Ladat’s Support Jul’25 vol.1

A lovely dancing tune that is sweet and fun!

SWEETHEART

Umrandungen, Vol. 1

Umrandungen-01-09 (Remastered 2025)

Klangmoebel-Soundtracks, Vol. 4: Harry

the eyes are so important when you look into anothers,you can be in love or dislike but the eyes tell a story Jigs Tripping Music and Gary Hayward lyrics and vocals are really working on originallity and different scapes,mixed vocals at ramrod studio in Sydney with Herman Covacs jigs tripping Art

Iris Eyes *collab Gary Hayward lyrics and vocals+Jigs Tripping music art

Liquid Eyes is no ballad.
It drips — not with melody, but with pressure. With a tension that creeps just beneath the surface, too viscous to cry, too volatile to hold.

This track isn’t tender. It pulses. It seethes.
Somewhere between body music and psychological glitch, it captures the moment where a system overheats — and you can’t tell if the burn is inside or out.

This isn’t emotion. It’s exposure.
Not a breakdown. A transmission.
From a place that doesn’t care if you feel — only that you listen.

Liquid Eyes

Does anybody know?

Spotify 

Takeover

No One at the Disco

A REMIX OF ORIGINAL TRACK 'THE DESTROYER'
https://on.soundcloud.com/dlIQ99wJzpRgdNowDM
444 HZ


Amos 5:18 "𝑊𝑜𝑒 𝑢𝑛𝑡𝑜 𝑦𝑜𝑢 𝑡ℎ𝑎𝑡 𝑑𝑒𝑠𝑖𝑟𝑒 𝑡ℎ𝑒 𝑑𝑎𝑦 𝑜𝑓 𝑡ℎ𝑒 𝐿𝑂𝑅𝐷! 𝑡𝑜 𝑤ℎ𝑎𝑡 𝑒𝑛𝑑 𝑖𝑠 𝑖𝑡 𝑓𝑜𝑟 𝑦𝑜𝑢? 𝑡ℎ𝑒 𝑑𝑎𝑦 𝑜𝑓 𝑡ℎ𝑒 𝐿𝑂𝑅𝐷 𝑖𝑠 𝑑𝑎𝑟𝑘𝑛𝑒𝑠𝑠, 𝑎𝑛𝑑 𝑛𝑜𝑡 𝑙𝑖𝑔ℎ𝑡."

THE RETURN OF THE KING - DESTROYER REFUSION

„Time doesn’t run — it just stands in the rain.“

Background: soft container crackle, steady rain on metal

"I am Cell B. Not an artist name. Not a metaphor. Just reality."

I live on a trailer site, deep in decay. Among rusted staircases, watering cans, and people who say they’re sick when they’re just tired. I’m sick. Really sick. I have B-cell lymphoma. And still — or maybe because of that — I’m here. Fully present. With Murschel, my cat. Coffee. Cigarette. And the rain, which hasn’t stopped for four days.

This isn’t a book about hope. It’s not a cancer guide. Not an emotional appeal. It’s a spoken memoir of reality, with music you can read to. 25 chapters. No storyline arc. No happy ending. But every line is lived.

Decay speaks to me. And I speak back. I found home in things no one wants to keep. And time doesn’t run — it just stands in the rain.

Schwellenwind. It begins now.

New episode every Sunday. You coming with me?

This is the full book — each chapter paired with one track of music. No publisher, just eyes and ears. No money, just time and sound.

-------------------------------------------------------------------------------------------------------
Intro-Folge: Schwellenwind – Kapitel 0

Hintergrund: leichtes Containerknistern, Dauerregen auf Metall

"Ich bin Zelle B. Kein Künstlername. Keine Metapher. Einfach nur die Realität.

Ich lebe auf einem Bauwagenplatz, mitten im Verfall. Zwischen rostigen Treppen, Gießkannen und Leuten, die krank sagen, wenn sie müde sind. Ich bin krank. Wirklich krank. Ich hab B-Zell-Lymphom. Und trotzdem – oder gerade deshalb – bin ich hier. Voll da. Mit Murschel, meinem Kater, Kaffee, Zigarette, und dem Regen, der seit vier Tagen nicht aufgehört hat.

Das hier ist kein Buch über Hoffnung. Kein Tumor-Ratgeber. Kein emotionaler Appell. Es ist ein Hörbuch über Wirklichkeit, mit Musik zum Lesen. 25 Kapitel. Kein Spannungsbogen. Kein Happy End. Aber jede Zeile ist gelebt.

Der Verfall spricht mit mir. Und ich mit ihm. Ich habe Heimat gefunden in Dingen, die keiner behalten will. Und die Zeit läuft nicht davon – sie steht einfach nur im Regen.

Schwellenwind. Jetzt beginnt’s."

Neue Folge jeweils Sonntags. Willst du mitkommen? Hier kommen Auszüge aus dem kompletten Buch mit allen Kapiteln und jeweils ein Track mit Musik dazu.
Kein Verlag nur Augen und Ohren - kein Geld nur Zeit und Ton.
Ich freue mich. Mein Geist freut sich über die Entkoppelung von Leistung und Geld und containert lieber. 
Fortsetzung folgt am nächsten Sonntag.

Kai-Uwe

kolkhorst 2025

Schwellenwind

Join us as we delve into the remixes of INXS (and Max Q). Featuring 2 hours of dance remixes, and reworks of classic INXS songs (and some Max Q). 

Outrageous Intro 
I'm So Crazy (Just Keep Walking) Par-T-One vs INXS
To Look At You 12" 
The One Thing 12"
Burn For You (Single remix) 
I Send A Message 12" 
Original Sin (Epic Adventure) 
What You Need (Cold Cut Force mix) 
Listen Like Thieves 12"
Need You Tonight 12"
Guns In The Sky (Kick Ass mix) 
New Sensation (Beginerz mix) 
Precious Heart (Never Tear Us Apart) Tall Paul vs INXS
Sometimes (Land Of Oz mix) / Max Q 
Way Of The World 12" / Max Q 
Zero 2 0 (Todd Terry mix) / Max Q 
Ghost Of The Year (Todd Terry mix) / Max Q
Suicide Blonde (Oakenfold Milk mix) 
Bitter Tears (Lorimer 12") 
Disappear (Morales mix) 
Freedom Deep 12"
Taste It (Youth 12") 
The Strangest Party (Apollo 440 mix) 
Don't Lose Your Head (Leadstation Solid Gold mix) 
Outrageous Outro

INXS Remixed

KETER

desire

(part one of two songs)

part II: https://soundcloud.com/temple-of-the-haunted-man/gazing-at-lost-pictures

Pictures And Memories

The Miner

*Note*- I don’t check my soundcloud messages often. 

It's a hobby now and I'm not active in the music thing, I have been writing electronic music for over 2 decades, my music has been on CD-ROMs, video games, independent productions, commercial speaker packages (COZO speakers of Japan), etc. etc. 

	I have been writing under a pseudonym, Kryptonic, since 1999.  I started writing my own original music starting in 1989.  With the increasing ubiquity of the Internet, I went from amateur to professional (used to get paid for it) in a very short amount of time. I specialize in electronica music, but I am not restricted to just that genre.  I also write orchestral, film, and world music as well as dance, EDM, trance, and everything in between.

I’ve developed these skills over a long period of time and long hours , my secret formula to producing and writing music is so secret even I don’t know how I do it to be honest.  It’s just an affinity, the grace of God and a lot of hard work and time. 

* sometimes it involves making a lot of mistakes and foibles but choosing the right mistakes somehow makes things work, it takes 10,000 hours to master anything and even then you're still accumulating knowledge and technique. That's approx 30 years of fiddling around. 

Sorry I don't get around to my Soundcloud page very often to read or answer comments and sorry for the inconsistent quality I can't mixdown to save my life. But every few weeks I get around to it.... Larry

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

THE RETURN OF THE KING - DESTROYER REFUSION

KRYPTONIC

Recent comments

AKA Mudlark ^

Ladat

JohnnyZBeatZ

Related tracks