Born on October 17, 1975, and raised in Chihuahua, Chihuahua, México, Adrián Terrazas- González grew up surrounded by the traditional music of Central America from Danzón, Boleros and Rumba, to Son and Mambo. 

Terrazas-González began developing his musical ability starting at the age of eleven. He was inclined to play the flute and the tenor saxophone with an understanding of classical music and a distinct attraction to jazz, and five years later chose to take on the clarinet. His grandmother, a "Danzón Nut" according to Terrazas- González, urged her grandson in that direction, but the young player was adamant towards a newfound paragon for himself: Hubert Laws.

2001 was a year that would have a profound impact on Terrazas-González’s music. While pursuing Sociology and Music Studies at The University of Texas, El Paso, he learned more about the transmission of these ideas and theories through music. In an effort to track the development of marked philosophical and spiritual traditions observed by ancient cultures, Terrazas-González arranged to meet, learn, and creatively collaborate with musicians involved with traditions originating from West Africa. One of his primary interests was the Yoruba tradition (predominantly out of Western Nigeria), the ancient African religion underlying Santeria (Cuba and Puerto Rico), Candombl (Baha, Brazil), Vodun (Haiti), and Cu Taan (México).

In May 2002 Terrazas-González was diagnosed with Cancer that spread to his stomach and abdomen, treatments included surgery and extensive radiation treatment to the stomach and abdomen. In 2004, he was declared cancer free and in the same year he joined the band The Mars Volta as a full-flesh member.

￼THE MARS VOLTA
In 2004 Terrazas-González joined The Mars Volta recording the studio album, “Frances the Mute”, and continues to work with the band (as a full-fledged member) on subsequent albums (“Live Scabdates” 2005, “Amputechture” 2006, “The Bedlam in Goliath” 2008) and all of The Mars Volta side projects (movie scores, DVD‘s, etc.). The Mars Volta is comprised of guitarist Omar A. Rodriguez-Lopez, lyricist/vocalist Cedric Bixler-Zavala, bassist John Alderete, guitarist Paul Hinojos-González, drummer Thomas Pridgen, percussionist Marcel Rodriguez-Lopez, and keyboardist Isaiah “Ikey” Owens. Through his work with The Mars Volta, Terrazas-González went on to earn his first Grammy Award in 2008 for the “Best Rock Performance” category with the song "Wax Simulacra". Working with The Mars Volta has enabled Terrazas-González to gain further exposure as a multi-instrumentalist, particularly in Europe.
Television performances of The Mars Volta include (but not limited to): The Henry Rollins Show, The Tonight Show with David Letterman, and The BBC.

THE STUDIO/TOURING MUSICIAN
Terrazas-González’s solid performance and versatility have allowed him many opportunities to collaborate with a vast array of professionals worldwide. Terrazas-González has shared the stage and/or recorded with the likes of Larry Harlow, Antonio Sánchez, Bob Sheppard, Edwin Livingston, Erik A. Unsworth, Dr. Willy Hill, Dr. Donald G. Wilkinson, Damo Suzuki, Lenny Castro, Money Mark Nishita, Los Lobos, EMI Gospel Artist Smokie Norful, Lisa Papineau (Big Sir), Omar A. Rodriguez-Lopez Quintet/Group (Se Dice Bisonte, No Búfalo 2007, music scoring for the Guillermo Arriaga Jordan and Jorge Hernández Aldana film on El Búfalo de la Noche on La Neta Films/Naco Films performed by The Mars Volta), Hans Glawishing, John Beasley, Brian Lynch, Shaila Dúrcal, John Frusciante, Tosin Abasi (Animals As Leaders), Ken Schalk, Juliette Lewis, Nuriya Michan, Deantoni Parks, Candiria, The Memorials, Trevor Hall, Oscar Stagnaro, Billy Ray Cyrus, David "FuZe" Fiuczynski and Freedom Bremner of Screaming Headless Torsos, Pete Escobedo, Oskar Cartaya, Hadrien Feraud, and Luis Conte, Jack Costanzo among others.

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