Live from Paul Hall, The Juilliard School

LIVE Beethoven String Quartet in E minor Op. 59 No. 2 - IV. Finale, Presto

I've never been able to find much information on this beautiful aria by G F Handel. It was originally written for soprano voice, oboe and harpsichord, and even though it doesn't appear in an opera it retains the Italian operatic style of which Handel was a master. I love the counterpoint between the two melodic parts so I have arranged this version for two clarinets.

davemckeown.co.uk

Meine Seele hört im Sehen, G.F. Händel, Dave McKeown

Based on JS Bach Prelude n. 2 in C minor BWV 847 from The Well-Tempered Clavier, Book I
Produced and edited by Francesco Tristano & Francois Baurin aka GM French
Engineered an recorded by Francois Baurin aka GM French at  Studio Splendid Paris
Mixed and Arranged by Carl Craig at Planet-e communications Detroit
Released 2014 on Sony Masterworks
Buy here: http://www.amazon.com/Red-Hot-Bach-Various/dp/B00HUH1AUK
Redhot.com

Francesco Tristano & Carl Craig: LudePre (Edit)

David Loebel conducts the New England Conservatory Symphony in a performance of Dvorak's Slavonic Dances for Orchestra. Recorded live in Jordan Hall October24, 2014

Dvorak: Slavonic Dance no 3 in A flat major

Wolfgang Amadeus Mozart: Violin Concertos Nos. 1, 3, 4
Rondo K. 373, Andante K. 261

Artists: Frank Peter Zimmermann (Violin) 
Kammerorchester des Symphonieorchesters des Bayrischen Rundfunks, 
Radoslaw Szulc (Conductor)

1 CD - Full Price

Order-No. 98.039
EAN 4010276027041

• Frank Peter Zimmermann - one of the best Violinists of his time.
• Zimmermann’s triumphant return to Mozart's concertos since his legendary EMI-recordings from over 30 years ago. 
• The first of three installments which will contain, when completed, all of Mozart’s works for concertante violin. 

Today, when Frank Peter Zimmermann says that Mozart has always been easy for him, he needs only call to mind his debut concert at the age of ten – when he played Mozart's G major Concerto K. 216; or when, some 30 years ago, as a fresh 20-year-old, the same FPZ  made his first recording of the five concertos for EMI; and then if one factors in that over the years that each of these Mozart works has passed through his hands nearly 300 times in concert, then one can begin to appreciate the intense physical and spiritual experience that Frank Peter Zimmermann brings to these new recordings.

One will immediately hear on this CD the experience that a master can bring to these works, because no one else plays these works with the same incredible, almost balletic, weightless elegance and rich tone, reaching a degree of intimacy, without any obstacle between the performer and the listener, as does Frank Peter Zimmermann.  Mozart’s every wish is perfectly fulfilled! The Chamber Orchestra of the Symphony Orchestra of the Bavarian broadcasting company serves both masters admirably.

Frank Peter Zimmermann‘s Mozart edition will be released on 3 CDs; the second CD will be released in February, 2016 and will include the Sinfonia concertante (with Antoine Tamestit), the Violin Concerto No. 2 D Major K. 211, the Rondo in B-flat Major KV 269 as well as the Haffner Serenade K. 250 in which the violin plays a big role. The third CD is planned for February, 2017 and will contain the Concertone for two violins, the Violin Concerto No. 5 and the Kassation K. 63.

Music:
excerpts from:
Violin Concerto No. 1 in B flat Major K. 207
I. Allegro Moderato  

Adagio in E Major K. 261 

Rondo in C Major K. 373 

Violin Concerto No. 4 in D Major K. 218
I. Allegro	

Violin Concerto No. 3 in G Major K. 216
III. Rondeau. Allegro

Frank Peter Zimmermann Plays Mozart Vol. 1

Movement VII_ Entropy (c. 1780-1815)

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The Piano Sonata No. 12 in F major by Wolfgang Amadeus Mozart, K. 332/300k, was written at the same time as the Piano Sonata, K. 330 and Piano Sonata, K. 331 (Alla turca), Mozart numbering them as a set from one to three. They were once believed to have been written in the late 1770s in Paris, but it is now thought more likely that they date from 1783, by which time Mozart had moved to Vienna.

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Some believe, however that Mozart wrote this and the other sonatas during a summer 1783 visit to Salzburg made for the purpose of introducing his wife, Constanze to his father, Leopold. All three sonatas were published in Vienna in 1784.

Adagio - The second movement is a slow movement in the key of B flat major with two halves repeated. In the autograph, the second half is essentially a repeat of its initial presentation with some minor tonal adjustments. In the earliest printed editions, however, it is considerably elaborated.

Retailers:

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Microsoft
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Google Play
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Spotify:
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Also check out the very best in R&B & Pop Music 2020 from IndyPop Records!
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The Lockdown Sessions: Episode 1
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The Lockdown Sessions: Episode 2
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Tidal

Piano Sonata No.12 in F-Major, K. 332: II. Adagio

M032-Wolfgang Amadeus Mozart – Violin Concerto #3 In G, K 216 - 1. Allegro

Wolfgang Amadeus Mozart - String Quartet No. 17 in Bb Major, K. 458 'The Hunt' - Allegro vivace assai

A Bruce Evans Arrangement of J.S. Bach's Sheep May Safely Graze 

Sheep May Safely Graze

Light elegance – beautiful symmetry – amazing variety – stunning contrasts: two rondos and four sonatas by the four great Viennese classics: Haydn, Mozart, Beethoven and Schubert.

Viennese Classics for Piano: Haydn: Sonata No. 30, Hob. XVI:19 – Mozart: Rondo, K. 485, Sonata No. 12, K. 332 – Beethoven: Rondo, Op. 51, No. 1, Sonata No. 5, Op. 10, No. 1 – Schubert: Sonata No. 13, D. 664

W. A. Mozart: Rondo in D Major, K. 485 (Live)

Kubrick Quartet seeks to bring audiences into the mind and world of the composer, presenting the string quartet repertoire in dazzling color, virtuosity, and sincerity.

LIVE Beethoven String Quartet in E minor Op. 59 No. 2 - IV. Finale, Presto

KubrickQuartet