Favorite one of my lines is “trying to find the way to the truth, it’s all an illusion, I’m just the proof” which totally speaks to my conscious transcendence and free-spiritedness.  I’m actually a flower child by nature (no pun intended), and will always be a writer first and a musician second.  I mixed all my own tracks on reaper which is not my favorite mixing program.

I have a lot of irony and wordplay in my lyrics.  There’s a lot to unpack in the metaphors and visually explicit descriptions.  The most common comment I get is that my lyrics are very visually stimulating and descriptive.  It’s as if I’m painting a picture with words.  That’s a philosophy I have: a picture may be worth 1000 words, but 1000 words is worth that too if not the idea behind them as well.

I am a self-proclaimed wordsmith.  A warrior of words like Minerva of the Greek pantheon.  I’m pretty educated, mostly self-educated, about what interests me.  That consists of philosophy, religion, quantum physics, chemistry, science, biology, plants, animals, symbolism, language, rocks and minerals, crystals, yoga and the body, and Wicca.  It sounds like a lot but it’s not enough.  I always want to know more.

I’d like to come out with some new music soon by actually getting into a studio and writing some new lyrics or rehashing old he old ones on a better system because all of the current songs were produced on a Logitech headset and a computer.

Dubstep, Riddim & Experimental Bass Music 🤍
DJ Bookings: todd@hastatimusicnetwork.com
California 📍
Instagram: @kuhteeuh

999 Lift Up Your Conscious 
[regulate]
freestyle spoken word hip hop and spirituals. 
check out my E.P.
kopesedek.bandcamp.com

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

New single 'Amber' out now: https://smarturl.it/Amber-Jareth

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http://jarethmusic.com

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