Ittō Lounge

"lunaa"
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original photo: @chaitography (instagram)

lunaa

a fun little collaboration experiment with the kind guys over at projektor's discord channel

YeKaMi 3.0

First track from an upcoming album inspired by Shpongle's take on a chilled and down tempo approach to Psytrance with multi-continental influences.

The edited version which puts it under the 10 minute threshold needed for SoundCloud Artist Pro tracks

138 BPM
G Phrygian 

production notes:
This started out with a narrative I wrote for the track about a lone figure that awoke without memory in a cave that appeared to be sentient, and inhabited ravers entranced by strange relics. The usual psychedelic trope stuff. I recorded the vocals myself, and used them to inform the initial arrangement of the track. It became evident that the story would result in a evolving and winding musical expedition. However, my voice really didn't suit it. So I used elevenlabs to generate a new AI version of the vocals - that are used here. Later I stripped most of the vocals out, however the story they informed is now the song.

Each track I make offers new challenges.. here I really wanted to shift genres and sounds a lot. It sounds quite basic, but there's a lot going on here from a bassline that absolutely isn't traditional psytrance (although the base pattern is inspired by "Robotoised" by Quirk), to shifting from saw bass, to square wave, to switching the whole thing up in to a Brazil-inspired shponglised breakdown - considering I had no knowledge of this musical style, let alone how to produce it. However the real challenge was finishing this track. The arrangement has been 'complete' for months now with me tweaking and trying to polish it up enough to release it. 

I also decided to make this a multi-part song. Again, inspired by Shpongle albums where tracks eb and flow between each other. Part 2 of this isn't included here, but I hope I can make it become a full mixed album. Something for later.

deep & hypnotic (edit) - 138 bpm, G

ΩMAWGAWD

Monitor

You smell that? That’s the smell of burnt rubber, cold rain, and broken promises. Welcome to the Mean Streets kid. 

You ever hear jungle breaks echoing through an empty parking garage at 3 a.m.? That’s what this is for. Mean Streets is built for late-night runs and lost causes. It's a drum and bass tribute to the golden age of the PlayStation, back when everything felt faster, dirtier, realer. Back when we were still counting polygons kid. 

Think Wipeout 2097, Ridge Racer, Need for Speed. This is the sound of busted-up jungle drum and bass straight from a memory card left in the rain.

Yeah, there's liquid DnB in here, even some future garage, the kind that creeps in when the streets are empty and the rain won’t stop and you can't get those damned memories outta your head. But don’t get it twisted kid, the heart of this record is that early-2000s jungle mayhem. The stuff that came out of blown speakers and off bootleg discs. That sound that made you drive too fast and care too little.

So here’s your induction, rookie. The Mean Streets don’t care who you are. But if you’re gonna race out here, you better have the right soundtrack. And now, you do.

This one's for fan's of low-poly dreams, 160 BPM mistakes, and the kind of nights you don't come back grom the same. If you like early jungle, Source Direct, LTJ Bukem and PS1-era Drum & Bass you're gonna like this. 

Lagoon 9

Winner Takes All

Finish Line

The Fog(174 BPM)

Scapegoat

Renoise.
New Mexico.
constantly learning. 
downtempo
drum and bass
ambient
emotive
experimental 
abstract


The Fog(174 BPM)

KraigKrumb

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