This tune was performed by Mike Oldfield in 1983. Performed by me on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: www.harveytwyman.com

Name That Tune #497 by Mike Oldfield

On all platforms now - Find this song on Spotify & More - https://ffm.bio/altspacebeats

At Neon Lightspeed - Part One

Sea Of Noise

Melodic progressive metal with brass jazz infusion from the debut self-titled album by Red Dust of Mars

Parallax Shift

Unitas Diversitatis – Agnieszka Solska

“Unitas Diversitatis” is a musical journey through time and space,
where traditions from different cultures and eras meet.

The piece blends the sound of a medieval lute,
the delicate tone of a Japanese flute,
the warm resonance of the viol,
and the soulful, melancholic timbre of the duduk.

Each instrument carries its own story,
yet together they create a harmonious tale
of unity in diversity.

It is music about encounter, dialogue, and understanding –
about the beauty that emerges
when different worlds begin to resonate as one.

✨ Mood & Emotions: harmony, reflection, diversity, peace, inspiration

🎼 Composer: Agnieszka Solska

Agnieszka Solska - Unitas Diversitatis

Lyrics:
The devil was in the swamp this morning
When I pressed my finger to the trigger
Thirteen suns erupted 
His sweating, bloody skin smelt like pennies
Every shadow in the swamp disappeared

He radiated, the place in darkness
The only glow came from below that hood
I made my brother a windfall apple
Black edges of red glaze, shone like they're wet

World Gobbling decay in a three piece suit
Plays tycoon but breathes union philistine
He fucked the whole divine order of exchange
He won't stop me from earning my dues

My ears jutted out, sharpened into horns
Skin casting black light that trailed red
From the crucifix, Christ scowled back at me
Mercantile eyes rolled back into his head
Oh how he'll scorch me for such insolence
Hands a steeple, I lay my head to my thumbs
The vessel of the colonial ghost
His veins pulsed with hallowed merchantism 

World Gobbling decay in a three piece suit
Plays tycoon but breathes union philistine
He fucked the whole divine order of exchange
He won't stop me from earning my dues

The skin of his back hung loose like a web
From its shoulder blades seeped red and purple
I followed   its veins, splitting and spreading
Six legged spots crawled in and our of the scars

Now come the days of hunger, days of thirst
Mirror image pylons frame the roadside
They bounded straight, endlessly, together
Mocked the heavens, married the city sky


WINDFELL

submission for Composer Weekend Jam #5 hosted by Joe Chris (ScoringTech.NET) for Itch.IO October 2025

This was a rather complex idea, I noodled a main backbone in piano, then copied that backbone to 2 songs internally to the FA-08 then gave them 2 different studio sets of instruments.
Then back on the laptop with the Midi of both I built an equally long combined Midi and set those to Mixcraft-only instruments for essentially quadruple the length of the original backbone piece, with a linking bridge and an outro.

Inspired by the scene in A Barnstormer In Oz by Philip Jose Farmer where they find the abandoned doll-factory of the Long Gones and these little armless dolls have been coming out about one per minute like clockwork for ten thousand years.  Their mysterious civilization was pivotal to the status quo which later made the Land of Oz the way it was when Hank Stover arrives.

March Of The Long-Gones

Clementine

„61 Jahre“ erzählt meine Lebensreise – mit all ihren Höhen und Tiefen.
Ein Song über Arbeit, Verlust, Krankheit, Wiederaufstehen und das Zurückfinden ins Leben.
Er steht für Kraft, Mut und Dankbarkeit – und für den Frieden, den man findet, wenn man gelernt hat, sich selbst zu verzeihen.

Ein Singer-Songwriter-Stück voller Gefühl – ehrlich, ruhig, mit warmem Klang und einem Hauch Hoffnung.
Ein Song fürs Herz, für alle, die schon viel erlebt haben … und trotzdem weitergehen.

61-Jahre

„Das Leben ist schön“ ist ein deutscher Popsong über den Widerspruch zwischen innerem Optimismus und äußerer Verzweiflung. Ironisch, ehrlich und ambivalent zugleich.
Während Nachrichtenfluten, Kriege und alltäglicher Stress das Schöne oft übertönen, hält der Song dagegen – mit einem Augenzwinkern und einem Schlag in die Magengrube.

Er singt von kleinen Momenten, die Licht in den grauen Alltag bringen, und fragt zugleich, wer sich überhaupt leisten kann, das Leben „schön“ zu finden. Zwischen Zynismus und Hoffnung entsteht so ein Spagat, der weh tut – und doch berührt.

Tempo: 100 BPM
Genre: Deutschpop / Indie-Pop / Satire / Songwriter
Stimmung: Ironisch, nachdenklich, bittersüß

„Das Leben ist schön – und zwar bis wir alle verrecken.“
Ein Satz zwischen Trotz, Wahrheit und schwarzem Humor.

Das Leben ist schön

FROM THE ORIGINAL : LIQUEFACTION (EVENT HORIZON)  (432 Hz)

LIQUEFACTION -  STRING THEORY 1.0

sexy black mini and legs that go on forever

HER DRESSES IN BLACK

i've hit the MAX 2000 I AM ALLOWED TO FOLLOW BACK. SORRY

It's a hobby now and I'm not active in the music thing, I have been writing electronic music for over 2 decades, my music has been on CD-ROMs, video games, independent productions, commercial speaker packages (COZO speakers of Japan), etc. etc. 

	I have been writing under a pseudonym, Kryptonic, since 1999.  I started writing my own original music starting in 1989.  With the increasing ubiquity of the Internet, I went from amateur to professional (used to get paid for it) in a very short amount of time. I specialize in electronica music, but I am not restricted to just that genre.  I also write orchestral, film, and world music as well as dance, EDM, trance, and everything in between.

I’ve developed these skills over a long period of time and long hours , my secret formula to producing and writing music is so secret even I don’t know how I do it to be honest.  It’s just an affinity, the grace of God and a lot of hard work and time. 

* sometimes it involves making a lot of mistakes and foibles but choosing the right mistakes somehow makes things work, it takes 10,000 hours to master anything and even then you're still accumulating knowledge and technique. That's approx 30 years of fiddling around. 

Sorry I don't get around to my Soundcloud page very often to read or answer comments and sorry for the inconsistent quality I can't mixdown to save my life. But every few weeks I get around to it.... Larry

LIQUEFACTION - STRING THEORY 1.0

KRYPTONIC