nice n trippy, thx for le mind altering intro

Yeah man this track is a vibe but the vocals could be alot better. man with the Think about you part and the verse. Keep Going

Interesting, interesting for real. Gives off some glitchy vibes.

Yo this is dope AF !  My monitor is on fire for real !

Cool sounds i see here..... Check me out too! Am sure you will not regret! (For more in-depth feedback do text me back)   love your art!

This really nice right here keep grinding fr 💯

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itch.io profile page:
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Douglas P Stoothoff main site:
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https://exedexes1.godaddysites.com/

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itch.io profile link:
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Master Track List on SC:
https://soundcloud.com/doug-stoothoff/tracks

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Electronic Mix of Mine Plus Re-Ex 83

This is my newest track. For the first time I used spanish vocals I found on Loopcloud. Listen with headphones...

"El dolor del amor..."

If you enjoy what you hear hit the like and repost button.

Follow me on Soundcloud and Facebook.

@constellation-lyra

www.facebook.com/pages/Constellat…/377825935649048

Constellation Lyra - Dolor Del Amor

Download

All We Got (Bass Station Remix)

The Only One

Night Addict

Heavily inspired by The lyrics of Sergy Yaro, I can describe this song other than a mix between Vocal Electro and a Synth melody trip...  Hope you enjoy it as much i've enjoyed the creation of "Rough Path" !

Stay Safe.
Miraken

Vocal : Sergi Yaro
Music production: Miraken
Arwork Design : Miraken & Kipish_fön

Rough Path Feat. Sergi Yaro

A glowed embrace, a mystifying meander through twilight spaces, dipping between the shadows and the orange light, waiting for the moment when smiles abound and feelings muster….

Certain artists create captivating essences within their work, no matter what that work might be formalized as, and there are few better that conjure up a myriad of emotions than Maltese producer and multi-instrumentalist Melchior Sultana, who is releasing his new LP on the Oath.

A born feeler of the ways in which music can ignite, reflect and inspire, Sultana’s career has consisted of an endless sequence of forays in multiple genres, styles, and complexions, taking in everything from Techno, Deep House, Soul-Jazz, Trip-Hop, and everything really that exists in-between. His craftsmanship reflects a deeper understanding of how sound is utilized and portrayed, with a careful application placed upon every note and beat that exists within each of his creations. Spaces are filled carefully but with plenty of enthusiasm, with a keen eye placed upon every element to ensure that the frequencies all sing from the same song sheet. As a result, his music feels alive not just with technical layering but with soul and mood, something that reflects his upbringing within the rich cultural melting pot that is the Mediterranean.

Music is an art form in Melchior’s eyes, a purity of expressionism that bares the soul of the creator, and welcomes others into a space where connections and appreciations can flourish. This approach is captured throughout a discography that is bold as it is emotive, as dynamic as it is razor-focused, a broad warm sea of color, technicality, and meaning. His latest phase has seen him cover an enormous amount of ground within contemporary Deep House, with his incredible take on the genre seeing him release music on iconic labels such as 12Records, Underground Quality, Minuendo Recordings, and Ten Lovers Music, along with curating his own imprint, Profound Sound - a series of releases that have seen him rise to the top of the genre, a creator who is vastly admired and constantly sought out.

Sultana seems intent to continue this exploration of sound and form with his new LP, ‘Self Reflection’, with plenty of his tried and tested motifs making appearances here. From the glittering, twinkling opener ‘Chill’, Sultana turns on all the styles he can muster, with power and melodic grace being manipulated with such intuitive creativity. Two acid-tinged numbers, ‘Mirage’ and ‘Switch Up’, come next, and these cuts contrast Sultana’s beautifully considered chord progressions with something a little harder, and as a switch, in the frequency, it lends itself well for the next phase. Three gorgeous house tracks slide through the door next - ‘You and I’, with its calming vocal snippets and pulsating pad work; ‘Conclusions’, with its aquatic, simmering lead synth lines; and ‘Dogma’, with its perky, uplifting organ melody.

‘Heads Up’ is memorable for its skippy beat structure and its well-defined spatial makeup, whilst the dance floor orientated (and aptly named) ‘Remember the Floor’ will have you dreaming of four walls and smoky lights. The record closes out with two superb numbers, ‘Don’t Look Back’ and ‘Module’, which see Sultana really go for it in regards to sequences and tones, and the results leave a lasting imprint on the memory. As always, there’s an extreme sense of satisfaction to be had with this album, a spiritual joy that caresses the soul and enriches the mind, a duality that only artists such as Melchoir are able to achieve. As Oath, we couldn’t be more thrilled to invite you into his latest dive

Buy Vinyl

A1 - Melchior Sultana - Chill (feat. Janelle Pulo)[OATH004]

Lyrics:

Pop another perk
Pop another perk Baby
I’ve been feeling her
I’ve been feeling hurt lately
Kick me in the dirt
Kick me in the dirt
Save me
You just wanna flirt
You just wanna flirt 
Crazy
X2

Sipping on that lean like I’m sipping alcohol
She was down to fuck so I pushed her in the wall
I will always pull through if you’d willing make the call
I can be your shoulder but I will not take the fall
I won’t take the fall unless shes bad bitch
I just want something that feels organic
Everything is cool so please don’t panic
You can’t fill my shoes or take the damage

Pop another perk
Pop another perk Baby
I’ve been feeling her
I’ve been feeling hurt lately
Kick me in the dirt
Kick me in the dirt
Save me
You just wanna flirt
You just wanna flirt 
Crazy
X2

PERC

Girl (2025)

It is a variation of ‘Minor Swing’ in the intro. One of my fave guitarists. So I kept the rhythm of the lead but changed the notes after the first few notes. In an accurate homage, I played it with 2 fingers.. Also changed the rhythm of the rhythm guitar a bit. I played a minor bebop scale in there. Did some superimposition with the lead on the 3rd and 5th degrees. Then the opening synth melody is taken from ‘Spitting off the edge of the world.’ I also noticed they change to bells midway through the verse so that’s what I did too. Borrowed chord at the end of the last phrase. Secondary dominant to transition to the chorus.Then for the 2nd verse an added real bass. Lastly there is counterpoint for the strings related to the vocals at the last chorus. Still needs more practice but that is something new I’ve tried. I think the electrofunk tune will be a lot better. But, all in all, out of all the mixed songs so far this year, if this is worst song in terms of melody/phrasing, then it’s a good year. It is the more creative one out of the 3 new ones.
I began the song on piano and improvised “I came I saw I conquered’ so I figured I might as well write about Caesar. Prefer Alexander or Genghis and also much prefer Caesar in Planet of the Apes. Apart from the first line of the verse, the rest of the lyrics are written. Chorus is improvised. I learnt that Veni Vidi Vici doesn’t mean I came… It means a swift victory.

My love grows colder by the day, rolling through the night, and it’s certain (Variation of  Dido’s melody in Stan)
From Egypt to modern day France our swords and shields lay the path for one last dance (Caesar’s conquered territory)
I may weep at the grave of Alexander, I may rest my head in Cleopatra (Frank Ocean ‘Cleopatra’ melody reference)
I am the knight of the Bronze Age, my golden phalanx coin’ right atcha.

First we rise. Then we fall. Through it all, wish I could bridge the divide.
I came I saw I conquered, and all your nations devoured.
My tongue is filled with wrath, and I’ll lay your cities down in a bloodbath.
Now you know who I am, what I say, what I do and I hope you’ll understand when all of this is through.
I am the conquerer. I am the conquerer. 

April might be the cruelest month, but beware the ides of March (TS Elliott reference which is found in The Gorge and so is spitting etc.) In the dark.
Upon this Republic, I bestow my weary faith
Augustus my child, you are worthy of praise
We’ll join hands, and take the senate down. (Not historically accurate but whatever)
RIP Mr. Rorie. We were learning about counterculture and ‘blowing in the wind’ Was in the textbook.
“I hate Bob Dylan”
“How can you hate Dylan?”
“His voice sucks.”
“This is coming from a guy who listens to a guy who sounds like a cat.”
*does a good Axl impression*
Then I went to uni and my Indian friend played Isis and One More Cup of Coffee.
“Who is this?”
“It’s Dylan.”
“I’ve changed my mind. Dylan is great”

Rorie on 300.
“It’s a good movie but it’s not the greatest film of all time. “
This was when the whole school was doing their “THIS IS SPARTA” impressions.  Not even Dark Knight Rises had that influence on the entire school. 



Veni Vidi Vici

Many Faces

Produced by T1mi & VIKTHEVILLIN
Written, Mixed, & Mastered by ELiXR

tired. (letter 2 k) - Sped Up

Second single of the forthcoming album 'Folding Parasite'. 
Here the videoclip: https://www.youtube.com/watch?v=cQHhSEQ1NqA&t=190s

Folding Parasite

Seriously Laughing

420 mg

you stay

G.I. BLUES Ian Parker - backing vocals by Moya Brennan, Bridin Brennan, Olive Brennan, guitars Andy Drudy, flute Mel Collins.

G. I. BLUES Ian Parker

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

SIP

kvt james

Recent comments

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Doug Stoothoff

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