chil, symphony, classic

ShamanStems

Listen now on your favourite platform

traytex.lnk.to/AGT

All Good Things (Come To An End)

Envisioned as the soundtrack to an Ecotopian future, ‘Solarpunk’ takes cues from New Age, J-Ambient, Classical Minimalism, Kosmische Musik and IDM, offering a vast assortment of shimmering pads, generative melodics, polymetric sequences, serene atmospheres and meditative bells.

Get it on Splice

Solarpunk

Young Folks - Slosh Feat. Lubie

LAB002

DOWNLOAD

Depeche Mode - Enjoy The Silence (AUREL X FLAWS (DE) 99' HOMMAGE MIX)

After a year of (irregular) work, I'm glad to finally release this Album. A huge thanks to @german-bot for recording vocals, writing some lyrics and recording bass!

Lyrics (written by German Bot):
In grauen Bauten verbringe ich meine Tage
Immer wieder auf der Suche nach dem verlorenen Faden
Vergangene Zeit zieht wie Film an mir vorbei
Geist und Körper schon seit Ewigkeit entzweit

Und ich weiß, hier finde ich mein Ende
Doch mit nichts zu verlieren, entdecke ich die Grenze
Von Realität und Wahnsinn

Ich falle in die Stasis
Ich sehne nach Katharsis
Konflikt in mir zerfrisst mich
Gleich wie mein Blick auch Starr ist
Fragte mich wie es hier rausgeht
Doch ich fand nie einen Ausweg

In alten Häusern verbracht' ich meine Zeit
Nun stell ich mir die Frage, ging ich zu weit?
Und ich weiß ganz genau, wie das hier ausgeht
Will ich hier wieder raus, gibt es nur einen Ausweg

Grenze (ft. German Bot)

Cry In My Arms - southstar

Free DL

LUV ING YOU

https://open.spotify.com/artist/3tIjal5JTGCQpN7wEpbIz7?si=Q2wsUBMqRXu8UkZIHqyNmw

reflection of a reflection

esket

music video: https://youtu.be/D682dSewGfA
thank you for the millions of streams on this song on spotify,
as well as the thousands of videos on tiktok using the audio.
seeing you all living your life to this song i just randomly made one day in my room after a good bike ride, i had no idea it would reach so many people. thank you all for listening and showing me your world on tiktok, and you all have in turn changed my world streaming this song so many times on Spotify. thank you all so much. i know soundcloud is a bit dead these days, but if you would like i can share music here too, and not just to spotify. let me know! big love
https://open.spotify.com/artist/7pxIYxdkx2675ZGKSAPBAy

as an update, i am writing this on 7/4/23 - i am currently writing more ambient music as well as nothing is real, part XIX (19). i am excited to share with you all this new music :) and again, thank you all so much for streaming the heck out of these songs on spotify. it truely means the world to me. thank you so much. it has made the situation with my health a million times easier. <3

ambient vol 3

numb

Spotify Link

SDH are: 
Andrea P. Latorre - vocals 
Sergi Algiz - electronics 

Recorded and mixed in Barcelona in october 2017 by Sergio Pérez at Maik Maier Studios. Mastered by Stephen Quinn at Analogue Heart, UK. 

Artwork by Sergi Algiz. Collage on the cover by Camila Dunster. 
cargocollective.com/camiladunster

Guilty And Gifted

Purchase: bit.ly/3oh8DpK
Catalog #: GN59
January 22, 2021
CASS+DIGI

Ever the aural adventurer, Carmen Villain has long traversed a boundless array of sounds, deftly moving from art nouveau pop to fog-laden avant-dub. Yet at every artistic turn, the Norwegian-Mexican’s chameleon-like charm seldom loses its alluring, organic beauty. Fresh off her contribution to 2020’s A Little Night Music… compilation, Carmen joins Geographic North’s Sketch for Winter series for its 9th installment. Perlita, named after Carmen’s grandmother living in Puebla, Mexico, is a sweetly somber reflection on the ever-present cycle of and hibernation and reemergence.

The A side begins with “Everything Without a Shadow”, a wide-angled and windswept vista of expansive permafrost and still-glowing embers of a recently extinguished fire. A sign of life in an otherwise desolate place. “Two Halves Touching” continues to drift through the frigid scene, lightly pulsing underneath a muted but vibrant tundra until coming upon echoes of voices chanted into the snowdrift. “Light in Phases” follows the cue with hurried hesitance, uncovering a sonic slush of radiant zither, blurred voices, and calm resolution.

“Things That Are Solid” begins to thaw the B side, strolling through newly uncovered verdancy, welcoming murmurs peeking out of the snow. With “Molina”, any last remnants of Winter have disappeared, leaving only a solemn suite of piano motifs breaking ground like seedlings bursting to life. With help from Johanna Scheie Orellana on flute and alt-flute, the album’s closer “Aqua Azul'' floats along with unencumbered motion like a happy stone skating across a tranquil pond.

reflection of a reflection

kurt aka / k0d4m4 / heavenfalls