Noisia comprise Dutch producers Thijs, Nik and Martijn. Largely regarded as one of the most distinctive, powerful acts to emerge in bass music, their production techniques are referenced and praised across the entire electronic music scene. Their extensive body of work also includes the game Devil May Cry and the Foreign Beggars collaboration I Am Legion.

Hi.
We are Mad Bads. Two guys from Brazil, making some noise.
Influences?? Punk 77 and bytes
Our music? Punk77 with bytes.
Just listen.

just started soundcloud not really sure how it works..

Follow me I follow Back!

Also Check out my boy:
@MadHope

Management: terry@turbomgmt.co.uk
Bookings: laetitia@decked-out.co.uk

With hardcore support from Pete Tong, Annie Mac, Gerd Janson, Tiga and The Blessed Madonna, who correctly noted that he has “the hardest working hair in show business,” ABSOLUTE. has raised himself above the rabble of contemporary dance music with stone-cold hits “Follow ur <3’,”Ride”, “Don’t Ya Want it’, “Papi’s Pumping Piano” and an official remix of Kylie’s anthem-of-the-decade ‘Padam Padam’ that will ensure free Fuji water in his green room for the rest of his life. As the London-based DJ/producer is a virtual lock to earn the kind of clout that will allow him to scrub the internet of all biographical detail, it seems wise to revisit his early days and career-to-date while we still can. 

As a child, ABSOLUTE. was enthralled by dance music, to the extent that he took the money his father had given him to buy clothes and spent it on a single turntable. While initially furious, once his dad heard the music, he calmed down and said, “Son, that is a low-slung floor-filler, and I have no choice but to respect it.” Later, ABSOLUTE. honed his DJing skills by using the lone deck to beat-match to Pete Tong’s BBC Radio show, a fact that will take on eerie significance if you read this bio backwards. 

A teenage ABSOLUTE. found his chosen family among club kids and drag queens in East London queer spaces, eventually going on to promote and curate spaces like these himself. "For whatever reason, the people in the queer scene hadn’t found liberation in pub trivia nights held at Wetherspoons breeding pits," he says. “So they had to create their own world instead. At this point, my politics are actually less progressive than the British Airways twitter account, so things seem to be moving in the right direction."

These experiences led to ABSOLUTE. to notice that queer spaces are largely dependent on the viability of human existence. As such, his nascent activist streak led him to sample climate icon Greta Thunberg on the track “Rave Against the Machine”, despite the fact that the 40-and-over conservatives who regularly challenge Thunberg to debate and/or wrestle on social media make up a huge part of the acid house market. The track led to a collaboration with the Extinction Rebellion collective, for whom ABSOLUTE. curated the “Rave Against the Machine” queer stage at the activists’ event in London. Unfortunately, the stage was promptly shut down by police. While many of the cops had no opinion on the political message, they were reportedly pissed that the event was overshadowing an after-hours the local station had been promoting.

To the extent that there is a habitable future for anyone at all, ABSOLUTE.’s is looking bright. With official remixes for icons Fever Ray and Tony De Vit, and a mass of original music including EPs on Shall Not Fade, DJ Haus’ Hot Haus, New York Queer stalwart Chrissy’s new label Maximum Airtime, a Radio 1 Essential Mix live from Glastonbury and named 6Music ‘Mix of the Year’ by The Blessed Madonna and a recently completed fourth U.S. tour. “Whether my music helps inspire the advance of cold fusion technology or I end up DJing the Emerging Artists Stage of the Great Pacific Garbage Patch, I’m going to keep bringing the same BIG NEON ENERGY intensity to everything I do. 

So the next time someone tells you there’s no absolutes, give them a knowing grin and say, 'There’s just one, honey. Just one.’"

Paulo Tessuto  has been a DJ for the past 11 years. He is also a music & cultural producer / activist, born in São Paulo. He was resident at D-Edge club from 2010 to 2015, and in 2010 he created the cultural intervention and character Carlos Capslock. 

He has played in festivals such as  Universo Paralello  (2013), Kaballah (2015)  Rock In Rio (2017) , Dekmantel festival São Paulo (2017 e 2018) and  Dekmantel South America Tour (2017), XXXperience (2018) and in several parties around almost all the Brazilian states. He also performed at some cultural institutions like  MIS-SP (Image and Sound Museum),  Goethe Institute,   Galeria Nacional,   CCBB-SP,   CCBB-BH , where the party  Carlos Capslock participated in the German exhibition " Zeitgeist, the art of new Berlin ". His party also participated in three editions of  Virada Cultural (2012 & 2104 and 2018),  SP na Rua (2015 e 2016, 2018) and in the street Carnival of São Paulo with the SP Beats street block with Gopslock, a partnership between Carlos Capslock and Gop Tun(2017 & 2 018 ).

He produced Capslock at Shift (Berlim), an annex of  Berlin Atonal festival. He also has produced events in partnership with the German Federal Government through the German Consulate in Brazil. In 2018 was invited by Mirik Milan and the Amsterdam Marjory to represent Brazil on the Night Life Round Tables. He participated as a speaker of the  RMC (current  Brasil Music Conference ) in 2014, 2016,  2017 and 2018  . He was nominated for the VI  Rio Music Conference 2016 as best "DJ Underground", while Carlos Capslock competed as "Party of the Year".

As a DJ he has been on 8 European tours since 2013 including cities like Berlin, London, Paris, Brussels, Istanbul, Malta, Rotterdam, Vien (among others) with gigs in several clubs such as  Salon Zur Wilde Renate , GoldenGate, Sisyphos,   Tresor, Chalet, Morlox, Griessmuehle, Else, Prince Charles , Mezcaleria Lupita,   SchwuZ,  Bar , Katerblau, BeatUwe , St.Georg,  F23, among many others.

He also runs the label  MEMNTGN alongside  L_cio (music producer Laercio Schwantes) with international distribution by the German label  Kompakt.  In 2017 he produced the fifth release of the label - Second Hand Food EP . As a music producer, he had tracks released by Gop Tun, Magic Black,  Rainbow Socks, Future Visions , Scandalo,  - where he released his first vinyl EP (2014).
In 2019 he started to produce along side the legend Gui Boratto and soon he will have his first release on D.O.C. Records.

As an event producer, he brought to Brazil artists such as  Isolée, Andy Blake , Pachanga Boys, Alexander Robotnick , Sebastian Voigt , Danny Daze, Axel Boman , Virginia,   Gui Boratto,   Peak & Swift, Paranoid London, Ryan Elliott, DJ Hell, Rebolledo, Renato Cohen,  Anna and  DJ Mau Mau among many ohters 

Paulo also created  Rivotrio,  the trio elétrico (electric car) of the Capslock party, and he was responsible for the opening party of the PopPorn festival between 2013 and 2015.

As a traveling cosmic metamorphosis,  Paulo Tessuto lies through the Brazilian and international musical and cultural space as a force that mixes engagement, fun, and madness of the purest quality. Tessuto is a media multiverse in the form of a person: he creates fanzines, makes videos, is a music producer and his greatest talents are applied as a DJ and producer.

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