every song mad as fuck i love it🤪🤯😡

neurofunk pt. 2

Cyntax - Overlord VIP (Original Mix)

Cenotaph

// artist
@fourward
facebook.com/fourwarddnb

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

// release date
Beatport exclusive: 21.10.22
Worldwide: 04.11.22

It had been decades since the city had been abandoned by its inhabitants, inundated by flooding, and transformed into a vast urban wetland. Where flowers once grew on windowsills and signs once hung above doorways one could now find dense reeds and tendrilled vines that crept through the city as an ever-encroaching force to be reckoned with, the slow and steady boring of their roots wearing cracks into the walls of what remained bit by bit over time. Along with the damage from the floods, the ecosystem that now had begun to flourish in this once-concrete jungle seemed determined to lay bare the secrets of its former inhabitants, no matter the risk that they may have posed once exposed.

In this way, the walls to the great factories and powerplants had been sundered, their steel-piped industrial insides spilling forth into the open air as petrified viscera that was itself soon too broken through. Within the vital systems that had once powered this great metropolis
surged a varietal of malevolent and benign compounds that began to mix with the swamped landscape that surrounded them, seething within its waters and unleashing a mutagenic plague on the inhabitants therein. Though many perished until the toxic deluge that poured forth from the city’s insides, select specimens survived and even thrived within this newly tainted environment as it wrought changes in their being as though it were the hand of god itself, sculpting from their flesh novel forms unseen before amidst even myriad worlds. The steel-clad wetlands thus became a nursery for these new forms of life, which germinated within their shaded alleyways before beginning to emerge into the wider world. Therefore it was that the first DANGEROUS WASTE PRODUCTS began to appear on the fringes of civilizations that neighbored this forgotten land, seeking to spread the corruption of their septic home and absorb new realms from which they could birth forth further mutated spawn.

With DANGEROUS WASTE PRODUCT, FOURWARD reemerge from the EATBRAIN horde to deliver a pair of sonic concoctions effused with noxious atmospheres and thundering basslines that leave a lasting effect on their listener’s constitutions, mutating their sonic preferences towards the duo’s characteristic sound.

Dangerous Waste Product / Sound Of The Underground

Fourward - Sound Of The Underground (Eatbrain 147)

LFLF is proud to welcome Clearance to the family with his debut EP 'Walker’s Wood'. Known for his razor-sharp production and groove-led style, he has been firmly on thier radar for a minute and this release makes it clear why he deserves the spotlight.

'Walker’s Wood' delivers four tracks built for movement, with deep funk, rolling basslines and rhythmic twists running through the whole EP. Every tune carries his signature balance of precision and warmth, capturing the energy of the dancefloor while keeping things clean, fluid and forward-thinking. Each track stands on its own, yet the full EP works as a tight, flowing journey that shows exactly what Clearance brings to the table.

⚡️Like the Track? Click the [Repost] ↻ button so more people can hear it and download it here: https://loveforlowfrequencies.bandcamp.com/album/walker-s-wood-ep

⚡️Subscribe to our Youtube Channel - goo.gl/8QosjS

⚡️Follow our Drum & Bass Spotify Playlist: goo.gl/Dyo4hY

👉 Data Transmission
Spotify: bit.ly/3TexYS8
YouTube: bit.ly/3y8DI4j
Facebook: bit.ly/3TexYS8
Instagram: bit.ly/3Gw4IUa
Apple Podcast: bit.ly/3wOMWqj
Grahame Farmer from DT YouTube: bit.ly/3wMBL1j

👉 Clearance
@clearance
www.instagram.com/clearancebass

👉 Love For Low Frequencies
@love-for-low-frequencies
www.instagram.com/loveforlowfrequencies/


<< BUY >>

Clearance 'Walker's Wood' [Love For Low Frequencies] *PREMIERE*

SHIP SINKER

Buy/Stream: https://fanlink.to/FSRECS016

Forbidden Society Recordings presents ''Prophets Of The Doom Remixes Part 1'' this remix pack contains some of the Forbidden Society cuts reworked by some masters within the genre. The release opens with a hypnotizing ''The Clamps'' remix of the label anthem ''Street Justice''. The staggering drums work great with the bassline and intrusive synth blips. The emotive ambiance that is introduced throughout makes for a great alternation. Second up is signature snare-man ''Donny'' who delivers a banging reword of Forbidden Society's BWM. Hardcore Drum & Bass music at it's finest,  it's all about the drums in this one. South African duo ''Counterstrike'' come up with a remix for ''Sellout''. This is a peak time rework, placing the emphasis on top notch drum-breaks and some funked out elements that  should strike a chord with lovers of the label. Hallucinator are reworking the ever so dark ''NYC Punk''. This fast paced theme is pumped up a notch with great care for the original. Label regular ''Katharsys'' does an adventurous reword of 'Skullcrawler' which stands out in originality. The pack is finished by S9 who creates havoc with his tremendous ''Outlaw'' remix. Forbidden Society Recordings at it's best with an undeniable all-star line up.Watch out for the part.2!


Follow The Clamps:
https://soundcloud.com/the-clamps
https://www.facebook.com/theclampsmusic
https://twitter.com/wayofcrab
https://www.instagram.com/theclamps_music/


Follow Forbidden Society Recordings :  
https://www.fsrecs.com 
https://www.facebook.com/fsrecordings
https://instagram.com/forbidden_society_recordings
https://soundcloud.com/forbiddensocietyrecs
https://twitter.com/fsrecordings 
https://www.youtube.com/forbiddensocietyrecs

Buy/Stream Links

Forbidden Society - Street Justice (The Clamps Remix) [Forbidden Society Recordings] OUT NOW

Release Date : 12.03.2018
 
An arc that cuts across the present comes at the cost of the past. Against the bleak backdrop of the deadlands, its fierce frame resonated darkly within the stark heat of its viewpoint. An epoch of regeneration lay behind it, the slow burn as it reconstituted and absorbed the meager energy of these barren lands. Its state was fully formed once more, the crux of divination achieved as it prepared for its final transformation – to dive through the many faces of death and penetrate the void, pierce the fabric of life once more and re-emerge beyond the reach of this world’s inhabitants. Immortality awaits in the promise of new lives, let the cycle of desecration begin again, let life itself buckle at the knee as civilisations rise, fall and fall again.

DISPHONIA’s exceptional pair of tracks ENERGY and BACK TO THE OLD SCHOOL (feat. KRYPTOMEDIC) became dancefloor staples of 2017, knocking the rave into shape with the duo’s powerful neuro sensibilities with style and longevity. Now in 2018 RED LIGHT RECORDS steps it up a notch with a pair of mighty reimagined perspectives on the powerful source material, with INWARD, HANZO & RANDIE and THE CLAMPS delivering the heavy. There’s no messing around with this brutal pair of remixes, dense sonics rule here with relentless aggression in full effect, cutting a psychotic path into a future domain.

Buy Reincarnations!

Feat. Kryptomedic - Back To The Old School (The Clamps Remix) - Clip -  Red Light Records

Mayel - Apache (Bad District Remix) [BONUS TUNE]

//artist
@teddykillerz
facebook.com/teddykillerz1/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

They had drifted through the depths of space for an eternity, a trio of titanic constructions forged upon the surface of a faraway planet. The vast expanse through which they floated was to be their final resting place, the only prison that could contain their colossal strength. Their towering forms were shaped in the image of the most feared predators of their homeworld, hulking chasis of metal with a visage of primal power. Though they appeared to sleep within the infinite blackness of space, an extensive network of sensors worked constantly within their cores, searching constantly for the signs of life that would allow their mechanical hosts to continue their prime directive. As they passed an yet another planetary system, their constant toil bore fruit, detecting life upon an otherwise barren orbital body. In an instant, the massive machines were revitalized by the signals that coursed within them. From their forms shone with a brilliant cyan hue, granting them the appearance of a falling star as they descended towards the surface below. 

The automatons stood silently upon landing, monolithic in their stature which dwarfed that of the colony below. Panicked rumors spread quickly throughout the colony’s inhabitants as all attempted to guess what had brought the titans to this world. As these rumors spread, so too did a sound, one new to the surface of this world. Beginning as a diminutive hum, its strength steadily increased until it began to shake the foundations of the settlement and the will of those within before ceasing in a single instant, allowing just enough respite to consider its function. Then burst forth the full fury of the trio, as from their eyes shot forth photon rays which sliced through the colony on a razor’s edge, cleaving its buildings in twain. In the low gravity present upon the planetoid the rubble created by their conquest hung in the air, oddly still in contrast to the ensuing chaos. The titans lumbered forwards through this maze of destruction, accompanying their lethal lightshow with the weight of their booming steps in pursuit of the masses who fled beneath them. A frantic scramble had begun amongst the colonists, as each rushed without care for any other towards the nearest planetary shuttles, only to see them atomized in turn by the rays which swept through the city. The titans let none escape their gaze as they pursued their programming with relentless efficiency, razing the once burgeoning colony to a mere layer of ash upon the surface of the planetoid.. As they targeted the final structure left standing, their sensors picked up an outbound signal transmitted from within. A single weak voice echoed a refrain they had heard before, a descriptive combination based upon their ursine appearance and murderous methodology. ‘They’re TEDDY KILLERZ” the voice shrieked into the transmitter, “and they can’t be stopped!”

The TEDDY KILLERZ make their return to the EATBRAIN with the release of the CHOPPING MACHINES EP, following the impactful release of their earlier HELLBLADE EP on the label. DROP IT struts out of the gate with a bombastic neurofunk beat, whilst the title track CHOPPING MACHINES slices samples and basses with a flurry of sharp edged cuts. JESTER darkens the atmosphere before launching into a similarly fast paced assault, whilst AFRIKA takes a roots based approach to its production. The closing track, STELLAR, is an electric slice of halftime that radiates futuristic energy. Representing a multifaceted approach towards a further expansion of their sound, CHOPPING MACHINES sees the TEDDY KILLERZ in true dynamic form.

//release date
Beatport Exc. 22.10.2018 
Worldwide 05.11.2018

Chopping Machines EP

Buy / Stream EP

Teddy Killerz - Drop It (Eatbrain068)

Future our track, which played dj bes in Neuropunk podcast 46. Listen! Comment.

Follow Decent & Snapper on:
- Soundcloud: @decentandsnapper
- Facebook: www.facebook.com/decentandsnapper/

Decent & Snapper - Id (Neuropunk Pt. 46 Cut)

We are pleased to introduce you 'GIANT VIP' by State Of Mind premiered over at @renelavice's BBC Radio 1 show!

//artist
@stateofmindnz
facebook.com/stateofmindnz/

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

//release date
Beatport - 27.05.19 & Worldwide - 10.06.19

Taking a step back, the inventor looked upon his creation with a mixture of pride and awe. Above him towered a clockwork golem with blood of fire and skin of steel, a protector of that which he had ordained worthy of protection. It’s profile displayed the raw strength of the forges from which it had been wrought, actualized by the servos and motors which drove its mighty body forwards in lumbering motion. Atop its head roared a constant blaze, its uncontainable life energy surging forth from any available outlet in a ferocious display of raw vitality. In a contemplative moment, the inventor then looked upon himself, diminutive and weak by comparison to the champion he had created. He thought of its purpose, shedding a momentary tear for those like him who might fall under its wrathful gaze, but then shook his head with renewed resolve. “It must be done” he said to himself, “They have not the STATE OF MIND necessary to rule this world”. Turning his eyes back to the golem, the inventor set his titanic creation forth on its grim path with naught but a single nod.

With a bellowing roar of the blaze within its skull, the golem emerged from the forest of its creation in a moment of stark contrast as it began to take its creators vengeance upon the city that lay before it. It was itself a city of steel and flame, which tore relentlessly at the lands around it in an exploitative & all consuming hunger. Jets of flame shot forth from the golem’s maw as it tread upon the inferior structures beneath it, reducing that built of this hunger to the component parts it so wantonly consumed. As it stood within the inferno, the golem itself began to feel its own gnashing teeth, the heat of the flames slowly stripping its steel skin to the bone. With a final titanic roar the golem reached a point of criticality, exploding in a massive gout of flame and molten shrapnel which leveled all that remained of what had once been the great city. Watching from high within the forest, the inventor nodded his head in a farewell to his creation, assured by it’s ultimate cry that this land was safe once again from those who would do it harm.


STATE OF MIND returns to EATBRAIN with four reimaginings of their past tracks by themselves and others within the harder side of Drum & Bass. Receiving a flip by Italian neurofunk trio IHR is the notorious collab with label boss Jade 'HIGHLANDER', which features the addition of a motive & fluid reece bassline atop the track’s already driving drumbeat for a dancefloor devastating sonic combination. STATE OF MIND themselves present a VIP of GIANT, which smashes forth on massive drums accentuated by simultaneous bass stabs in a titanic sprint beneath detuned tonal sprites. BYPASS is remixed by MOB TACTICS, whom bypass nothing as they push the track into overdrive in a flurry of furious basses, frenetic arpeggios and brief moments of levity provided by snippets of vocals. Closing the EP is the SYNERGY remix of TIME SLIP FT. KRYPTOMEDIC, which rides the MC’s narration upwards in an ever intensifying crescendo towards a distorted realm of metallic basses that rocket out above their electrified companions and an unstoppable drumbeat. In all, the STATE OF MIND REMIXES morph some of the prolific duo’s most powerful track on EATBRAIN into monstrous new forms, setting them up for further dominance on future dancefloors.

State Of Mind Remixed

State Of Mind - GIANT VIP (Rene La Vice BBC Radio 1 Premiere)

BUY / STREAM

Teddy Killerz - BFG

Between Worlds

Light Hammer

Award Winning Drum & Bass brand, pushing creative and innovative event experiences.

as above the drum, so below the bass - in one temple we trust

Teddy Killerz - BFG

Korsakov Music

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