Performed by Humay Gasimzade
sound engineer: Dan Antoniu
Bryan Hall, Bowling Green University, April 9, 2021

Riga in Rain (2020)

Sound Engineer: Dan Antoniu
Bryan Hall, BGSU, 2021

Ayaz Gambarli: Riga In Rain

Irrational thoughts should be followed absolutely and logically (1) (2019)
for two or more vibraphones

Composed by Ryan Seward
Performed by Filament (DeLane Doyle and Aaron Gochberg) and Ron Coulter

Recorded on 27 March 2021 at Wheeler Concert Hall, Casper College, Casper, Natrona County, Wyoming

Irrational thoughts should be followed absolutely and logically (1) (2019)

Il y a – memory of a word lacking

Fredrik Rasten: "Dyads for solo violin" (2020, world premiere)

Johnny Chang, violin

30.04.2022
Live performance at "Partitions & Resonances" series.
Hosted by Audio Foundation
Recorded by Jeff Henderson

Fredrik Rasten - Dyads for solo violin (Live at Audio Foundation)

From Aisha Orazbayeva's PRAH album "The Hand Gallery" (released March 2014)

Morton Feldman: For Aaron Copland

Aisha Orazbayeva violin
Mark Knoop piano
Live from St Paul's Hall, University of Huddersfield

Bryn Harrison Receiving the Approaching Memory movement 1

Performed by the New Thread saxophone quartet at the Music for Contemplation concert series, Church of the Annunciation, Brooklyn, April 11th 2015

Saxophone Quartet

Aisha Orazbayeva & Eloisa-Fleur Thom
Live from the National Portrait Gallery
April 2016


Luigi Nono "Hay que Caminar" soñando at the NPG

Performed by the Bowling Green Philharmonia, Alexander Popovici, conductor. 

The Location of Lines was inspired by the results of the conceptual compositional techniques of painter Sol LeWitt (1928-2007). I was amazed at LeWitt's early conceptual experiments with all drawing that would become his legacy. In several of these pieces, LeWitt prescribed fragile and delicate pencil lines to create a grand, yet understated design that becomes integrated with the architecture of the space. In this way, I have attempted to expand out from a single monophonic line across the orchestra. This line is never stated singularly, but is self-reinforcing and unfolds into orchestra, creating a larger architecture. The soft, understated dynamics, the blurred articulations, and kaleidoscopic harmonic language that is developed by this melodic line is intended to parallel LeWitt's prescriptions in a sonic environment. A sonification of space, here relates to the scale of LeWitt's work; where in scale, visual art becomes a temporal experience itself. The title of this piece is derived by a 1975 series of etchings by LeWitt of the same name (imaged here). This piece was partially written while i was artist in residence at Arts Letter & Numbers, and the Kimmel Harding Nelson Center for the Arts.

The Location Of Lines

Sharon Harms - Soprano
James Baker - Conductor
Conference Ensemble

Poem by Paul Blackburn
Copyright © by Joan Blackburn.

https://www.poetryfoundation.org/poems/55511/brooklyn-narcissus

Brooklyn Narcissus

Brooklyn Narcissus II for Soprano and Chamber Orchestra (2019)

Kory Reeder is a PhD student at the University of North Texas. Kory’s music investigates meditative and atmospheric qualities, unfolding slowly and creating their own sonic worlds in which they reside. His work experiments with compositional techniques found in visual arts and how they may be incorporated with music structurally or as a formal element. His music has also used structural elements found in nature and astronomy, as well as using historical timelines as proportional units in composition.

The Location Of Lines

Kory Reeder

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