Beautiful atmosphere, and gorgeous Orchestration!

Hey Jacques, this is a really magical song. Lots of ear candy and beautiful melodies to enjoy. Excellent work here!

Franck Douvin joue sur une flûte PRIMA SANKYO Sayama en argent massif avec une embouchure en argent massif et cheminée en Or 9K "Faulisi" PARIS

- Spitfire Audio - LABS - Vintage Keys : The Seventy Three (Fender Rhodes)
- Spitfire Audio - Ólafur Arnalds Chamber Evolutions - Chamber Waves
- Spitfire Audio - BBC Symphony Orchestra Pro - Bassoon
- Spitfire Audio - Spitfire Appassionata Strings - Violins Legato
- Spitfire Audio - Albion II - HornEuph
- Spitfire Audio - Contemporary Drama Toolkit - Electric Cello
- Spitfire Audio - Contemporary Drama Toolkit - Combi Textural
- Spitfire Audio - Albion - Solstice
- Spitfire Audio - Originals Rare Flutes
- Spitfire Audio - Spitfire Studio Strings - Celli(6) Legato Performance
- Spitfire Audio - British Drama Toolkit - Alto Sax
- Heavyocity - Foundations Emotive Choir
- Arturia - CS80

Old Textures - Variation Avec Franck Douvin

Words and music written by Bartley Charles Mastin
Performance by Bartley Charles Mastin
Copyright 2024 All Rights Reserved

Lyrics:
Don't want to be a rose
You want to be a wildflower
Never mind the sun
You want to take a moon shower

Half a mile from here we'll disappear aboard the midnight train

You say you're getting old
You say you've reached a milestone mama
You're tired of being sold
You're tired of all the hometown drama

Half a mile from here we'll disappear aboard the midnight train

I love the way the moon glows
I love the way the wind blows
When it goes
Through your hair

Gonna be a wild ride mama
Gonna be a rodeo
Gonna be an LA drama
Gonna have to rope me down

Half a mile from here we'll disappear aboard the midnight train

Half A Mile From Here

Last spring, I had a jazzy musical interaction with songbirds to produce Magnolia. This spring, I explore the genre of jazz once again but this time with a mockingbird.

A few weeks ago, I recorded a mockingbird singing a jazzy serenade a cappella from his perch on my neighbor's chimney. And oh my! The bird sang like he was the hot new kid on the block, and the whole neighborhood had to listen!

The Northern Mockingbird (Mimus polyglottos) can sing up to 200 different songs, some of which are original and others mimic the sounds of other birds and creatures, including insects and machines. 

I added electro — keyboard, piano, bass, and electronic drum kits — to the mockingbird audio recording using my MIDI and DAW, and I hope you find the music as amusing and entertaining as the jazzy mockingbird’s song.

Chill jazz fusion at 85 bpm

Audio of mockingbird recorded live April 2, 2025. The LoFi audio is raw, unaltered except for cuts to delete car noise and the conversation of neighbors, so that the music wraps around the birdsong.

With props to Harper Lee’s book, To Kill A Mockingbird, whose main character Atticus Finch teaches that it’s a sin to kill mockingbirds because they harm no one with their songs — a symbolic theme of the book — it’s wrong if not evil to attack or destroy innocent people.

“Mockingbirds don't do one thing but make music for us to enjoy…. they don't do one thing but sing their hearts out for us.”

…………………….
DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard
E-INSTRUMENTS:
Concert Grand piano
SoCal Ballad Piano
Ambient Lead
Warm Glow Chords synth
Lunar Strings synth 
Fingerstyle Electric Bass
Deep Round Synth Bass
E-DRUM KITS:
Drum ‘N Bass Remix 
Trip Hop Remix 
Trip Hop Remix Phaser
Trance Remix
2-Step Remix 
African
Latin 

COVER ART is a composite using AI-generated images created by the DaVinci app and then designed in Photoshop.
………………..

.

Mockingbird

PHOBOS / Paploviante Open Collaboration Offer
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 88
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

PHOBOS

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

Suspense & Gentle Spirit

Original demo recorded: 2015
Remaster: 2025

The Twists And Turns Of Youth

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Created Arranged Produced by
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2025 All rights reserved.



FUTURE TALK

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Sigma acoustic guitar, Collings mandolin, Roland piano, vocals, vocal harmonies, and arrangement
TexMex Shaman– @texmex-shaman –Stephen– Gibson Earle Scruggs banjo, arrangement, production, mix, and mastering        
This song is a Phish song written by Trey, Page, Fishman, and Tom Marshall, who wrote the lyrics. Originally, on their album Hoist, it's just Trey playing and acoustic guitar and singing. Stephen and I wanted to give it our own flavor though. After I asked him to play banjo on it and produce it for me, we started spitballing ideas about how we could add something more to it. Originally, we both played every instrument, guitar, banjo, mandolin, and piano, through the whole thing, except the first and last verses. Then we decided to trickle the instruments in for maximum effect. I also sang the harmonies throughout. Finally, Stephen came up with the idea to wrap the last verse in a mono effect, giving it a detached feel. He mixed it brilliantly, too.
  This song has always had a special place deep in my heart. Sometimes you hear a song and recognize such truth in it, it feels like it was written about you. This is such a song for me. Plus, it was written by my favorite band, Phish, so it has even more meaning for me. We hope you enjoy listening to it as much as we enjoyed making it.

Dog Faced Boy by Phish (with Texmex Shaman)

A romantic and perhaps a little sad remembrance. The title is the day my parents met.

10.Februar 1956 (In Memoriam)

Moon Dust -  Recorvery Mix

D'autres pièces finalisées ou non, mes mises à jour et mes remerciements.
Téléchargement libre pour collaboration future !
Other pieces finalized or not, my updates and my thanks.
Free download for future collaboration!

Old Textures - Variation Avec Franck Douvin

Jacques Lemaire

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