HRMNY: Healing RADIO
Electronic music mixtapes & podcast focused on ambient music, restorative frequencies such as 432 HZ, organic
healing frequencies like 432 HZ, organic sounds,
soundscapes of contemporary artists and online radio 
Based in Tulum, Quintana Roo.

Shpongle singer, Psytrancer, DJ, Producer, songwriter, vocal mentalist
https://micheleadamson.bandcamp.com

Banco De Gaia has been performing and releasing for over 25 years now, along the way becoming one of the music industry’s most maverick innovators. His legacy is as glittering as it is diverse, ranging from Hollywood film sound credits to the critically acclaimed ‘Last Train to Lhasa’, first released in 1995 to a rapturous reception. His live act still packs out venues and festivals all over the world, with audio-visual performances renowned for their explosive, cutting edge quality: from sampling wizardry fused with haunting vocals and poignant acoustics to genre-hopping musical instrumentals, all accompanied by socially engaged visuals.

Behind Banco de Gaia is artist Toby Marks. Starting out as a drummer in a metal band, he began using sampling kit to cut his own tunes after falling in love with electronica during the 1980s acid house era. By the early 90s, after winning respect for a clutch of credits on the Ambient Dub compilations, he was signed to Planet Dog Records and released ‘Maya’, in 1994, and then ‘Last Train to Lhasa’, in 1995.

Both albums featured an artfully arranged cocktail of textured samples and live instrumentals lifted from across the world. Both went straight to No. 1 in the UK Independent Charts as well as sweeping through the international electronica scene, making him, along with the likes of The Orb, one of the early pioneers of ‘chill out’. Both ‘Last Train to Lhasa’ and ‘Heliopolis (Eudopolis Dog Mix)’ notably featured on Sasha & Digweed's classic ‘Northern Exposure’ mix CD among myriad other compilations. 

Since then, he's released a further 6 studio albums, 1 live album, 1 live DVD and 15 EP’s and also runs his own label, Disco Gecko Recordings. He went back to basics in 2014 with a sold-out 20th Anniversary CD-only (no streams or downloads available) release of ‘Maya’, followed by similar 20th Anniversary editions of ‘Last Train to Lhasa’ in 2015 and ‘Live at Glastonbury’ in 2016.

Pink Floyd and psychedelia remain a constant influence: Banco’s cover of Echoes in 2007 helped shape the ‘Memories, Dreams, Reflections’ collection in 2009 and Floyd’s legendary saxophonist Dick Parry was one of Marks’ special guest collaborators (alongside no-man’s Tim Bowness and Zero 7’s Sophie Barker) on his ‘The 9th of Nine Hearts’ album, which came out in October 2016.

“A continuation of the consistently high form Toby Marks has shown throughout a long and illustrious career” (Total Music Magazine), The Crack described ‘The 9th of Nine Hearts’ as full of “dubby loveliness that fuses psych, spiky rock, acid and ambient” while the Ambient Music Guide hailed it as “Banco's strongest album of new material in 15 years”.

HRMNY.

This is the podcast project of Larissa Bel; creative director, announcer, producer and music promoter. 
Music is the most harmonious philosophy for humanity to transmute and evolve.

Creative director of a platform of events " NIT DE SOUL " based in Barcelona for bands and independent artists coming from diverse music of the world "world music", with experiments of electronic bases.  
The current panorama forces us to generate a radical change in our vital rhythm, the body and the earth acclaim synchronicity.

Radio Show based on Planet Earth.

HRMNY
HRMNY

Harmonious vibe & Podcast
𝘉𝘪𝘦𝘯𝘷𝘦𝘯𝘪𝘥𝘰𝘴 𝘢 𝘯𝘶𝘦𝘴𝘵𝘳𝘢 𝘴𝘦𝘤𝘤𝘪ó𝘯 𝘥𝘦 𝘱𝘰𝘥𝘤𝘢𝘴𝘵 𝘥𝘰𝘯𝘥𝘦 𝘵𝘦𝘯𝘥𝘳é𝘮𝘰𝘴 𝘷𝘢𝘭𝘪𝘰𝘴𝘰𝘴 𝘴𝘦𝘳𝘦𝘴 𝘤𝘰𝘮𝘰 𝘪𝘯𝘷𝘪𝘵𝘢𝘥𝘰𝘴 𝘺 𝘤𝘰𝘯𝘰𝘤𝘦𝘳 𝘶𝘯 𝘱𝘰𝘤𝘰 𝘢𝘤𝘦𝘳𝘤𝘢 𝘥𝘦 𝘴𝘶 𝘱𝘰𝘥𝘦𝘳 𝘤𝘳𝘦𝘢𝘥𝘰𝘳 𝘤𝘰𝘮𝘰 𝘢𝘳𝘵𝘪𝘴𝘵𝘢𝘴.

///
𝘞𝘦𝘭𝘤𝘰𝘮𝘦 𝘵𝘰 𝘰𝘶𝘳 𝘱𝘰𝘥𝘤𝘢𝘴𝘵 𝘴𝘦𝘤𝘵𝘪𝘰𝘯 𝘸𝘩𝘦𝘳𝘦 𝘸𝘦 𝘸𝘪𝘭𝘭 𝘩𝘢𝘷𝘦 𝘷𝘢𝘭𝘶𝘢𝘣𝘭𝘦 𝘣𝘦𝘪𝘯𝘨𝘴 𝘢𝘴 𝘨𝘶𝘦𝘴𝘵𝘴 𝘢𝘯𝘥 𝘨𝘦𝘵 𝘵𝘰 𝘬𝘯𝘰𝘸 𝘢 𝘣𝘪𝘵 𝘢𝘣𝘰𝘶𝘵 𝘵𝘩𝘦𝘪𝘳 𝘤𝘳𝘦𝘢𝘵𝘪𝘷𝘦 𝘱𝘰𝘸𝘦𝘳 𝘢𝘴 𝘢𝘳𝘵𝘪𝘴𝘵𝘴.


Mixcloud
@hrmny


//// Personal 
https://twitter.com/LarssBel 
https://www.instagram.com/ingalatic/

WEB
www.nitdesoul.com
nitdesoul@gmail.com

Daniel Gradilla is the name behind Blue Lunar Monkey.

He started this project in 1998 after a long run playing lead guitar with his rock&roll band “Naranja Mecanica” (Universal Music).
He was part of the legendary “Mexican Trance Mafia” project.
Founder member of “Mandala“ a collective that brought the first psychedelic trance parties to Mexico.
He studied Sitar and Nada Yoga (Sound Yoga) in India.

He’s been releasing music as Blue Lunar Monkey since 2001.

New album "Dreamweaver" out now:
https://trentemoller.lnk.to/Dreamweaver

2025 Tour Dates:
https://tix.to/trentemoller

Copenhagen’s Anders Trentemøller has long been respected as a creator of extraordinarily memorable melodies and dark soundscapes. While many artists follow a pattern of invention and reinvention, Anders’ arc has been a series of points along the same curve, playing the long game with each release representing the next chapter in a constantly evolving series.

Dreamweaver continues on this track, combining elements of shoegaze, dark wave, motorik, noise rock and somber, introspective takes on electronic pop but in a considerably more psychedelic manner. The chronology of its 10 songs is an immersive experience that presents additional otic pleasures when headphones are strapped on.

Jade Rolt is a multitalent artist with over 15 years of experience crafting electronic landscapes that blend groove, elegance and emotion. Based in Barcelona, where she is a well-known local DJ, her sound flows naturally across house, minimal house, downtempo, organic, and UK Garage — a nod to her British roots that brings a distinct sensibility to rhythm, vocals and deep emotional expression. 

Throughout her career, she has performed at festivals, rooftops, clubs, beach clubs and ceremonies across Europe and Mexico, connecting with diverse audiences and developing a unique ability to read the room and adapt each set with authenticity and presence. She has held residencies in Barcelona, Mexico, Morocco, Ibiza and Formentera, building bridges between cultures and scenes.

Her signature lies in an exclusive hybrid set, where electronic selections are enriched by the expressive power of the handpan and small percussion instruments. This integration is far from decorative — it is the core of a sonic identity that transforms every session into a deep and memorable experience. 

From intimate ceremonies to large-scale festivals where she has made thousands dance, Jade blends melody and rhythm to create a state of collective presence. In each performance, she acts as a sound alchemist, harmonizing body, emotion and space through rhythm. Whether in downtempo, deep house, minimal house or organic sets, her handpan becomes a bridge between groove and emotion, elevating the pulse of the dancefloor and the soul — always with a big smile... and Jade too ;)

Alongside her club and festival sets, Jade also curates sonic journeys for wellness spaces. Her strong spiritual and vibrational connection has led her to DJ for large-scale conscious gatherings, such as a 300-person yoga session where she guided the flow with sound and closed the journey with a live handpan performance. This versatility allows her to adapt to ceremonies, retreats, holistic practices, and experiences that require presence and sensitivity. 

Her artistic universe expands through parallel projects that showcase her versatility: Iyari, where she leads sound and sacred plant rituals through ancestral instruments; Irrational Phi, a band co-created with Juanlu Leprevost that blends electronic music, improvisation and live art with guest musicians, contemporary dancers and live painting; and Egipsy Queens, a wild B3B house music trio of Egyptian goddesses celebrating music, friendship and sacred mischief with humor and attitude.

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