Taken from upcoming album 'Feast / Beast' out September 16th (17th in North America).

More information at http://www.throttleclark.com/

Amazon CD - http://smarturl.it/mmt36r
Amazon Vinyl - http://smarturl.it/vj2yl8
Bleep - http://smarturl.it/fbqiua

Feast / Beast

Fentiger (Clark Remix)

Order at Bleep

Nathan Fake - Fentiger (Clark Remix)

Electronic innovator Max Cooper steps up to Atomnation with one of his standout remixes.

https://atomnationrec.lnk.to/EveMaxCooperRemix

Cooper is someone who combines his academic background and science PhD with high concept electronic music-making. He has worked with machine learning specialists, often uses video to enhance his music and is someone who brings personal emotion as well as technical skill to his work. It comes on his own Mesh label as well as Fields and most recently in the form of his acclaimed Unspoken Words album back in March.

His take on Awe Kid's 'Eve' is built on breakbeats that float through space. Plunging bass dives down deep as the celestial ambient pads float up top. There is tension in that duality that tugs at you both emotionally and physically as well-crafted synth patterns unfold in their midst.

This is a heady, pensive track that is perfectly suited to those late-night moments on the dance floor and compliments Awe Kid's lush debut LP 'Body Logic' that was released in April this year.

Awe Kid - Eve (Max Cooper Remix)

Sun, live at Maida Vale December 2013

April 24th at St John's (http://www.residentadvisor.net/event.aspx?572955)

Max Ballie (1st violin)
Phil Granell (2nd violin) 
Oli Langford (viola)  
Lucy Railton (cello)
Calum Gourlay (double bass)

Sun (String Quintet Live At Maida Vale)

Ryan Lee West reinforces his unique style of minimal electronic arrangements with a new 6-track EP – 'Sonne' out on Erased Tapes.

ORDER 'Sonne' on 12"/DL: http://www.erasedtapes.com/store/index/ERATP059
ORDER 'Odyssey / Sonne' on CD: http://www.erasedtapes.com/store/index/ERATP069
ORDER via iTunes:
http://snip.ftpromo.net/sonne
GET TICKETS:
http://www.erasedtapes.com/artists/events/5/Rival+Consoles

Continuing on from his Odyssey EP released in 2013, Ryan Lee West aka Rival Consoles creates atmosphere and space whilst exploring waves of sound and rhythm, and the power of colour. With Sonne Ryan creates music to structure itself around a pulse, rather than the pulse being the defining point. 

The title track begins with “a very subtle set of melodies that repeat almost without confidence, and then gradually give way to a huge collage of colour and power”, as Ryan describes it. Not relying on a conventional beat, it’s a prime example of how an analogue synthesiser can create the power and momentum of a rhythm section. From the distorted waves in 3 Chords, growing and shrinking, to the rhythmic waves of constant speeding up and then slowing down in Recovery, it’s the Moog Voyager, Prophet and tape delay that make up the core sound of the EP. Whilst tracks like Helios, Haunt and Think Tank see West play live drums and acoustic guitar.

“I’m often looking at art in exhibitions and I always think to myself ‘why the hell don’t I have this much colour in my work?’ The answer in part I think is down to synthesis. It is very difficult to create colour without it sounding plastic. Colour in music is both the note combinations and the actual timbre of the sounds. There are lots of instances of very colourful ambient sounds, which I took great care to create for each song, using various methods – from passing analogue synths through chains of effects to chopping up random sequences of recordings and forming tiny collages." – Ryan Lee West 

ABOUT THE ARTWORK:  

Resembling the colour and vibrancy in his music, the cover art was created by South London artist Supermundane, who was also responsible for the artwork of the Odyssey EP.

TRACK LISTING:  	

A1. Sonne  A2. 3 Chords  A3. Helios  B1. Haunt  B2. Think Tank  B3. Recovery 

PRESS FOR ODYSSEY EP:

'Glorious...unabashedly epic...’ – Dummy
'Atmospheric synths swell victoriously' – XLR8R
‘Rival Consoles, is the likes of Nils Frahm and Olafur Arnalds' glitchy, electronic cousin’  8/10 – The 405


ABOUT THE ARTIST:

Some might be surprised that London based electronic producer Ryan Lee West, the man behind Rival Consoles, shares a home with contemporary classical composers such as Nils Frahm, Ólafur Arnalds and Peter Broderick. And yet they have a lot more in common than expected. Fascinated by sound from an early age, Ryan chose to dedicate his time to studying, experimenting with and producing sound graduating from De Montfort University in Leicester. One consistent element in his musical journey has been his desire to create a more organic, humanised sound. Ryan often drafts early ideas on piano, violin and guitar, although the end result is much more electronic-laden. As an accomplished sound designer he has repeatedly performed at the Tate, and recently created a bespoke audio-visual performance for Boiler Room at the V&A. Ryan is currently composing music for a soon to be announced BBC production.

LIVE:	
	
After supporting Luke Abbott on his recent UK tour and I Break Horses on their North American tour in spring, Ryan will debut his new live set with a special release show in London, followed by a string of West Coast U.S. dates culminating in Decibel Festival in late September – more details to be announced soon. 

OFFICIAL WEBSITES: www.facebook.com/rivalconsoles · www.erasedtapes.com

Sonne

Recovery

Buy 12"/DL

Rival Consoles - Recovery

Cross Beams And Open Spaces

Original version on the album Morning/Evening released on Text Records in 2015.

Evening Side (Oneohtrix Point Never edit)

Elevate

Taken from the Kuiper EP out on Pluto (UK/ Eu), Luaka Bop (N & S. America), Inertia (Au/ NA), Beatink (Jp)

Vinyl released 22nd July 2016
Pre-order here: found.ee/KuiperEP

Released digitally on August 5th


Stream Kuiper:
Spotify: found.ee/KuiperSpotify
SoundCloud: found.ee/KuiperSC

Download Kuiper: 
iTunes: found.ee/KuiperiTunes

For Marmish Part II

Following two radical reinterpretations earlier this summer from Truncate and Yaleesa Hall, which earned plays from Roman Flügel, Laurent Garnier and Ben Sims to Dusky and Huxley; Kamera’s ‘Ventoux’ EP is further expanded with two remixes that tastefully expand the producer’s original vision of uncompromising body music.

Throwing Snow’s remix of title track ‘Ventoux’ deconstructs the bright, IDM inspired anthem into something equally frenetic yet utterly different. Punchy live drums begin to escalate over a deeply satisfying electronic snarl, recalling Throwing Snow’s noted fascination with post-rock, while maintaining the tempo with naturally evolving elements of industrial and EBM.

Meanwhile, festival and club favourite George FitzGerald, delivers a blistering remix of Consignia, one of his personal favourite club records in recent times. Here, FitzGerald continues his masterful streak of production, knowingly blending the somewhat menacing machine throb of the original with a suspenseful bassline, eventually culminating in a heavenly, ethereal breakdown, one that’s certain to leave bigger rooms in throes.

Listen here: https://soundcloud.com/kameramusic/consignia-george-fitzgerald-remix-edit

This is PH49RMX2

Buy the heavyweight vinyl (with free download): go.phantasysound.co.uk/PH49RMX2
Buy from Juno Download: http://po.st/PH49RMX2JunoD

Check out PH49RMX1 - Truncate and Yaleesa Halls version of 'Consignia' here: soundcloud.com/kameramusic/sets/consignia-truncate-yaleesa-hall-remixes

Follow Kamera:
www.facebook.com/kameramusic
twitter.com/kameramusic
www.residentadvisor.net/dj/kamera

Sun (String Quintet Live At Maida Vale)

Koreless