The spaces between

Taken from the album 'Quixotism' released as CD and Download.

Oren Ambarchi 'Quixotism Part 5' (eMEGO 202)

Funckarma's contribution for Touched 2 out on the 28th of november

an ambientized version of Emplinx from Solid State 

http://touched.isig.co
https://www.facebook.com/touchedmusic
https://touched.bandcamp.com/

Funckarma_Emplixian Ambient

free download: https://abbyleetee.bandcamp.com/album/remixes-1

Camila Fuchs - Sparklin (Abby Lee Tee Remix)

From Caterina Barbieri's debut album Vertical (Important Records/Cassauna, October 2014) composed for Buchla Synthesizer and vocals.
Vertical is a meditation on primary waveforms and the polyrhythm of harmonics in synthetic sounds, stretching the boundaries between drone, minimalism and techno. Barbieri's minimalist focus arises from the exploration of the stratigraphic potential of voltage-controlled sequencers, in terms of polyrhythm and polyphony. Employing synthesis, psychoacoustics and repetition as key concepts, the italian composer stylizes the dancing of wave cycles in severe geometries of time and space.
All the tracks were played, recorded and produced in Stockholm, at EMS (Electroacoustic Music Studios) and KMH (Royal University of Music) in Summer 2013.

Released by:
    Cassauna/Important Records
Release date:
    8 October 2014


Vertical has been reissued in February 2016:
importantrecords.com/imprec/sauna22
cassauna.bandcamp.com/album/vertical

www.importantrecords.com
www.caterinabarbieri.com

--------------------------

Side A

Undular
Pneuma
Limen

Side B

Perspectiva
Traum_abc

Music composed and performed by Caterina Barbieri in Summer 2013
Recorded at EMS and KMH in Stockholm (SE)
Mixed in Bologna (IT)

Buchla Modular Synthesizer + vocals
Traum_abc vocals by Ellen Arkbro













Pneuma

Pinkcourtesyphone reaches out and touches someone… in this case an international call with Dutch harpist extraordinaire, Gwyneth Wentink. 

Wentink weaves her magic with an improvisation on the triple harp, a replica of a harp from around 1600 made of 3 rows of strings instead of the more common single row. The effect is a multi-timbral coalescence of mood, a conversation between layers. 

Pinkcourtesyphone thoughtfully folds, manipulates, and merges the gossamer resonances of the strolling fingers of Wentink under and over a hazy sonic shroud of worn romance and phobophobia. 

This spiralling composition is created for endless heavy rotation/ background consumption for an anxious and medicated society prone to ambivalence. 

Pinkcourtesymuse: M. Staudte 
Dedicated to P. Raben 

“what is this ‘me’?“ — M. Staudte 

_________________________________________________

Electronic things: Richard Chartier 
Triple harp: Gwyneth Wentink 
Photo: Daan Noppen 
Layout: Fabio Perletta



Pinkcourtesyphone & Gwyneth Wentink — Elision (excerpt)

Fragments from "The Crossley Heritage" by the Sly & Unseen (Katie English and Jonathan Lees). Contrasting Victorian industrialism with a thirst for the natural surroundings. 

Available in a jackdaw edition in February, 1916.



The Sly & Unseen - The Crossley Heritage (fragments)

Getting There

F.S.Blumm & Nils Frahm - Day Two One

Taken from the forthcoming new album by Jasmine Guffond entitled "Traced". Available early July 2017

The spaces between

munch