Black Zone Myth Chant brings smudged, cranky dembow mutation to Vastechoses' new dub-focused compilation.

'Vastedub Vol.11 - Future Smoke' is out October 15th on Vastechoses.

Pre-order: bit.ly/3oPP7E6

@vastechoses

Premiere: Black Zone Myth Chant - Dr2fre [Vastechoses]

Release Name : Bariera EP
Catalog : [LARM021]
Format : Digital / Bandcamp Exclusive
Mastering : Diapason Mastering
Cover : Clarence Park

https://larmes.bandcamp.com/album/bariera

Bariera

Kronom - Kula [LARMES]

For this second release Soleil Rouge focuses its attention on Jonnnah, one of the key artists since the creation of the project. After a versatile first release on Worst, the artist continues his creative process in the same line. The sequence of atmospheres and landscapes on this album was conceived as a journey into the psyche, more specifically as an analysis of the depressive state and the healing process. Jonnnah recreates familiar feelings and memories and writes an abstract story to allow the listener to interpret. 

"Terra Incognita" introduces us through a phase of doubt and leads to a loss of orientation, then the feeling of anxiety is explored before arriving at "Sounds of Silence" where energies are transformed, the following landscapes allow a slow reconstruction to close this metaphorical journey with "Enter Paradise". “Poppy's Star” was co-produced with French artist Tryphème, whose work was a source of inspiration in the creation of Jonnnah's universe. The fusion of their sound results in a sentimental 80’s pop atmosphere, that is characterized by heavenly sounding delay processing as well as the melancholic voice of Trypheme. Throughout the quarantine, the artist and his father (also a musician) set up a daily artistic ritual in order to use this interlude to promote their common artistic creation, from this sharing was born the track “Young Man, Old Boy”. 
This album takes us through interludes of gritty noise, melancholic pop, avant-garde experimental music and powerful bass music. The artist treats each of these sounds with the same ethereal and melancholic layer creating a link between the atmospheres of his narrative.

This album marks the birth of the Jonnnah artistic entity, right down to the creation of a physical appearance conceived in collaboration with designer William Mora. The two artists worked together to create a series of masks that draw on intimate visuals from the history and culture of Jonnnah. The various masks were conceived as ritualistic costumes for the upcoming performances, participating in the creation of an alter ego between mysticism and chivalry.


Crédits
Music by Jonnnah, Tryphème, Apple Bun
Lyrics by Tryphème, Christine Denamur
Hood art, tape art and design by William Mora
Hood manufacture by Karine Vazeille & Florence Galvao
A&R Marie Desseauves & Antoine Odin

limited to 50 tapes.

Jonnnah • Voices From The Bank

Noumenal Eggs

IM099 - BOLT RUIN - EHKTA
Label: Infinite Machine
Release date: September 30th, 2022
Format: 12" / Digital

Infinite Machine is proving again it’s a label that refuses to sonically sit still. Having released everything from code-based compositions to bass-heavy techno in 2022, the imprint is readying the release of the black metal-tinged Ehkta by BOLT RUIN later this month. A musician whose work has been described as ‘apocalyptic’ more than once, on this new mini-album, the Belgian producer blends field recordings, twisted samples and rave signifiers with an eerie tonality born out of his nocturnal production sessions and time spent absorbing the silence of his studio garden.

Bridging the gap from his previous record to this one, ‘Sktone’ is a cinematic opener that unfolds like a bad dream in slow motion. Warped samples of Bulgarian choirs glide over synths wired in closed-circuit loops which feed back on themselves, degrading for infinity. Texture and space is added via field recordings of waves crashing over the ruins of ​​Brighton West Pier. This track exemplifies the unexpected influence BOLT RUIN took from the wildlife he witnessed in the garden of his urban studio when working on Ehkta. Adapting to the material at their disposal, weasels and blackbirds create nests from organic waste and human trash - an astute metaphor for the Belgian producer’s compositional approach.

Next up, BOLT RUIN drives up the tempo with the rave-ready ‘Nehng’, where a frenzy of trance arpeggios and frantic drum programming builds and intensifies over its 5-minute duration. Inspired by Yves Klein’s ‘Leap Into a Void’, ‘Nehng’ definitely evokes that bodily rush of freefalling into the unknown. ‘Nehng’’s driving rhythm is switched out for the brooding ‘Tzarhk’ - an ode to the soundtracks of B-movies composed on a vintage Roland SH-2 (a prominent character of the Stranger Things soundtrack). BOLT RUIN runs thick, syrupy synth slabs and punishing drum patterns through a rain-soaked limiter the producer found lying on the street by chance.

Another master-class in self-destructive arrangements comes in the form of ‘Rfohmdrá’ as delicate pianos and synth tones atrophy through daisy chained pedals which erode the signal. Valgeir Sigurðsson’s mastering skills shines through here, taking BOLT RUIN’s sci-fi-meets-metal sonics and amping them up to a scale on par with the Björk or Ben Frost records he’s previously worked on.

Conceived of as the mirror reflection of the LP’s opener, ‘Maevr’ pushes the approach of ‘Sktone’ to an even more nightmarish extreme. Embracing chance, the clattering layers of beats are sampled of a knocked mic on a window as BOLT RUIN attempted to capture a recording of rain from his studio. A happy and very effective accident for the foreboding mood of the track!

BOLT RUIN rounds off Ehkta with ‘Ekztamnh’; an ode to that specific sensation of entering through a corridor to a rave and hearing the rumble of a soundsystem from afar. Snarling melodies are run through a reverse granular delay effect which fragments the signal, reverses it and plays them back in irregular order; much like the shattered memories of a late night in a warehouse.

A musical magpie who finds inspiration in the most unlikely of sources, Ehkta is a restless exploration of salvage-punk aesthetics where doom-laden black metal melodies, amen breaks and an experimental approach to sound design sit in an irregular and uneven musical apocalypse. For fans of Blanck Mass or Caterina Barbieri - this is a must-listen material from a fresh producer establishing himself with a singular musical voice.

Rfohmdra

111X - Shame

Written, produced & mixed by 111X.
Mastered by Nori Kin.

Artwork by Helen Korpak.

Shame

111X - A Hand Splits Itself In Two

" 3 "

Nuevo compilado lanzado por https://soundcloud.com/dkf396 en colaboraciòn con https://soundcloud.com/exuvi4, compuesto por 7 tracks para el disfrute en la pista de baile o en estado natural a través de frecuencias armónicas y disarmónicas. 
Sucediendo en múltiples planos a la vez.

" 3 " está sincronizado en tiempo y espacio por varios artistas del globo:

@https://soundcloud.com/l4dyv0n
@https://soundcloud.com/lil_taty1 & @https://soundcloud.com/bolelee
@https://soundcloud.com/anti-yo
@https://soundcloud.com/unknownsoul_playakroy
@https://soundcloud.com/sangre9 
@https://soundcloud.com/c4is


Artwork : https://soundcloud.com/exuvi4
Master.  : https://soundcloud.com/sangre9 

Fecha de lanzamiento: 07 de Julio 
V/A 22 Cassettes limitados + Digital 

PROXIMAMENTE DISPONIBLE EN :
https://d3skonfigvracion.bandcamp.com/

" 3 "

Friday September 1st 2023 Rhizome releases and celebrates the compilation album 'Hypersea'. (Pre-)order via: https://rhz000.bandcamp.com/album/hypersea

The compilation album takes its point of departure with the text ‘Hydrofeminism - Or, On Becoming a Body of Water’ by Astrida Neimanis and contains 18 tracks from the Copenhagen underground scene apart from a track from New York namely Laenz who earlier this year released a double single on the label. In each way the artists have interpreted the text by Neimanis and worked with its topics such as water, fluid borders and feminism. 

Alto Aria about the album: “With the current threat of a watering ban in Denmark, increasing pollution and lack of water all over the world, we zoom in on water with this album. We wish to follow Neimanis’ thread about water and feminism – she teaches us that we and our identity, like the fluid borders of the oceans, always are negotiable and never fixed. With the compilation we celebrate water and its essential role in our lives. Whether it is through the lens of clean drinking water, an identity in flux, dying fish, the western pollution level or something completely different, we wish this album to be a reflection over and a get together around what we all depend on.” 

The album has become a sonic collage of a watery quest, fast footsteps, shifting and fragmented choir pieces, broken beats and hearts, soothing synthesisers, harsh wind, caring bodies, uplifting beats, polyphonic saxophones and long reverbs. Hypersea is curated by Alto Aria and presents works by Hôy la, ilinx, Saltmother, Julia Becker, ill, Angel Wei, Lyra Valenza, Faber, Jason Lee, Bysund, Holger Seidelin, Astrid Nørgaard, KRY, Laenz, Varnrable, Messell, Skarv and Alto Aria. 

Rhizome is a Copenhagen/Berlin based label started in 2020 by Aria Leth Schütze and Mads Krue Bugge. The primary focus of the label is experimental electronic music and alternative release formats. Rhizome has released music by artists such as Alto Aria, Skarv, Swell, Polly, Nemo, ioulus, Laenz, Ida Urd, and ill as well as the compilation album bag/belly/box. So far Rhizome has presented music and artists in Copenhagen at Øen, Alice, Mayhem, and Christianshavns Beboerhus.

https://soundcloud.com/rhz000
https://soundcloud.com/altoaria
https://soundcloud.com/skarv6

Hypersea

Pre-order

Premiere: Alto Aria, Skarv - Bold Coral [Rhizome]

KOQUERO - LUICANN

Following their last  "Thirst Ep" released on Instrument of Discipline in 2019, the duo Diasiva (Monolog and Swarm Intelligence) returns with a five tracks work on the Berlin Imprint Arboretum.

While addressing the environmental issue of the human impact on natural ecosystems, Microplastic Ep seems to embark upon a journey of deconstruction of Techno, IDM and Bass Music towards futuristic paradigms. 


Here, gritty broken-beats, wisely mixed with titanic basslines, an ominous dystopic temper seems to simulate the contemporary unrelenting strain, fading at time either into kaleidoscopic-visionary synthlines archetypes or cinematic rarefied epilogues for a comforting utopia. 

Format: 12"Vinyl 

SIDE A

A1.  Taligrade 
A2. Microplastic

SIDE B

B1.  Detiest
B2. Orcus
B3. Defiance

All tracks written and produced by 
Monolog and Swarm Intelligence 
Mastered at Dadub Studio (Berlin) by Daniele Antezza
Artwork by Andrea Familari 
(p)&(c)Arboretum 2020

Microplastic EP

Diasiva - Microplastic EP - Previews

MADE BY COLLECTIVE ORDER
ASCETIC HOUSE
2020

Der Kindestod "OYFM"

contact: kronom.sound@gmail.com
https://linktr.ee/Kronom
1/2 of @defqlub

Kronom - Kula [LARMES]

Kronom

Recent comments

strunkdts

-RÜV-

SerGei BubKa

loom

Related tracks