clara

loscil 'vespera'

~ LAAPS 011 ~ [SEQ.02 - LP11]

artists : Stijn Hüwels + Tomoyoshi Date
album : 遠き火、遠き雲 (A Distant Fire, A Distant Cloud)
durations : 34.12 mn
 date : May 27th, 2021

edition :
-  vinyl : limited to 200 copies / grey colored vinyl / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : May 07th, 2021 / official release : May 27th, 2021
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All music and sounds by Tomoyoshi Date & Stijn Hüwels. 
Recorded 2020/2021 in Japan and Belgium.

Tomoyoshi Date: piano, harmonium, synths, field recordings. 
Stijn Hüwels: guitar, pedals.

Mixed by Tomoyoshi Date.
Mastered by Chihei Hatakeyama.
Artwork by Lynn Pollard
Design by Sprflxgrfzm

Tōki hi, tōki kumo 遠き火、遠き雲’ (A distant fire, a distant cloud) is a poem by Tadahito Ichinoseki.

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Links :
https://laaps-records.com/
https://www.facebook.com/laaps.records
https://stijnhuwels.bandcamp.com/

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℗ & © 2 0 2 1 - L A A P S - L A A P S 0 1 1

Stijn Hüwels + Tomoyoshi Date - 朝空に閃く光の粒子（Particles Of Light Flashing In The Morning Sky)

Whatever The Weather

36°C

Springtime in Croatia

In the wet heat of a Japanese summer, legendary musician Ryuichi Sakamoto was joined on stage by Taylor Deupree and the duo of Corey Fuller and Tomoyoshi Date, known as Illuha. The Yamaguchi Center for Arts and Media hosted the event as part of their 10 year anniversary which also included a captivating installation by Sakamoto called Forest Symphony. The days surrounding the concert brought the artists together for food, talk and exploration. Informal but meaningful moods that prepared them for performing together.

The performance, an improvised set for piano, guitar, pump organ, and synthesizers, ended up affecting the artists in a deep way. The four, having never played all together before, were taken aback by the level of listening and restraint that flowed between them. The audience sat in a breathless silence, the music offering a respite from the thick July air. As the last hushed note faded into blackness the artists knew right away it had been a deep journey.

It is a fortunate event when a moment like this is captured, as this concert was ( recorded in high quality DSD). Perpetual, named for the eternal and ageless quality of the music, is presented in three movements that traverse from soft layers of synthesizer and processed guitar, to open, airy sections of prepared piano and silence, to finally coming to rest in a most hauntingly delicate lullaby of lonely piano, crackling found objects and field recordings and tones suspended like mists.

Perpetual not only surrounds us and stretches through time but collects that expanse into a single memory, a record of a brief moment where time stood still and four musicians merged into one.

Perpetual

Movement, 3

from the album, 'unseen forces' available 4/21

Unseen Forces

justin walter 'it's not what you think'

I. 2c 
II. Flutter
III. Moments in Love

out 04.28.17 https://boomkat.com/products/grafts

GRAFTS

Music composed and produced by Caterina Barbieri between September 2015 and January 2016. Mixed at Elektronmusikstudion in
Stockholm (SE). Composed with an ER-101 Indexed Quad 
Sequencer and a Verbos Harmonic Oscillator. 
Images by Giovanni Brunetto 
Photography by Angelo Jaroszuk Bogasz 
Mastered by Giuseppe Ielasi 
First edition pressing of 500 double LPs packaged in a gatefold jacket. An edition of 200 sets on transparent blue vinyl is available for Important mailorder customers: http://importantrecords.com/imprec/imprec449
Bandcamp: https://caterinabarbieri.bandcamp.com/album/patterns-of-consciousness
"...has an imperial, exacting beauty." (The Wire)
“…few albums have hit us as hard as Caterina Barbieri’s 70-minute opus, Patterns Of Consciousness. On her debut full-length, Barbieri commands tsunami-height waves of arpeggiated analog synths." (Fact Mag)
"Patterns Of Consciousness finds Caterina Barbieri at her best, elegantly moving between melodically pleasant yet twisted sequences and comforting, reassuring sonic spaces. Every piece, while given a singular identity, is part of the bigger picture: a work of art that will push you, pull you, and then eventually leave you with your back against the wall once you get to the last track. " Alessandro Cortini (Nine Inch Nails)

Gravity that Binds

Métron Records are delighted to present the title track from 'Moment (Selected Works 2015-2017)' our debut label release from Osaka based producer 7FO (@mado-4). Having previously released a cassette on RVNG International, and a 7’’ single on Bokeh Versions in 2017, this is the Japanese producer‘s debut full length vinyl release. The tracks, recorded between 2012 and 2017, have been tweaked, remastered and recorded to vinyl for the first time. 

Listen to the title track here and pre-order the record below:
https://metronrecords.bandcamp.com/
http://www.rushhour.nl/store_detailed.php?item=102778

You can also check out the beautiful music video directed by George Kountouras here:
https://www.youtube.com/watch?v=XvxG_F1w3Hg

Moment (Selected Works 2012-2017)

7FO - Moment [MTR001]

Midori Hirano - Close to Life
From the album “Mirrors in Mirrors”

Release date: 5th March, 2019
Pre-order “Mirrors in Mirrors” here: https://daisart.bandcamp.com
© Daisart / daisart.info

From the liner notes:

If you stand between two mirrors facing each other, you’re faced with a curious and unique visual sensation – endlessly repeating reflections bounce off one another into an infinite, spiralling prism. Any movement from your vantage point derails the point of focus, and transforms the illusion in real-time before your eyes. Light bends, and with it, colours slip in and out of dominance, in an
Escherism of endless space, despite no change to the dimensions you inhabit in that ever so concrete space between two mirrors.

Midori Hirano speaks of “waning lights” and “edges blending into fog” as some of the sensory indicators inspiring Mirrors In Mirrors – her debut on Daisart – and these Impressionistic sentiments are deeply imbued within Hirano’s delicate, restrained compositions. The hallmarks of modern classical, electronica and ambient are adopted as an assemblage to explore nuanced tones and techniques less dictated by those stylistic underpinnings, perhaps somewhere hovering between – but never too far away – keenly aware of form and
function.

An emphasis upon the piano is an immediate point of reference for placing Hirano’s work within a broader context, but important to point out is the subtle and careful use of synthesisers and effects processing throughout the record – sometimes providing a more detailed background terrain, sometimes taking centre stage. Whichever instrument she turns her hands to, Hirano has crafted a record with enough dedicated focus and space to allow the listener to immerse oneself in her devised temporal expanse, an Impressionistic liminal space of Mirrors in Mirrors.


Written, produced, recorded and mixed by Midori Hirano in Berlin, Germany 2017-18. 
Mastered by Sean McCann of Recital Program.



“Mirrors in Mirrors” comes in a first edition of 200 x 12inch 145gm black vinyl (incl. download) with Pantone printed inner and outer
sleeves designed by Jeroen Wille and Rudd Ruttens [ruttens-wille].

Midori Hirano - Close To Life

Taken from the album 'Peel' released as 2LP and Digital

Peel

KMRU 'Why Are You Here' (EMEGO 289)

please don't message us via our soundcloud account for demo submissions. while links to your songs hosted on soundcloud are fine for us, please send to krankyinfo@gmail.com as per usual.