first single off of FINAL SKIN
released by Cantaloupe Music

LISTEN TO THE FULL ALBUM HERE:
https://bakudi-scream.bandcamp.com/album/final-skin

dedicated to Kobi Abcede

THE TRAGEDY OF HIKIKOMORI LOVELESS

Feat. Aperly High https://soundcloud.com/aperlyhigh
Artwork by Carl Bunny

Gemstone Bleeder Burning In The Aether

Leave Everything

Improvisation of Oneohtrix Point Never's 'I Bite Through It' 
Listen: https://soundcloud.com/oneohtrix-point-never/i-bite-through-it-1?in=oneohtrix-point-never/sets/garden-of-delete-1&si=3e5814142d414a1b84985029c207fead&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Oneohtrix Point Never - I Bite Through It (Thorjn Loopleg)

In the depths of our being, where the innermost thoughts reside and the essence of our existence takes shape, there lies a profound realization that the self inside the self is an infinite abyss. It is a concept that delves into the intricacies of our consciousness, unraveling the enigma that lies within.

Mastering by: @woulgmusic
Released by: @geometric-corruption
Artwork by: Misfit https://www.instagram.com/misfit.virtual/

Ossia

https://open.spotify.com/album/3dy68OiepxtgrlbQNgI5ot

Ly - Sleep [Jim Kimchi Remix]

@samuelmarquis

Refractional anisotropy is a scalar value between zero and one that describes the degree of anisotropy of a diffusion process. A value of zero means that diffusion is isotropic, i.e. it is unrestricted (or equally restricted) in all directions. A value of one means that diffusion occurs only along one axis and is fully restricted along all other directions.

"We have tried to define in the case of Western music (although the other musical traditions confront an analogous problem, under different conditions, to which they find different solutions) a block of becoming at the level of expression, or a block of expression: this block of becoming rests on transversals that continually escape from the coordinates or punctual systems functioning as musical codes at a given moment. It is obvious that there is a block of content corresponding to this block of expression. It is not really a correspondence; there would be no mobile "block" if a content, itself musical (and not a subject or a theme), were not always interfering with the expression. What does music deal with, what is the content indissociable from sound expression? It is hard to say, but it is something: a child dies, a child plays, a woman is born, a woman dies, a bird arrives, a bird flies off. We wish to say that these are not accidental themes in music (even if it is possible to multiply examples), much less imitative exercises; they are something essential. Why a child, a woman, a bird? It is because musical expression is inseparable from a becoming-woman, a becoming-child, a becoming-animal that constitute its content. Why does the child die, or the bird fall as though pierced by an arrow? Because of the "danger" inherent in any line that escapes, in any line of flight or creative deterritorialization: the danger of veering toward destruction, toward abolition."

- Deleuze & Guattari, A Thousand Plateaus

Art by Samuel Marquis and Zach Schwadel: www.instagram.com/zschwadel/

Samuel Marquis - Social Suicide Machine

1/2 of a release with prox and thorjn

prox remix - https://soundcloud.com/proxdotbleep/thorjn-grave-of-proxbleep-remix

original by thorjn - https://thorjnmusic.bandcamp.com/album/tales-of-the-canary-cage

on the brink of collapse - juha remix

Benthos

Sumiko Hara – viole de gambe
created at ircam centre pompidou
Marco Liuni – réalisateur en informatique musicale
many thanks to Thierry de Mey

unbound exploration

Konstantin Heuer

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