dan bij jou (cover Claudia de Breij)

Als de oorlog komt, En als ik dan moet schuilen, Mag ik dan bij jou?
Als er een clubje komt, Waar ik niet bij wil horen,Mag ik dan bij jou?
Als er een regel komt, Waar ik niet aan voldoen kan, Mag ik dan bij jou? En als ik iets moet zijn, Wat ik nooit geweest ben Mag ik dan bij jou?

(chorus)  Mag ik dan bij jou schuilen, Als het nergens anders kan? En als ik moet huilen, Droog jij m'n tranen dan? Want als ik bij jou mag, Mag jij altijd bij mij Kom wanneer je wilt,Ik hou een kamer voor je vrij
Als het onweer komt, En als ik dan bang ben, Mag ik dan bij jou? Als de avond valt, En 't is mij te donker, Mag ik dan bij jou? ls de lente komt, En als ik dan verliefd ben, Mag ik dan bij jou? Als de liefde komt, En ik weet het zeker, Mag ik dan bij jou?
(chorus)  Mag ik dan bij jou schuilen, Als het nergens anders kan? En als ik moet huilen, Droog jij m'n tranen dan? Want als ik bij jou mag, Mag jij altijd bij mij Kom wanneer je wilt,Ik hou een kamer voor je vrij
 
Als het einde komt, En als ik dan bang ben, Mag ik dan bij jou? Als het einde komt, En als ik dan alleen ben, Mag ik dan bij jou?

Translation: When the war comes, And if I have to hide; Can I come to you then? If there is a club, That I don't want to belong to, Can I come to you then? If there is a rule, Which I cannot comply with, Can I come to you then?And if I have to be something, Which I've never been, Can I come to you then? Can I take shelter with you then? If it can't be done anywhere else? And if I have to cry; Will you dry my tears then? 
Chorus;
Because if I can be with you, You can always be with me  Come whenever you want, I'll save a room for you, When the storm comesAnd when I'm scared; Can I come to you then?
When night falls, And it's too dark for me, Can I come to you then? When spring comes, And when I'm in love, Can I come to you then? When love comes, And I'm sure, Can I come to you then? Can I take shelter with you then? If it can't be done anywhere else?And if I have to cry Will you dry my tears then?
Chorus;  Because if I can be with you,…L.
When the end comes, And when I'm scared, Can I come to you then? When the end comes
And when I'm alone Can I come to you then?

Mag ik dan bij jou (cover Claudia De Breij)

I just redid the mix and fixed the drums, and some of the more glaring vocal problems, and got that cool guitar lead to shine a little. It sounds a lot better now.
Please pardon my vocals, this is actually for a female artist. Not autobiographical, just a story. My apologies to Irma Thomas.

You were my angel, and i was under your spell
And you promised life would be a fairytale
But i was no more than your possession
And you put me through hell
Though you called it heaven

And everytime i tried to leave, you’d just wave your hand
And I’d come crawling back on my knees
I would pray you’d treat me better
When you’d smile at me so sad and so sweet

But something’s changed inside, I can see now who you are
and that sweet smile aint gonna get you very far!

Now who’s the one? Who’s down on their knees?
No need to beg, there’s nothing left that you can take from me
You don’t have any power here no more
Well you’ve lost your wings, and I know just what you’re here for
You are no angel, you are a devil, to the core
And you ain’t welcome here no more

Don’t come back inside, don’t put your bags down on the floor
You ain’t welcome here no more

You ain't welcome here no more

'ghetto falsetto' with Harmful if Followed and sixstring mac 

Isaac and the apple:
Mac: music, lyrics and vocals
Harmful/Shane: lyrics, vocals, backups 

one man verity show:
Scotty: lyrics, vocals, backups, art 

Well the night’s effervescent and I’m on fire
Full of anti depressants to blunt my ire
Well aware of the presence of my desire
It feels very pleasant as I get higher
And I’m clad in a fashion to catch the eye
So why does everyone ignore me as I walk by
It would be a different story for a different guy
But I’ll never find the glory unless I try
So why do I lie so low 
Why don’t I let them know
Let them bask in the glow
Of my ghetto falsetto 

Most are fucked up from the drugs they take,
and don't care to interrupt all the love I make,
but I can't quite erupt so, I'll simply fake,
and make believe
that I have climaxed, because all the noise
that keeps me far from relaxed and trapped in the void, 
I've always had a clean nose but perhaps I'll toy 
with singing in falsetto. 

These streets are full of cackles and high pitched screams
A ghetto manifesto haunting my dreams
Monotone narration to a story I know
A baritone ending won’t leave me alone
I’m not crazy it’s the world around me
I’ll deal with the shit eventually 
Then get past the truth I know
That I’m too low for ghetto falsetto 

But it don’t mater how high or how low 
Unless you mean it nobody will know
All you need is the seed and the get go
Let go of the ghetto falsetto

ghetto falsetto (with Harmful if Followed and sixstring mac)

The piano is not just an instrument; it is a storyteller. My lifelong companion. Each piece holds the memory of a moment in time, of a period in life. Here, I share my personal journey—one miniature, one experiment, one story at a time.

I’m Konrad Spittelberg, 52 years old. Though I’ve always called Vienna my home, I have pursued various interests, building an interdisciplinary background that spans education in Latin and Greek, studies of Mathematics, Physics and Economics and a carreer in Consulting and Risk Management. Sometimes, you might also find me immersed in games of Go, Chess or D&D. 

But only when I’m not making music. Of course. Still then, all of my interests have shaped the way I think — and, in turn, the way I compose.

The instrument of my life is the piano. I play it since the age of six, the first 16 in music school with my dedicated teacher Margarete Gerlach (and also thanks to the city of Vienna to the incredible publicly funded music schools!). My piano playing saw multiyear interruptions due to travel and workload. But in recent years I’ve found the time to pursue my passion again—with renewed joy. I devote many of my evenings to developing, refining and rehearsing my piano miniatures. 

I inhale music wherever I find it. In the echoes of Renaissance motets or contemporary cluster music with my local choir, which I joined 30 years ago. In music running in the background of a fashion store which I Shazaam for later enjoyment. Or live concerts - there are so many gifted artists in the world! 

My music is a dialogue between tradition and exploration. Rooted in classical and romantic traditions, it ventures into jazz, rock, and pop.  I love to experiment—playing with unexpected tonalities, syncopated rhythms, and dynamic contrasts. My compositions often evolve through shifts in tension, rhythmic complexity, and harmonic modulations, sometimes venturing across the circle of fifths. I’m also diving deeper into the art of mastering, an area where I still have much to explore.

If my music speaks to you, I’d love for you to follow my journey. Follow along, share your thoughts—whether in appreciation or in challenge. Music, after all, is meant to be a conversation—and I’d love to hear your voice in it.
Enjoy your time with my music! 
Contact: konrad.spittelberg@gmail.com
Spotify and Youtube: https:\\konrad-spittelberg.carrd.co

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

The Clap of One Hand (Piano Miniature)

Konrad Spittelberg

Recent comments

Eric GEORGESCO Productions

HyLGZ22

FloW.

Elpiverse

Related tracks