Barbatuques

Samba NM

Ecstatic Dance - World Dance

29 juin

1- Ground / Enracinement Ancrage

Countless people contributed with their talents and efforts to make it possible for us, the Barbatuques, to realize a dream in the form of this record.
Many shows and workshops, travels throughout the world, conversations full of ideas and, most of all, the love of the people who have been with us on our journey make this album a very special record.
We would like to thank everybody who works and has worked with us and, first and foremost, our audiences in Brazil and other parts of the world.
AYÚ!!!!!


Barbatuques - Ayú

Entheogenic - Pagan Dream Machine (Vibrasphere Remix)

Fluid - Jestofunk

MT = OS CRIAS DO MARTINS QUE HJ VAI TE EMPURRAR [[[ DJ RD, DJ 2R & DJ BERTOLOSSI ]]]

Angelic Particles, by Hallucinogen.
3 full mixes - main, ambient and extended now added to Simon's App. Hear
all 3 tracks in full, and many more, exclusively on the App!

iPhone - https://itunes.apple.com/gb/app/simon-posford/id956493809
Android -
https://play.google.com/store/apps/details?id=uk.co.disciplemedia.simonposf
ord

Angelic Particles Main Mix

Taken from Songs To Make Up To, the 8-track EP, out digitally July 10th on Future Classic / Fool's Gold

Produced by Atu & Ta-ku.

Get it on iTunes: futr.cl/STMUTTunes
Get it on vinyl: futr.cl/STMUTrepress *
Follow Ta-ku on Spotify: futr.cl/SongsToMakeUpToSpotify

facebook.com/takugotbeats
twitter.com/takubeats
instagram.com/takubeats

@AlinaBaraz
facebook.com/alinabaraz
instagram.com/alinabaraz
twitter.com/alinabaraz

futureclassic.com.au
facebook.com/futureclassic
twitter.com/wearefutureclassic
instagram.com/wearefutureclassic

*without 'Down For You' ft. Alina Baraz

Songs to Make up To

Down for You (feat. Alina Baraz)

Barbatuques - Ayu - 07 Sete

The totem pole is a sacred monument in certain societies, featuring carvings of animals, plants or other symbols piled up on top of each other. In this song, rhythmical and melodic elements build up in loops and gradually accumulate. Like a totem pole which is set into the earth and extends into the sky, this song initiates with rhythm and develops towards the closing harmony.

Símbolo sagrado para determinadas sociedades, o Totem é uma coluna representada por vários animais, plantas ou outros símbolos empilhados uns sobre os outros. Nessa canção os elementos vão se amontoando em movimento de loop, chegando a uma sobreposição de todas as linhas melódicas e rítmicas. Assim como o Totem é construído na terra e se eleva ao céu, a canção nasce
no ritmo e caminha em direção à harmonia final.

música, arranjo e produção / composition, arrangement and production:
Renato Epstein
corpo e voz / body and voice: Barbatuques

Barbatuques - Ayu - 05 Totem

ererê was inspired by one of the oldest genres of Brazilian music, the Maxixe. It invites you on a journey,
sketches out a path and, finally, represents an exaltation.
This track has been gifted with the invaluable contribution of master Naná Vasconcelos, whose name speaks for itself and who will always be a musical guide and inspiration for the Barbatuques. It is dedicated to one of the greatest composers of all time, Pixinguinha.

Inspirada no maxixe, um dos gêneros mais antigos da música brasileira,
Kererê propõe uma viagem, um caminho,e por fim, uma exaltação.
Dedicada a um dos maiores compositores de todos os tempos, Pixinguinha, essa música ganhou um grande presente: a participação do mestre Naná Vasconcelos, que dispensa apresentações e sempre será uma referência para o Barbatuques.

composição, arranjo e produção /composition, arrangement and production: André Hosoi
participação especial / special guest: Naná Vasconcelos
corpo e Voz / body and voice: Barbatuques
xaxado de tablado com areia, palmas e vozes / Foot shuffle on sandboard, claps and voice: Naná Vasconcelos

Barbatuques - Ayu - 03 Kererê

The theme of this track was inspired by the Kecak tradition, a cultural and ritualistic practice from Indonesia. Song, rhythms and words complement each other, weaving a tissue of sound that stretches out connecting Brazil to other continents. This track is dedicated to the great artists Keith Terry and Dewa Berata and their musical groups Corposonic and Çudamani, who have revealed so many musical treasures to us.

Tema inspirado pela incrível tradição do Kekac, manifestação cultural e ritualística presente na Indonésia. Cantos, ritmos e palavras se complementam tecendo um mosaico sonoro e aproximando o Brasil de outros continentes. Dedicada à Keith Terry, Dewa Berata e seus grupos musicais Corposonic e Çudamani, nobres artistas que nos revelaram tesouros musicais.

OBA CHEGA JUNTO NO BALANÇO DA CANOA, REMA LOA CAUSANDO SIRICUTICU NO BAQUE QUE SOA À TOA ZABUMBA SOPRANDO VENTO NOS CABELO DA MORENA RODANDO NO RASCULEJO DA SANFONA NEGA

composição/composition: Bruno Buarque e Fernando Barba arranjo e produção/arrangment and production: Fernando Barba e Carlos Bauzys
corpo e voz: Barbatuques

Barbatuques - Ayu - 02 Ayú

A dash of Jamaican ska mingled with the Iberian spices of Flamenco may seem like a rare combination but definitely makes for a delicious musical dish!

Pitadas jamaicanas de ska com temperos ibéricos de flamenco pode ser
uma mistura rara mas nos trouxe um prato musical saboroso!

composição/composition:
Bruno Buarque e Fernando Barba arranjo/arrangment:
Fernando Barba produção/production:
Fernando Barba e Carlos Bauzys
corpo e voz: Barbatuques

Barbatuques - Ayu - 01 Skamenco

“The first instrument is the voice, and the best instrument is the body.” (Naná Vasconcelos)
“O primeiro instrumento é a voz e o melhor instrumento é o corpo.” - Naná Vasconcelos

TUDO COMEÇOU QUANDO O NEGÃO ENTROU NA RODA E NÃO QUIS MAIS SAIR SAIA
BATÁ, BLIU, BLABLÁ, BLEBLÊ DIDI, DEDÉ, DODÔ COMBINOU
PEGARAM O PANDEIRO APRESSARAM O SAMBA PRO NEGÃO SAIR SAIA
SAMBARAM VI VAVÁ, VOVÔ AHÃ....
NEGÃO NÃO SAIU, SAMBA MELHOROU E AQUI NO PEDAÇO A RAPAZI CANTOU SAMBA DE NEGO É BOM SAMBA DE NEGO DE SAIA É BEM MELHOR

composição / composition: Naná Vasconcelos/Vinícius Cantária arranjo / arrangement: Naná Vasconcelos e Barbatuques produção / production: André Hosoi e Fernando Barba participação especial / special guest: Naná Vasconcelos
corpo e voz / body and voice: Barbatuques berimbau de boca / Jew’s harp: Marcelo Pretto voz principal e percussão vocal/main vocals and vocal percussion: Naná Vasconcelos

Barbatuques - Ayu - 04 Tá Na Roda

Creating Patterns

Conceptions

Lara's Theme

Samba De Orfeo

Taught By Experts

I Go To Rio

Chants And Dances Of The Native Americans

Tor-Cheney-Nahana (Winter Ceremony)

ABoneCroneDrone

ABoneCroneDrone 3

Yoga Music Mantras & Chants

Om Shanti Shanti (Edit) [Chant for Yoga Class] [feat. Adham Shaikh]

Corpo Do Som

Baião Destemperado

Vital Energy – Peaceful Songs for Awakening, Yoga, Meditation, Tai Chi Chuan & Kundalini Yoga

Mother Nature Power (Asana Yoga)

All the Wild Creatures

East Pangaea

Kruder and Dorfmeister - Black Baby

Boozoo Bajou - Yma

Sons de la Nature Ambiante pour Étudier

ASMR sons de pluie pour sommeil profond

Church (feat. Geologic)- Macklemore

A Passage in Time

Bird

Espace dédié aux artistes éclectiques avec lesquels la vie m'a proposé de faire un bout de chemin. Une invitation aux conneXions.
***
ÉNÓS! Space dedicated to eclectic artists with whom life has offered me a piece of the way. Let's groove together!
***

Barbatuques - Ayu - 07 Sete

Ktyzinha