My first jazz composition for class with amazing Laura Jurd.
The recording is not perfect, there were no rehearsals before it, but it is still enjoyable listening :)

Trumpet - Laura Jurd
Alto saxophone - Joseph Pickering 
Tenor saxophone - Ruben Ross
Piano - Jacqueline Wheeler 
Bass - Joe MacLaren
Drums - Zehy AlDhabari

(Piece finished and recorded, March 2021)

The Rendang Master (2021)

Experimental Composition for BMus Year 1 Performance Platform 2021. The creation of the art piece (the dancer) by the artist (the musicians).

Composer - Kornelia Nemcova

Dancer - Chiara Duccini
Flute - Amy Wood
Soprano - Hannah Wardrop
Violin - Kornelia Nemcova

Sound recording - Zachary Wolf Quenum

For full performance, go to https://youtu.be/PoIN4M0G_6Q

The Artist's Artpiece (2021) - link to the video in description

A Midwinter Day's Waddle is a piece in 2 movements, originally written for wind trio as a part of TL BMus 1 Orchestration Course under Deirdre Gribbin.

This piece is about nothing "deeper" but a bunch of penguins in Antarctica. Although one could speculate that it reflects either the composer's response to the environmental crisis or personal connection to nature (which the composer is missing because of living in the city).

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Flute, doubling Piccolo and Alto flute: Faith Whiteley
Clarinet in Bb: Alex Lyon
Bass Clarinet: Grace Thorne

Mov. I: 0:00
Mov. II: 1:00

(Piece finished and recorded May 2021)

A Midwinter Day's Waddle (2021)

Cooking has been one of my biggest inspiration lately. That is why I decided to make a narrated cooking recording. To give it a bit of spice though, I decided to make it about something other than food. The recording was done as one continuous field recording, about an hour long and then cut into the final version. 

(Piece finished and recorded May 2021)
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THE TEXT:

Creating an unfulfilled dream is no simple feat. As every recipe, we first must begin with our ingredients, which are really quite common.
To start you need your most enduring and beautiful dream, all your effort and will, pieces of self-confidence, and a fresh bundle of hope. The bundle of hope tends to be the hardest to get, as it’s quite small and expensive.
Start by slicing up your dream, as finely and thinly is possible. Some tears might come out; don’t mind them, that’s really quite normal, it’s just the reactions of chemicals. Don’t mind it. Once you’re done, it should be in tiny bits and pieces.
Your effort and will can be sliced a bit more haphazardly—it’s the sliced up dream that matters here—but you still want quite small chunks so you can cook down all your effort and will.

Finally, you take your bundle of hope. This tends to be the hardest part, for some reason. You simply peel the skin off the hope, to reveal the beautiful light insides. You then slice it thinly, then dice it. You want the pieces to be very small after you’re done.
You can start adding in spices. And oh, those are the usual: the what-ifs; the maybes; the ridiculing words of acquaintances; the could-have-beens; the it’s-for-the-bests. 
Careful! Don’t add too much! That could make the unfulfilled dream more painfully spicy and burning than it should.
Now, that wasn’t so hard. But you aren’t done yet.
Take out some self-confidence. Usually, it doesn’t require much to cook. Just put it in a pot of boiling water while you make the rest of the dream.
Cook all the ingredients in a pot for about 10 minutes.
Oh, I told you to be careful with the spices! 
Don’t leave just yet! I still see some raw dream left!
Let it all simmer for 20 minutes. When you are done, it should all be cooked down; and you shouldn’t see any of the dream, the hope, the will and effort left. The self-confidence should also be done; from rigid and strong to soft and pliable.
Take out your plates, put the self-confidence in; put the sauce in; and garnish with blocks of dreary 9-to-5s and a small sprig of regret.
Enjoy!

The Recipe For An Unfulfilled Dream (2021)

Composed  for Soprano, Clarinet in Bb/ Bass Clarinet, Harp and Double Bass
Performed by The Hermes Experiment at Trinity Laban on 11.05.21
Voice - Héloīse Werner
Harp - Anne Denholm
Bass Clarinet - Oliver Pashley
Double Bass - Marianne Schofield

Ease In

Song about disappointment, infatuation and mixed feelings. You can also listen to it through YouTube 

Misunderstanding

Link to the video: https://youtu.be/yohtAA8tBgs 

In loving memory of my great grandmother (1926-2021).
Na pamiatku mojej drahej (pra)starej mamy (1926-2021).

This piece is about family (relations) and home(land) full of joys, nostalgia as well as pains and obstacles.

Based on a recording of me and my great-grandma singing a Slovak folk song "Po nábreží, koník beží".
Big thanks to my father and his passion for capturing every moment of our childhood.

FLIGHTLESS DOVES by Kornélia Nemcová
Performed by Ashley Brand (Clarinet in Bb), Alex Lyon (Bass Clarinet), Rebecca Burden (Cello), Sam Pugh (Double Bass) and Kornélia Nemcová (conducting and violin).
Electronics by Kornélia Nemcová.

Recorded by Ben Leigh-Grosart and TL's AV MUSIC team.
Sound mix by Ben Leigh-Grosart, video edit by Ben Leigh-Grosart and Kornélia Nemcová.

Composed for Trinity Laban's Rude Health Festival 2021.
Performed on 27 October 2021, Peacock Room, KCC, Trinity Laban Conservatoire of Music and Dance.

Flightless Doves (Rude Health Festival 2021) LIVE - link to the video in description

Music from a short movie with the same name made for a TLSU competition on the theme "Finding the New Normal".

TEXT in the intro:
Have you ever asked yourself?
Am I (normal)?
(Normal) is filtered through the lens of society.
So, what is (normal)?

More info in the description of the video: https://youtu.be/QYL96HYzDPw

(finished 30 November 2020)

Finding The New 'Normal' (2020)

My first official piece as part of TL studies.

COMPOSER'S NOTE:
This piece is about a relatable moment of awkwardness or embarrassment, where we have an accidental faux pa or social blunder. It attracts everyone's attention onto ourselves, and we end up going over that moment in our heads for hours, days and sometimes even weeks. Although, often the truth is
that no one even noticed, or did not pay so much attention to it, and end up not even remembering it. It is only our own emotional brain overthinking.

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TEXT:

PROLOGUE:
Oh, this couldn't be more boring!
Hmm, I think I'm gonna check my
messages on the phone, let me just enter my password and...
... here we go!
Oh shit!
Oh, SHIT!
OH SHIIIT!

My heart is beating. My heart is beating
(beating) me unconscious. Unconscious, unconscious, unconscious, unconscious I'd, Unconscious, unconscious, unconscious, unconscious I'd rather be, (be) hidden from their laughing faces
faces staring at my pale face
(face) as red as crimson hot iron
(iron) on my bleeding lips. Lips, whispering, breath, swallow, throat, derision. Lips, whispering, whispering, breath, breath, swallow, swallow, throat, throat, derision. (as) lips of theirs are quickly whispering
whispering about the stench of my breath
breath, as deep as the sweat etched scar
on my chest, that I swallow
swallow those bitter rocks of shame down my throat
throat strangled by derision
derision, hate, shame, my end.

EPILOGUE:
Hm. This doesn't matter that much...

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Solo Soprano: Hannah Wardrop
Piano: Alique Khambatta

(Piece finished September 2020, recorded December 2020)

Social Blunder (2020)

A piece finished for Sonic Arts Course at TL.

All sounds recorded by the author.

T Attack

Kornélia Nemcová, composer based in London, UK (from Bratislava, Slovakia). 
Currently studying BMus at Trinity Laban.
Please contact me at kornelianemcova.music@gmail.com if you're interested in playing my music or working with me on a project.

The Rendang Master (2021)

kornélia nemcová

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Kenneth Martin

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