Mary Oliver reads from her exquisite collection 'Blue Horses.' Background, poem text, and context here: http://www.brainpickings.org/2015/02/09/mary-oliver-blue-horses-fourth-sign-of-the-zodiac/

Excerpted from https://soundcloud.com/onbeing/sets/mary-oliver-listening-to-the

MORE/TEXT

Mary Oliver reads from Blue Horses

From the upcoming work Tweed Fantasy created for the Saint Petersburg Bicycle CoOp!

Tweed Fantasy - Perpetual Dream (2016)

Recorded with Detta Danford (alto flute) at St.Mary's Church, Walthamstow in February 2016.

delete/control/option, Marcos Balter

I read about this meditation and couldn't find it via my podcast search or on a mobile-friendly service, so I downloaded Tara's meditation from https://www.tarabrach.com/smile-guided-meditation/ on my mac and uploaded here to Soundcloud for my own listening. Hopefully Tara is open to the idea of sharing her teaching on Soundcloud so other new listeners can enjoy her work.

Smile Meditation by Tara Brach

- 2019 -
Premiered March 1, 2019 at Cluster Festival //  aceartinc.
Audio for video and movement. 
[psych(e]on) was created with support from the Winnipeg Arts Council.

[psych(e]on)

produced by Kid Hastings and Luke Jr. 
written by Kid Hastings and Luke Jr. 
performed by Kid Hastings

music video: https://www.youtube.com/watch?v=DyclSrrjPdg
spotify: https://open.spotify.com/album/2tt0cLl2jeG2PKVhAmfi49?si=1aAM4q3QTmqyOKKuW-whTg

Trees

And/Or (2019) - 14 musicians and electronics - Turning Point Ensemble - live-recording

This work explores the micro-synchronicity within a pulsation to create timbral and musical situations that are:
organic and/or synthetic,
mechanical and/or lyrical,
symmetrical and/or asymmetrical,
integrated and/or separated,
on-the-beat and/or off-the-beat,



Performers: Turning Point Ensemble
Conductor: Owen Underhill
Electronics: Anthony Tan

And/Or (2019) - 14 musicians and electronics - Turning Point Ensemble

FIELD STUDIES is a series of works by Elizabeth A. Baker, that explore human presence in various sonic landscapes. All performances are done as a one shot recording, with most of the panning and sonic movement attributed to the placement of the toy piano, synth, voice, waterphone, and found objects in physical space away from or next to the recorder. The works are then gently manipulated in the studio, they serve multiple roles as standalone object d’ art and partners to static and moving images. 

In BIRD WORD - PLUNK, an entire improvised performance on toy piano is recorded inside Robinson Preserve alongside the dawn chorus. A temperature inversion which caused the sound of road noise to prominently bleed into the raw recordings is interpreted in the studio as a series of gated sine tones oscillating through a pitch plug-in... the sonic ecology that should exist in a place reserved for nature is slowly but surely bent towards the will of humans.

BIRD WORD PLUNK

I completed this piece in spring of 2019 and performed it at my solo piano recital around the same time. the concept behind this piece is change over time, based on our experiences throughout life. we find that day to day not much changes, but when we look back everything is different.

The Days Keep Changing

relativeBorder from Three Meditations on the Edge
for string orchestra, theremin, electronics, found objects(2019)

Composed for Barron Collier High School's String Orchestra under the direction of Jordan P. Lamb.

Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture.

Three Meditations from the Edge is a multi-movement work for string orchestra and a variety of enhancement as well as soloists. The fragility of an edge is juxtaposed with the sharpness of an edge — an example is the edge of a
piece of paper, too fragile to easily balance or stack another object and yet sharp enough to draw blood in an instant. The work also exists at the edge of experimental music, a first entree composed specifically for advanced
string students at Barron Collier High School under the direction of Jordan P. Lamb. Throughout the piece students interact with extended techniques with and without the bow, as well as found objects and a variety of electronic soloists including interactive patches, theremin, fixed media, boutique synthesisers, and a dot matrix printer.

This project was designed as part of an artist residency, and recording project for STARS OF DIFFERENT HUES, a
unique outreach project focused on exposing students to experimental art and sound practices, developed by
New Renaissance Artist Elizabeth A. Baker.

Music & Concept by: Elizabeth A. Baker

Conductor/Director: Jordan P. Lamb

Performers:
Elizabeth. A. Baker(electronics)
Barron Collier High School Orchestra under the direction of Jordan P. Lamb
Ramses Francisco Acosta
Colin L Angstrom
Camila J Arteaga
Milla Bertie Barlow
Olivia Rose Becker
Sofia Calle
Holden Alexander Campbell
Michelle Albany Cardenas
Alexa Faith Cardinale
Stephen Ming-Wei Chang
Kaitlyn Chao
Victoria Itzel Chavez
Isabel Rose Chernysh
Jackson Wadsworth Compitello
Julie Ann Coomes
Juliana Leigh Coppola
Caroline Jean Cornell
Sidney Kathryn Cramer
Blaise P Edmond
Anamaria Fernandez
Wyatt Andrew Fox
Christopher Brad Garcia-Vargas
Roberto Fernando Garcia
Noble Gideon
Amber Lynn Green
Ashley Kate Guarino
Saranda Haxhibrahimi
Grace Anna Humphrey
Kaylee Anna Jones
Abigail Preeti Kozlow
Sadie Katharine Lacy
Peter Allen Learned
Emily Gal Levine
Madeline Grace Mair
Collier Jett Manley
Arabella Marie Martoccio
Mary Kathryn May
Mallorie Mckyton
Thaila Mejia
William Nathan Miller
Layla Aunjanue Mobley
Joshua Lee Myers
Giulia Moreira Nelson
Skylar Annabella Nervo Smith
Ashley Ryan Newsome
Eser Aysenur Ozturk
Ashley Juliet Perfetto
Hannah Michelle Ratthe
Hutton Edison Raynor
Roberto Reyes
Robert Matthew Roa
Camila Rojas-Gomez
Madison Sailakkham
Reid Alexander Schwartz
Aaliyah Chi'Ann K. Seaborn
Claudio A Serrano
Jonathan Floyd Sobczak
William Jackson Sobczak
Emma Eva Spangler
Jordan Danielle Taliaferro
Kezia Denise Labios Tan
Tanner Joseph Vandenbosch
Megan Marie Willett
Angela Elizabeth Yu

relativeBorder (LIVE)

Impressions of Ancient Earth is a musical tableaux depicting "pivotal" moments in the evolution of earthly consciousness.

"Morningtide Pandemonium" paints the picture of all natural things finding their voice or rather it portraits the discovery of the perception of sound.

Prepared Piano - Elizabeth A. Baker
Percussion - John Macdonald
Compositions - Elizabeth A. Baker
Engineering - John Macdonald & Elizabeth A. Baker

Impressions of Ancient Earth - II. Morningtide Pandemonium

A multimedia maker, HSP, music copyist, and young Dharma yoga practitioner/student from Canada, navigating with deep absorption, curiosity, unification, and celebration.

[psych(e]on)

Kris W

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