classic !!!

Night jazz

piano

jazz instrumental

Yellow Magic Orchestra

Ryuichi Sakamoto

e_leeuwtje1

Hack G.U. OST 02 Desktop 8.21.2010

Happy End ／ Ryuichi Sakamoto

Disco Bass Solo Standards de Toni Traus (2013)


My Little Boat

Disco Bass Solo Standards de Toni Traus (2013)


Billies Bounce

So What

Blue Bossa

Don't Get Arround Much Anymore

Don Grusin - Outback Oasis

Vogel im Kafig - Attack on Titan

Tong Poo 東風 - The Yellow Magic Orchestra (Jazz Cover)

I created this rework a while ago, because of the big demand on the track i have uploaded it here on to soundcloud. I Hope You like it, Enjoy!

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https://www.facebook.com/KonoVidovicOfficial



Free Download

Anouk - Everything (Kono Vidovic 2013 Rework)

I do not own this song. All rights belong to Kaori Kobayashi.

Kaori Kobayashi-Walk In the Night

Mr. Probz  - Nothing Really Matters

Lyrics:

When she's ok
Then I'm alright
When she's awake
I'm up all night
And nothing really matters
Nothing really matters
I see her face
And in my mind
I sieze the day 
Whenever she's nearby
It's like nothing really matters, no
Nothing really matters

She completes me
It's how she reads me
Right or wrong
It's so clear she's
All that I need
All I need yeah

I know what it feels like
I know what it feels like
Swimming through the stars when I see her
And I don't need air because I breathe her
I know what it feels like
I know what it feels like yeah
I breathe her
Breathe her..

Everytime I see her (2x)

When I'm lost
And need a sign
She leads the way
And I'll be fine
And nothing really matters
Nothing really matters

She completes me
It's how she reads me
Right or wrong
It's so clear she's
All that I need
All I need yeah

I know what it feels like
I know what it feels like
Swimming through the stars when I see her
And I don't need air because I breathe her
I know what it feels like
I know what it feels like yeah
I breathe her
Breathe her..

Everytime I see her (4x)

When she's ok
Then I'm alright
When she's awake
I'm up all night
And nothing really matters
Nothing really matters 

http://mrprobz.com
http://twitter.com/mrprobz
http://facebook.com/mrprobz
http://instagram.com/mrprobz
http://soundcloud.com/mrprobz

Credits:

Written by: Dennis P. Stehr, G.Tuinfort, Aliaune Thiam (Akon) and Jake Gosling

Produced by: Giorgio Tuinfort for Piano Music & Mr. Probz for Left Lane Recordings

Executive Produced by: Massimo Baudo

Publishing: Left Lane Publishing/BMG Talpa Music BV (Buma/Stemra)

P & C 2014 Left Lane Recordings

Orchestra Recorded by Paul Power at Power Sound Studio's Amsterdam, The Netherlands 

Orchestra:

First Violin; Ben Mathot, Ian de Jong, Anne van Eck, Tseroeja van den Bos, Marleen Wester, Inger van Vliet, Sofie van der Pol, Heleen Knoop. Second Violin; Judith van Driel, Loes Dooren, Diewertje Wanders, Elise Noordhoek, Judith Eisenhardt, Douwe Nauta. Alt Violin; Mark Mulder, Annemarie Hensens, Evelien van der Kamp, Bas Goossens. Cello; David Faber, Jascha Bordon, Keimpke Zigterman. Bass; Hinse Mutter, Joep Deiman.

Orchestra Arrangement written and conducted by Franck van der Heijden

Piano; Giorgio Tuinfort

Percussion; Jeroen de Rijk

Mixed by: Laffree Audio Enhancement, Amsterdam, The Netherlands

Mastered by Mark B. Christensen at Engine Room Audio
Assisted by Benoit Holliger
http://engineroomaudio.com

Artwork: Lion de Noier (liondenoier@gmail.com)

Nothing Really Matters

From MG_INC upcoming debut album, "Almost in the air"

Merry Christmas Mr Lawrence (R.Sakamoto)

Ryuichi Sakamoto Bibo No Aozora

Merry Christmas Mr. Lawrence (a.k.a. Forbidden Colours) by Ryuichi Sakamoto (1983)

Live video: http://www.youtube.com/watch?v=G_v_pbd-O8U

Soundtrack from the movie Merry Christmas Mr. Lawrence (戦場のメリークリスマス), a.k.a. Furyo in Europe, directed by Nagisa Oshima, and starring David Bowie, Tom Conti, Ryuichi Sakamoto and Takeshi Kitano.

The instrument is a Kawai VPC1 controlling a Clavia Nord Stage 2, using a sampled Yamaha C7 grand piano, and... straight from the 80's a sampled preset named "Touch Perco" from the Yamaha DX7 mk2 synth.

Spotify

Ryuichi Sakamoto 坂本龍一 Merry Christmas Mr. Lawrence [live cover]

Ella Fitzgerald Louis Armstrong - Dream A Little Dream Of Me

The Sheltering Sky theme, composed by Ryuichi Sakamoto (1990).

Live video: http://www.youtube.com/watch?v=dlxAEmGmK-s

Soundtrack from the movie The Sheltering Sky (Il tè nel deserto) directed by Bernardo Bertolucci starring Debra Winger and John Malkovich.

The instrument is a Clavia Nord Stage 2, using a sampled Yamaha studio C7 grand piano, with pedal noise and string resonance, and sampled orchestral strings.

Video

Ryuichi Sakamoto 坂本龍一 The Sheltering Sky

Joe Hisaishi - Summer

Joe Hisaishi - Impossible Dream

Akiko Yano - Tong Poo

Ryuichi Sakamoto - Seven Samurai (album three)

Nat King Cole - (I Love You) For Sentimental Reasons

transcription of ryuichi's solo performance at the trio tour 20121212, rikuzen takata.
https://www.dropbox.com/s/vlyp75l1aa2zjq2/Energy%20Flow-2.pdf

ryuichi sakamoto energy flow

The Last Emperor -  Ryuichi sakamoto

Yellow Magic Orchestra (YMO) is a Japanese electronic music band consisting of principal members Haruomi Hosono (bass and keyboards and vocals), Yukihiro Takahashi (drums and lead vocals) and Ryuichi Sakamoto (keyboards and vocals). The band's former "fourth member" was music programmer Hideki Matsutake.Prior to the group's formation, Sakamoto had been experimenting with electronic music equipment at the Tokyo National University of Fine Arts and Music, which he entered in 1970, including synthesizers such as the Buchla, Moog, and ARP.[14] Hosono, following the break-up of his band Happy End in 1972, became involved in the recording of several early electronic rock records, including Yōsui Inoue's folk pop rock album Kōri no Sekai (1973) and Osamu Kitajima's progressive psychedelic rock album Benzaiten (1974), both of which utilized synthesizers, electric guitars, electric bass, and in the latter, electronic drums and rhythm machines.[15][16]

Also around the same time, the band's future "fourth member" Hideki Matsutake was the assistant for the internationally successful electronic musician Isao Tomita. Much of the methods and techniques developed by both Tomita and Matsutake during the early 1970s would later be employed by Yellow Magic Orchestra.[2][17] Other early influences on the band included Kraftwerk and Giorgio Moroder.[1] The former was particularly an influence on Sakamoto, who heard the band in the mid-1970s and later introduced them to his fellow band members.[18] They were impressed with Kraftwerk's "very formalized" style but wanted to avoid imitating their "very German" approach. According to Sakamoto, they were "tired" of Japanese musicians imitating Western and American music at the time and so they wanted to "make something very original from Japan."[18] He described Kraftwerk's music as "theoretical, very focused, simple and minimal and strong," contrasting it with YMO's "very Japanese" approach of fusing many different styles of music like a "bento box."[14] Their alternative template for electronic pop was less minimalistic, made more varying use of synthesizer lines, introduced "fun-loving and breezy" sounds,[19] and placed a strong emphasis on melody.
	
"Firecracker" (1978)
Menu
0:00
A sample of "Firecracker" from the 1978 album Yellow Magic Orchestra. It was combined with the "Computer Game" track into a hit single called "Computer Game". It was later sampled by artists such as Afrika Bambaata and Jennifer Lopez.
Problems listening to this file? See media help.

Sakamoto first worked with Hosono as a member of his live band in 1976, while Takahashi recruited Sakamoto to produce his debut solo recording in 1977 following the split of the Sadistic Mika Band. Hosono invited both to work on his exotica-flavoured album Paraiso, which included electronic songs produced using various electronic equipment such as the Yamaha CS-80 polyphonic synthesizer, Roland and ARP Odyssey synthesizers, the Yamaha CP-30 and Rhodes electric pianos, and electric guitar. The band was named "Harry Hosono and the Yellow Magic Band" and in late 1977 they began recording Paraiso, which was released in 1978.[20] The three worked together again for the 1978 electronic album Pacific, which included an early version of the song "Cosmic Surfin".[21] Hosono and Sakamoto also worked together alongside Hideki Matsutake in early 1978 for Hosono's experimental "electro-exotica" fusion album Cochin Moon, which fused electronic music with Indian music (reminiscent of Ravi Shankar and Bollywood music), including an early "synth raga" song "Hum Ghar Sajan".[22] The same year, Sakamoto released his own solo album, The Thousand Knives of Ryuichi Sakamoto, experimenting with a similar fusion between electronic music and traditional Japanese music in early 1978. Hosono also contributed to one of Sakamoto's songs, "Thousand Knives", in the album.[23] Thousand Knives was also notable for its early use of the microprocessor-based Roland MC-8 Microcomposer music sequencer, with Matsutake as its music programmer for the album.[24] Hosono, Sakamoto and Takahashi eventually collaborated again to form the Yellow Magic Orchestra and they began recording their self-titled album at a Shibaura studio in July 1978.[25]

The band was initially conceived as a one-off studio project by Hosono, the other two members being recruited session musicians—the idea was to produce an album fusing orientalist exotica with modern electronics, as a subversion of Orientalism and exoticization, while exploring similar themes such as Asianness. The album would eventually be called Yellow Magic Orchestra, as a satire of Japan's obsession with black magic at the time. The album featured the use of computer technology (along with synthesizers) which, according to Billboard, allowed the group to create a new sound that was not possible until then

YELLOW MAGIC ORCHESTRA FIRECRACKER CHOCIS KYOTO EDIT

An amateur music composer and keyboard player based in Japan. Favorite genres are: jazz and soul music. But my CD libraries includes classical music, rock and Japanese pop/rock as well. 
Due to my mother's musical taste, in my childhood, I started to listen to symphonies and concertos, and to learn the keyboards at the age of five. Later in my adulthood, learned Jazz piano.  

Mac user since 1986, my first DTM software experience was MOTU Performer. I kept upgrading the software until DP2.7 or something. After that, I used Pro Tools LE a little bit. Since the mid 2000's, Apple GarageBand is my favorite tool. Uploaded files are basically created in Apple GarageBand.  

Now I am organizing my music works scattered to a couple of sites, with an intention of making SoundCloud a central point.   

Tong Poo 東風 - The Yellow Magic Orchestra (Jazz Cover)

kutman