As a tribute to the utterly wonderful HBO series True Detective, this remix explores the similarities between the show's underlying theme of time being a flat circle and the Indian idea of Moksha, the release from that very circle of vicious repetition. 

So I took Thyagaraja's hauntingly brilliant "Mokshamu Galada" where he wonders if there is ever going to be Moksha without knowledge, and blended The Handsome Family's "Far from any road", the theme song of the show with it. 

Played on the following instruments
1. Yamaha C40 Classical guitar
2. Hofner beginner Cello
3. Electric violin

The raga is "Saramathi" which well into fits into the A minor key of the theme song

Far From Moksha

Vidya Sankaranarayanan (https://www.facebook.com/vidya.sankaranarayanan) is an extraordinarily talented Bharatanatyam dancer who trained under the legendary Thanjavur Kittappa Pillai (http://en.wikipedia.org/wiki/K._P._Kittappa_Pillai). She is, in the rich tradition of T Balasaraswathy, a gifted vocalist as well. 

She also happens to be my cousin so this is a family production of S Chidambaram's classic "Kanda naal mudhalaai" in Raga Madhuvanti. 

It's a trip hop version featuring violin, cello, keyboard and programming by me. The chords used are primarily variations of Gm, D and A 

Lyrics Translation

My love overflows my dear since seeing you, holding a spear (vEl) in your hand (kai), oh compassionate son of Shiva.

The people will come and sing (paaDum) songs (paNNisai) for you, Kandan (a name for Murugan) my child (baalan), to bring you happiness (sugam).

My heart has not forgotten (marakavillai) your blue (neela) peacock (mayil). I have not forgotten this love (nEsam) mixed with affection (paasam). Oh this sharp-eyed festive (kOla) prince (kumar) has been in the temple (kOvil) of my mind (mana). Showing a small smile (kurunagai), he placed (sooti) a fragrant flower (narumalar) of love within us. 

(source: http://www.karnatik.com/c1437.shtml)


Kanda Naal Mudhalaai

"Redefining the concept of Coalescence"

CREDITS :

Percussion - Raghav Viswanathan

Keyboards and Synth - Sooraj Kumar

Guitars - Sanjeev Krishna Ganesh

Bass Guitar - Murali Dhananjey

Vocals - Sudharshan Ashok

Violin - Shravan Sridhar

Drums - Prakash Thanigaivel / Vignesh Ashok

Sound Engineer - Navneeth Balachanderan

Lyrics - Shruthi Vishwanath

Recorded,Mixed and Mastered @ " The Red Pencil Company " , Chennai

Creative Designs and Artwork - Harini Venkataraman

A Sarvam Production ©

The Journey

A Sanskrit adaptation of Rains of Castamere that makes a connection between the historical arc of Kashmir in 1947 and the destruction of Castamere in the GRR Martin's Song of Ice and Fire

Lead vocals, backing vocals (tenor), arrangement, mixing, mastering: @krishashok
Flutes, Backing vocals (Bass): @indian_music_fan

Lyrics by SP Suresh (https://twitter.com/vajrabhrt)

अथ कस्त्वम् कुतो वन्द्यः ?
मानी प्रभुरवादीत् 
Who are you now, who deserves such respect (and obeisance)? 
So said the proud Lord 

उभावपि सिम्हौ रुचिरेव भिन्ना 
इदमेव तथ्यं जानामि
We are both lions, only the sheen is different! 
This is the truth that I know!

सुवर्णम् रक्तम् वा भवतु चर्म 
नखाः समाना एव! 
मम तु दीर्घास् तीव्राश्च  
त्वदीयेभ्यस् तीव्रतराः
Let the skin (sheath) be gold or red, 
the nails are similar! 
Mine are long and sharp  
Sharper than yours!  

इत्यवोचत् इत्यवोचत् 
काश्मीररजः  
So he said, so he said, the King of Kashmir

अद्य तु शून्या तत्सभा 
विलापवृश्टिस्तस्याम् 
Now his court is deserted 
And there is a rain of tears in it 


Rains Of Kashmir

A Saranga Convergence started out from a quest initially to make a psychedelic song. However what came about was a song that had strong influences of progressive rock and time signature experiments along with a carnatic 'thillana like' melody . This whole song came about within a few hours of jamming with the musicians and remains one of our favourites. 

http://www.karthickiyer.com 

For enquiries:
Email:  karthickiyer.music@gmail.com
Mobile Number: +91 77009 08966
Facebook - https://www.facebook.com/karthickiyerlive
Twitter - https://www.twitter.com/karthickiyer

Karthick Iyer Live’s 1st album "IndoSoul - Looking Within To Look Beyond" is now available on
OK Listen: https://www.oklisten.com/album/indosoul
iTunes: http://hyperurl.co/IndoSoul
Amazon: http://hyperurl.co/IndosoulAmazon

Performed by Karthick Iyer Live
Violins/Vocals/Lyrics - Karthick Iyer
Guitars - Vikram Vivekanand
Bass guitar - Naveen Napier
Mridangam/percussion - Sumesh Narayanan
Drums - Ramkumar Kanakarajan

Mixed by Biju James
Mastered by Andy Bartow
Recorded at VGP studios, Aura Studios

IndoSoul
The Indian civilization has stood the test of time, welcoming and absorbing numerous cultures along the way. It has reinvented itself with every addition, but never lost its depth. In a similar vein, IndoSoul goes beyond the confines of genre, seeks out and welcomes other musical influences, while retaining its core identity of Indianness. It breaks down superficial barriers between genres, instruments, cultures, languages to bring out deep commonalities that define great music everywhere.

A Saranga Convergence - IndoSoul by Karthick Iyer Live

Solo piano cover versions of "Clocks" by Coldplay in a waltz style, inspired by Gibran Alcocer Idea 10

Clocks (Felt Piano Waltz)

A little tribute to The Penguin Cafe Orchestra…well at least it’s got a ukelele on it…

Penguin Party

Composed by Shri Andal, an 9th century Aalwar saint

Copyright © 2016 Vinod Krishnan

Vocal and background score: Vinod Krishnan
Mixing and mastering: Nick Dawes


karupUram nArumO kamalappU nArumO
tirupavazhach chevvAi tAn tittirukkumO

maruppositta mAdhavan tAn vAiccuvaiyum nATramum
viruppuTruk-kETkinrEn sollAzhi veN shangE

uNbadu sollil ulagaLandAn vAi amudam kaN paDai koLLal kaDal vaNNan kaittalattE
pEN paDaiyAr un mEl pErum pUsal sATruginrAr paNpala seiginrAi pAncajanniyamE

Copyright © 2016 Vinod Krishnan

Karpooram naarumo

the ragam - Vaagadeeswari, Something which haunts without any reason . ;) !!


Relaxing with Vaagadeeshwari

A western classical version of an Indian Carnatic song, Mokshamu Galada, played on Indian bamboo flute, inspired by the Madras String Quartet of VS Narasimhan.

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Download

Mokshamu Galada

Watch on YouTube: https://www.youtube.com/watch?v=_3IATQ3Kt-8

Abhogi 2.0 - the more you uncover the hidden layers in this raga, the more arise! Bringing you my next IndianRaga music video, a sequel to Swara Sadhana, with Apoorva Deshpande once again. This time we ardently explored the eclectic raga of Abhogi, amalgamated both in Hindustani and Carnatic. Which part of this song stood out to you? Comment below!

Abhogi to me, is a striking raga, with the way it's carried in different styles of music. It's captivating and intoxicating, despite missing Pa, the 5th note which is the midpoint in the musical scale. The Carnatic composition is "Sabapathikku," written by Gopalakrishna Bharathi, in the Tamizh language. The Hindustani bandish is an original composition by Apoorva, adding beautifully to the rendition about an abstract divinity in music. The lyrics are deep, meaningful, and idolize an abstract version of a musical deity.

Abhogi 2.0

I take the ridiculous and the sublime, add cellos, violins, guitars and random internet collaborators to make music of sorts

Far From Moksha

Krish Ashok