MONOTONOS - Stare &amp; Wonder
format: CD-r

Stare & Wonder

OBJECT SERIES by Pandu Hidayat of Kontroljet | Part of "True Purpose Of The Electronic Distortion" |  NOSTRESS NETLABEL ANNIVERSARY COMPILATION VOLUME 3 A.A. VV. | 2014

http://pndhd.blogspot.com
http://kontroljet.blogspot.com
http://www.nostressnetlabel.net/release/NN_Comp003_03_14/NN_Comp003_03_14.asp

Object Series

Live of ::vtol:: Dmitry Morozov (Moscow) and Jelena Glazova (LV) at Aristids, Riga, Latvia, 130914
::vtol:: - DIY synthesizer 
Jelena Glazova - processed voice

::vtol:: and Jelena Glazova duo improv session at Aristids, Riga, 130914

Not My Fault
Part of Noise For Nepal (2015), VA by Noise For Nepal
https://noisefornepal.bandcamp.com/releases

Composed & Produced by Kontroljet / Pandu Hidayat, 2013
http://kontroljet.blogspot.com

Plastik Notlabel
http://plastiknotlabel.blogspot.com

Not My Fault

'The Female Form' LP (Posh Isolation 145) out 4/17/15

Loke Rahbek & Puce Mary - 'Liquefying Of The Flesh'

from the lost split with Travis Johnson http://www.discogs.com/Travis-Johnson-2-METEK-Pink-Money/release/3899402

METEK - Sunrise

track taken from Apocalypse, album released by Eighth Tower Records.
eighthtowerrecords.bandcamp.com/album/apocalypse

Everyone predicted it would someday arrive, but so few believed in the inevitable; for within the deepest recesses of people’s hearts and minds, the world's destruction was little more than a foolish and faraway myth. Nonetheless, the insinuations…the ghastly omens…were always there, whether in the way nature’s wrath surfaced through disasters or in the manner in which tyrants continued to rise tall and proud, with no apparent consequence to their shackling actions. However, when Earth’s cataclysmic conclusion finally hit, it manifested not so much through the rumblings of some inner, core force; tumultuous storms; famine; economic collapse; mind control...nuclear devastation. It came predominately from out the darkness of our soiled souls. We caused the end of the world by not caring, by letting charity, good will and compassion die. It was ironically our selfish obsessions for heartless conformity, for sadistic self-preservation that spawned our demise. 
This album’s tracks represent and punctuate the ultimate end to all ends, with all the melodious sorrow and impetuous anguish that humankind’s collective sins could ever dare conjure—and (bet your bottom dollar) will. Listen close. Listen hard. Learn and prophetically see and prepare, as each segment drags you deeper into the fetid, despairing annals of...the Apocalypse!

Music: Sonologyst 
Mastering: Sonologyst 
Samples on 8th track, courtesy by Andrey Zhirnov 
Artwork: Daniele Pezzana 
Edited by © Eighth Tower Records 
© All rights reserved

Apocalypse

Hypnosis

Puce Mary — The Drought
Format: LP / CD / Digital
Cat.No. PAN 87
Release Date: 5 October 2018 
Pre-order album: bit.ly/2KGmn9f / bit.ly/2KGL7Ot

Building from a reputation of arresting live performances and critically acclaimed releases Puce Mary breaks new ground with The Drought, evolving from the tropes of industrial and power electronics to forge a complex story of adapting to new realities. Remnants of noise still exist, sustaining the penetrative viscerality offered on previous records, however The Drought demonstrates an intention to expand on the vocabulary of confrontational music and into a grander narrative defined by technical and emotional growth.
 
Bringing together introspective examination with literary frameworks by writers such as Charles Baudelaire and Jean Genet, Puce Mary’s compositions manifest an ongoing power struggle within the self towards preservation. The traumatised body serves as a dry landscape of which obscured memories and escape mechanisms fold reality into fiction, making sense of desire, loss and control. The Drought presents both danger and opportunity; through rebuilding a creative practice centred on first person narrative and a deliberate collage of field recordings and sound sources Puce Mary injects an acute urgency across the album seeking resilience.

“To Possess Is To Be In Control” makes use of lyrical repetition as an ambiguity of two selves, or a divided self, attempting to consume one another, while “Red Desert,” named after Michelangelo Antonioni’s 1964 film, portrays the individual subsumed by surrounding environmental forces. The seven-minute epic “The Size of Our Desires” acts as the emotional tipping point of the record; amongst the ominous drone and dense feedback flutters almost-beatific melodies, while the lyrics reveal a romantic call to be swept up in the midst of an increasingly uninhabitable world.

Rather than escape, The Drought dramatises a metamorphosis in which vulnerability is confronted through regeneration. Noise and aggression no longer act as an affront to react against but part of a ‘corporeal architecture’ where space, harmony and lyricism surface from the harsh tropes of industrial music. The Drought chronologises a transformation through a psychological famine, new ways of coping akin to plant survival in a desert – to live without drying out.

The release is mastered by Rashad Becker, featuring art by Torbjørn Rødland 

@pucemary
http://p-a-n.org

The Drought

Puce Mary - Red Desert (PAN 87)

B1 Fire At Work - Re Sample The Future (Original Mix)

from the album 'the man who died in his boat' available 2/4

grouper 'vital'

ジャワからの実験ノイズプロジェクト

Info: ctrl_z@rocketmail.com
Home: http://kontroljet.blogspot.com
Label: http://plastiknotlabel.blogspot.com