soul flower

Blinding My Vision

drums by Lege Kale


I could let you have it
you could be my habit
you could be my woman, right
I dont want you half in
anytime I know
you're living in a hole
anytime I know

I could let you have it
you could be my habit
you could be my woman, right
I dont want you half in
anytime I know
living in your head
theres a backdoor

my little one
she is so bad
bad as the sun

well she break me then i fall
I dont know the half of it anymore

I could give a fuck about you
she can get whatever she need
everytime that she look at me
I feel weak in the knee
wanna try to be fancy, love
I could give a fuck about you
you know that I do my girl
feel it when you come in close
you always hit on the nose
never know how you could know

treat me like one
treat me treat me like a
I dont know the half 
why would you want her
treat me like the queen 
slap your knees 
like you been laughing 

chorus

I could be yours if you wanted

tell me

Habit

Debut single from Kyle Lux

Written by Kyle Lux
Produced by SkinnyDip
Mixed by David Nakaji

No Roof Access

Rollin' Stone

THE FALLING MAN

NOBODY FALLS (feat. Kiana Ledé, Terrace Martin & Medasin)

Subluxe

Unwind

Billy Lemos, Still Woozy, Blake Saint David - Wait

Window

Risk

Risk (Galimatias Version)

Agreeable

PawPaw Rod
HIT EM WHERE IT HURTS
out now on Godmode

more info:

PawPaw Rod makes his debut as part of Godmode's Hot Sauce series, which highlights the outer limits of pop, rap, and crossover music. The record was produced by the enigmatic and newly un-retired Smash Brothers, a Philadelphia-from production team with roots in the Sigma Sound/Philly Soul studio culture of the late 70s and early 80s.

song by Rodney Hulsey II, Adam Moerder, and Nick Sylvester
produced by Smash Brothers, Adam Moerder, and Nick Sylvester

mixed by Nick Sylvester at Godmode Studios, Los Angeles
assistant mixing and production by Robert Szmurlo
mastered by Sarah Register

lyrics:

Sunshine, bathe me, lately life’s been crazy
Your Eyes, tell all, we outside with it, your call
Move me, Need Me, care about it, breath deep
You see, what I miss, holdin on to ya with a tight grip
Light Lit, no cap, heart spilled all over the Floor mat
Tongue out, I don’t know how to hold that
Nowadays I don’t really want to hold back                                                                            

So I hit em where it hurts, (Set sail, lighthouse, Search) 
So I hit em where it hurts, (Set sail, Lighthouse, Search)

I been down with you, you been down with me, we know this ain’t all Talk                                                                
I’m on a Quest-love, Learn my roots/ Think that Black Thought, this my truth/ This that tipping point, this that proof/ Go head spark it up, we off mute/ loud and clear now, that sound good?/ Life in motion, like it should/ Came a long way, play that long game, yesterday gone, we’re on our way, aye/

A PawPaw Rod EP

HIT EM WHERE IT HURTS

PawPaw Rod - HIT EM WHERE IT HURTS [GODMODE]

Artist, songwriter, composer 

K.Roosevelt’s music can immerse you in a dream-like state of self reflection with a single tune. His ability to capture California’s sunny skies and melancholy all at once has touched audiences around the world. Son of blues artist Keb’ Mo’, Roosevelt was surrounded by remarkable musicians before learning to walk - and it shows. He’s accomplished so much in the time since, with a career marked by collaborations with notable artists Jhené Aiko, Rapsody and most recently, Mahalia. 


While his journey began with the drums, it’s evolved to guitar, piano, vocals and production, making Roosevelt a true musical polymath. This became clear when his breakout single ‘Do Me Now’ featuring Hit Boy rose to the Top 100 of the R&B charts, and has carried through to his latest work. The eight-track EP ‘Bloom’ is the first independent project for the artist. Collaborating with talent like Amir Obè, SuperDuperKyle and Luke James, it’s an evolution of Roosevelt’s laid-back beats and playful use of melody. 


Mellow and surreal, the work captures the realities, anxieties and thrills of moving through adulthood. The project was an opportunity for Roosevelt to explore sound and experiment with the more technical side of production. Layering in live instruments to mix analog with digital helped him achieve a sound difficult to master any other way. Combining tremendous experience with the excitement of youth - the EP is a triumphant testament to his talent. 

twitter: @kroosevelt

instagram: kroosevelt

Blinding My Vision

K. Roosevelt