Ypy - musa,VJ.

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Velly Joonas - Kas ta on ja kus ta on, hulkur minusugune

Velly Joonas - Ingel

Velly Joonas - Kui oleksin tundnud sind varem

killer cover version of fleetwood mac's dreams - maybe better than the original ?!

http://frequencywithoutcontrol.blogspot.com/



mark & suzann farmer - dreams

Somebody Knows

Distance

704). Thea Paluoja - Haapsalu

Velly Joonas - Mööda koduvälju

Velly Joonas "Stopp, seisku aeg!" 7" (FRO007)
A "Stopp, seisku aeg!" 4:23
B "Käes on aeg" 2:53

Velly Joonas is a mysterious singer, who once wanted to become a soul singer, but later choose folk music instead. Frotee has released two recordings of cover versions from Estonian Radio archives, both tracks have Estonian lyrics written by herself. In 1983, she recorded incredible version of "I See Red". Few years earlier she recorded lovely version of classic "Feel Like Makin' Love". Both previously unavailable, now released on 7" single!

B - Velly Joonas "Käes on aeg" - 7" FRO007 sample

A - Velly Joonas "Stopp, seisku aeg!" - 7" FRO007 sample

viva la revoluxion

Kõik, mis ma teen on geniaalne
tulevik ainult kummardab mu ees
ma ei armasta värvilisi ekraane
ja ei tee, kunagi plaane ei tee
kunagi plaane, ei tee
mis kuradi plaane

sa parem tule mu juurde ütle, mis teeb sul valu
on see selline sul esimene kord
mürgid on reas, mida ei tohi võtta
näen selgelt põhja
kuid ei vaju ei 
sügavamale, ei vaju ei sügavamale

need on mu sõnad see on su kool
kui ei jõua kõike, tee vähelt pool
aegunud ammu on evolutsioon
kui avad silmad näed
see on see kui kõik laguneb koost
nöör on küll kaelas kuid ei poo
tõstame klaasid ja hüüame koos

viva la revoluxion

REV0LUXION

Funkifize - Ingver ja mesi

suuta suuta
kommunikeerida
suuta suuta
su huultelt veerida

selgieimgi veel
ma olen ainult sinu peegeldus

selgieimgi veel
see kõik on ainult ettekujutus

suuta süüta
koos eksisteerida
suuta muuta
ja oma kama šeerida

selgieimgi veel
nüüd on meil mille vahel valida

selgieimgi veel
tuvike mis nii viga viga elada

küsimus vana hea
mida ma tegema pean
mida ma tegema pean
tegema pean
ma tean et ma midagi ei tea
kuid ikkagi noogutan pead

nagu allan

loendamas üheksandat lainet
ootamas hetke mõnda kainet

tõuse üles alla
ära anna eal
nõnda ülev allan
suur süda selge pea

näita ennast allan
ava oma meel
pimedast välja valla
kõik nüüd on selgieimgi veel

allan
allan
allan

näita ennast
allan

...............................................................................................................................

Marten Kuningas - laul, sõnad
Raul Ojamaa - kitarrid, digitaalmehaanika
Peedu Kass - basskitarr
Kristjan Kallas - trummikomplekt, raputaja

Kaarel Tamra - helirežii, kokkumäng
Minerva Pappi - master
Helmi Arrak - visuaal


Allan

The System - Find It In Your Eyes (4:35)

Artist: The Werg 
Song: Ragnotti
Album: The Werg
Year: 2016

Written by The Werg
Mix/master: Jüri Põld
Mixing assistant: Kaur Hiet, Indrek Viires

Electric guitar/tambourine - Sander Sepp
Cowbell - Indrek Viires
Synth bass/synth/organ/electric guitar  - Jüri Põld
Drums - Lauri Põld

Single artwork: Kyoshi Hide

"Ragnotti" is the first single from upcoming debut album "The Werg".

© The Werg

Ragnotti

Velly Joonas  - Stopp, Seisku Aeg! (FULL 7, Soul, Estonia, USSR, 1980 - 1983)

Dromer

Cadillac Records - I'd Rather Go Blind



<a href='https://theartistunion.com/tracks/32727d'>Download for free on The Artist Union</a>

Ornella Vanoni - Perduto (Zviad Bekauri Remix)

From the album The Kid out October 6, 2017 on Western Vinyl

Pre-Order The Kid
BLEEP https://bleep.com/release/86790-kaitlyn-aurelia-smith-the-kid
Norman Records https://www.normanrecords.com/records/166212
Bandcamp https://kaitlynaureliasmith.bandcamp.com/album/the-kid
iTunes hyperurl.co/8n4qa5
WV http://westernvinyl.com/shop/wv170

In 2017, the musical term “electronic” is nearly obsolete given the ubiquity of computerized processes in producing music.  Even so, the prevailing assumption is that musicians working under this broad umbrella must be inspired by concepts equally as electrified as their equipment.  Kaitlyn Aurelia Smith has demonstrated in her still-blooming discography that this notion couldn’t be further from the truth, and that more often than not, rich worlds of synthesized sound are born from deep reverence of the natural world.  Smith (who by no coincidence, cites naturalist David Attenborough as a contemporary muse) has embodied such an appreciation on The Kid in as direct and sincere a way as possible by sonically charting the phases of life itself.  The album, which punctually follows up her 2016 breakthrough EARS, chronicles four defining cognitive and emotional stages of the human lifespan across four sides of a double LP.

The first side takes us through the confused astonishment of a newborn, unaware of itself, existing in an unwitting nirvana.  Smith’s music has always woven a youthful thread befitting of the aforementioned subject. Here she articulates it in signature fashion on the track “An Intention,” which serves not only as a soaring spire on The Kid, but on her entire output.  There is playfulness here, but it's elevated by an undertone of gravity into something compelling and majestic that is fast becoming Smith’s watermark.  The emotional focus of side two is the vital but underreported moment in early youth when we cross the threshold into self awareness.  The subject is profound enough to fill an entire album, but rarely makes its way into a single track, indicating Smith’s ambition to broach subtler and deeper subjects than the average composer.  This side offers up another highlight in the form of “In The World But Not Of The World” which serves its subject well with epiphanic, climbing strings and decidedly noisy textures over a near-Bollywood low end pulse.

Side three emphasizes a feeling of being confirmed enough in one’s own identity to begin giving back to the formative forces of one’s upbringing, which is arguably the duty that all great artists aim to fulfill.  This side ends with the exploratory album cut “Who I Am & Why I Am Where I Am” recorded in a single take without overdubs on the rare EMS Synthi 100 synthesizer. This humble piece of sound design serves as a contrast to side four’s verdant orchestral moments, all written and arranged for the EU-based Stargaze quartet by Smith herself.  This final side represents a return to pure being, the kind of wisdom and peace that eludes most of us until the autumn of life.  On “To Feel Your Best” this concept is voiced in the bittersweet refrain “one day I’ll wake up and you won’t be there” which Smith intended to be a grateful acknowledgement of life rather than a melancholy resentment of loss. The song has both effects depending on the mood of the listener, and both interpretations are equally moving.

Kaitlyn Aurelia Smith belongs to an ilk of modern musicians who are defined by their commitment to creating experiential albums despite the singles-oriented habits of modern listeners, and here she represents her kind proudly.  The subjects on The Kid are not simple to convey, and yet through both emotional tone and lyrical content, Smith does just that. There is a similar gravity to both birth and death, and rarely is that correlation as accurately and enthusiastically mapped as it is here.  As Kaitlyn Aurelia Smith explores her existence through music, she guides us in gleefully contemplating our own.

Kaitlyn Aurelia Smith - "An Intention"

Seade, mäng, laul ja kõik instrumendid: Haldi Välimäe
Sõnad ja algtõuge: Janek Murd
Salvestatud, toimetatud ja kokkumängitud Janeki Telliskivi stuudios Tallinnas, 18. augustil 2017.
Master: Margus Löve

Haldi - Loodusse

Unofficial Discoshaman edit
Free Download
(new master)

Thank you to Pelle Møller Schiødt´s for his
 amazing oil painting ... ! <3

<a href='https://theartistunion.com/tracks/cd9d8e'>Download for free on The Artist Union</a>

Velly Joonas - Kas ta on ja kus ta on, hulkur minusugune

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