electronic emergencies
rotterdam, the netherlands
info@electronicemergencies.com

The Cosmic Shambles Network creates and curates podcasts, digital content and live events for people with curious minds. People who want to find out more about our universe through science, art, history, philosophy, music, literature. People who believe ignorance is not bliss. People who want to keep on discovering and learning about our wondrous universe and who want to have a laugh while doing it. People who believe that it is indeed our curiosity that makes us human.  We believe we can never stop learning – science will never be finished and that’s exciting. The Cosmic Shambles Network brings together the world’s leading scientists, comedians, writers and performers to create entertaining content fuelled by curiosity. The approach is fun, real, accessible. Amongst the shambles there’s something for everyone.

The Infinite Monkey Cage

Award winning science/comedy chat with Brian Cox, Robin Ince and guests. Witty, irreverent look at the world according to science with physicist Brian Cox and comedian Robin Ince.

solo lo-fi emo-pop-punk-core, ft. occasional folk influences.

www.axiom-crux.net

Data integration: 
format specific, 
analogue vibrate: 
signal attenuate, 
up with the bass kick, 
saturate the fader: 
annihilate the haters, 
react, resonate, percolate, conjugate, 
spectrographic hologram, 
who I- are is who you-am,
a freak, when? see.. I told you 
not the same tame game that your used to, 
a crew that cuts deep like a razor, 
rockin blazers,  make you shake like tazer, 
invader, decibel decimator, 
signal integrator, now and later, 
fabricator of the unknown 
I'll show you the way, 
but hey, what else you got to do today?

musician / sound artist 
booking@raster-media.net

Artist, DJ, Producer, musician and record collector ... since 1980.

Releases on: ZYX, Blanco Y Negro, Best Record, DWA (Dance World Attack), Private Records, Disco Modernism, Flashback Records, Fresh Colour, Giorgio Records, Lusso Records, Special Groove Records,  Analog Language, Vintage Pleasure Boutique, Extravaganza Publishing Srl, Forest Jams, Mordisco records, Italo Moderni, Around My Dream Records, Disco Evolution, Magic Sound Records, Tonight Records, I.D. Limited, Fonogrammi Particolari, Mannequin Records, Pardonnez-nous, SP Records, No More Pop, Opilec Music, Radio Cosmos, Disco Segreta, Mecanica, Bordello A Parigi, Vielspaß, Archivio Fonografico Moderno, Mond Musik, Nadanna, Cyber Dance, Viewlexx, Moustache, Roller Disco, Red Laser, Flight Recorder, Rebirth Records, Panama Racing, Flexx, Mothball, Wuff records, Cargo Records, Centre Neptune, Magic Waves, Medellin Mixage, Space Sound Records, Maschina Records, I Am Private/Universal Music, Lucky Harvest Music Company, Paper Bag Records, Emerald & Doreen, CrunchyFrogDK, Power Dance.

Flemming Dalum, also know as King of the cut, discovered his musical journey at an early age. An interest based out of curiosity for electronic synthesizer legends emerging while he grew up. With his first synth, the Korg Polysix, a lifelong passion was born. He started playing in bands in 1982, experimenting with electronics and the new world of sounds and possibilities. At the same time he started experimenting with records and discovered a natural talent for mixing and blending synths with records, creating his own unique world of sound. In mind that the CD wasn't invented, neither was the HD recorder, the heart in Flemmings set-up was a simple cassette recorder. An invention that should soon add yet another angle to his musical universe. With snappy skills and imagination, the cassette soon became his most important instrument taking him to the next level. The world of mixing. With sampler, echomachine, decks, synths and a beloved cassette recorder, the first true mixes came out of his studio already in 1983. Mixes with so much detail, soon giving him the legendary name "King of the cut". In the same year, 1983, Flemming stumbled across Koto "Chinese Revenge", a discovery that should soon lead Flemming into a brave new world matching his own, with synths and electronics being the heart of the music. The passion became strong and shortly after the Koto discovery, brought him to his first trip to Milan, Il Discotto, Discomagic, Non-Stop, Merak etc. to investigate the Italo phenomenon in detail. The following years Flemming visited the Italian distributors 11 times which later proves to be one of the major reasons to the fact that he has one of the worlds most complete collections of Italo and Disco. Through the years, the synths has been replaced with computers and equipment matching the urge for mixing. Something that has kept the true Italo spirit alive and made Flemming Dalum a legend in mixing today.

S T O N E • H E N D R i x is following