Arson Daily. It’s more than an on-the-nose sup nod to the pot smokers of the world. It’s the product of over 4 years of basements, bars, van transit, and general disillusionment.

The latter being most apparent, long-time roommates Zach Dunham (guitar/vocals), Adam McLean (drums), and Quincy Platt (bass) have succeeded in conquering adolescence and are actively seeking out maturity. Raleigh-based Arson Daily has made the conscious effort to grow beyond their traditionally raw, garage-rock predispositions by experimenting with new methods of songwriting. Leaving the electric instruments in their noisy home studio, most of Arson Daily’s newest album, Late Reflections, has been written in every room of their house on acoustic instruments. After intimately crafting the soul of each song, they would bring it in to their studio to guide it, one small layer at a time, into their eclectic vision featuring sonic qualities comparable to surf-western, Nashville garage rock, and indie radio trash.

Late Reflections, set to release February 2020, was recorded and produced with Mo Lowda and the Humble in Philadelphia. Late Reflections drives listeners through the satisfaction of accomplishment while wrestling with the hesitance and nostalgia that inherently accompanies change. Late Reflections has everything to do with accepting individuality, its inherent susceptibility to rejection, and the unabashed courage to do it anyway.

Kristopher Peck is following