For her new single ‘Lit Accent’ Brisa Roché calls out Nick Zinner’s guitars and strings arrangements (yeah yeah yeahs guitarist with whom she had already co-written the hit song ‘Whistle’) for a power-ballad with New York’s indie-pop accents.In this universe, Brisa has fun on short formats, her voice amplifies and teases those of Kate Bush and Lana Del Rey.
Kid Francescoli ’s rework loaded with sub-bass, raw, layered vocals and spectral synths turns ‘Lit Accent’ into a new powerhit of twilight groove and emotions. Multi millions views electronic wizzard at his best!
Beau oui comme Bowie was orignally composed by French dandy Serge Gainsbourg for Isabelle Adjani. The idea of the combination of David Bowie and Gainsbourg sung in French by an American artist seemed an interesting way to explore while paying a tribute to the very much regretted «thin white duke..»
Ghost Cup is an unpublished tune propelled by the mellow and biting beats of Blackjoy’s productions. Brisa enlightens us with an epic R’nB flavored lyrical performance blended with a groovy bassline that keeps the tension building all the way through the night club!

WEBSITE - http://www.brisaroche.com/
FB - https://www.facebook.com/labrisadayroche/
TWITTER - https://twitter.com/labrisadayroche
INSTAGRAM - https://www.instagram.com/brisadayroche/
YOUTUBE - https://www.youtube.com/user/Brisaroche
SOUNDCLOUD - https://soundcloud.com/brisaroche

Brisa Roché - Lit Accent

WEBSITE - http://www.brisaroche.com/
FB - https://www.facebook.com/labrisadayroche/
TWITTER - https://twitter.com/labrisadayroche
INSTAGRAM - https://www.instagram.com/brisadayroche/
YOUTUBE - https://www.youtube.com/user/Brisaroche
SOUNDCLOUD - https://soundcloud.com/brisaroche
DEEZER - http://www.deezer.com/artist/16041
FINDSPIRE - https://www.findspire.com/brisa.roche/

It’s sometimes good to keepadmirers at a distance. For her “come-back” album, Brisa Roché followsthis rule to the letter.Afterfour albums in France, she returned to her native California—not the one with six-lane highwaysand palm trees, but the one up north, where mountain lions roam,and sequoias tower. There, hiddenin  her  home-studio,  she  channeled  song  after  song,  inspired  by  tracks  arrivingfrom producersall over the world. Some sent sound hoping to re-provoke songwriting in the vein of jazz-singer-Brisa freshly arrived in France the moment the Twin Towers fell, who haunted the stages of Parisian caves with ahigh shadowy voice, forcing journalists to compare her to Billie  Holiday.  Others  sent  what  revealed  a  preferencefor  theavant-gardismof  “Mystery Man” off ofher first record on Blue Note, that transported fans withpop as daring as it was sweet. Still other composers sent tracks they hoped would prolong the sound they loved in her hits “Whistle”and “Call Me”, from her psych-folk period.But  of  course,  Brisa  did  not  revisit  the  past.  She  invented  a  future,  a  space-time  exercise, creating songs  across  thousands  of  miles,  across  musical  genres,  where  a  voice  springs  as easily  from  a  computer,  an  applauded  stage,  ora  virgin  forest.  The  album  INVISIBLE  1  istitled  such  because  anythingis  possible  when limitations  imposed  by  astudio setting are discarded,  when  judgments  and  timidity  are  veiled  by  distance,  when  collaborations multiply  across  the  waves,  when  intimacy  with  strangers  makes  art. Brisawrites  quickly, urgent  with  the noveltyof  imported  sounds  and  privacy,  40  melodic  arrangements,  40 stories told, narrowed down now to a 14-song album with two sides, upon which two sides of her personality dance.The “introvert side” nestles on Thibaut Barbillon’s intimate guitars and soaring chords, the singer a dreamer and an insomniac, giving herself up in confession. As if escaped from a girl group, she invites us to walk with her, or to lock ourselves in her room withher.The “extrovert side”, sunnier with a more electronic feel and Blackjoy at the control panel, features  ideas  from  co-producer  Marc  Collin  (Nouvelle  Vague,  Yasmine  Hamdan,  Elodie Frégé...), upon which Brisa’s voice is amplified, playful as a Kate Bush, serious as a Lana Del Rey.This  production,  free  from  all  constraints,  between  continents,  out  of  French  studios, American  studios,  home-studios, underground  studios,from  Paris  to  the  American  West, gives us a new Brisa Roché. At  this  hour  of  the  death  of  the  great  British  chameleon  David  Bowie,  when  formatted records reign supreme, it’s a pleasure to see and hear an artist who stuns us with her daring art of metamorphosis.

Brisa Roché - Ghost Cup

For her new single ‘Lit Accent’ Brisa Roché calls out Nick Zinner’s guitars and strings arrangements (yeah yeah yeahs guitarist with whom she had already co-written the hit song ‘Whistle’) for a power-ballad with New York’s indie-pop accents.In this universe, Brisa has fun on short formats, her voice amplifies and teases those of Kate Bush and Lana Del Rey.
Kid Francescoli ’s rework loaded with sub-bass, raw, layered vocals and spectral synths turns ‘Lit Accent’ into a new powerhit of twilight groove and emotions. Multi millions views electronic wizzard at his best!
Beau oui comme Bowie was orignally composed by French dandy Serge Gainsbourg for Isabelle Adjani. The idea of the combination of David Bowie and Gainsbourg sung in French by an American artist seemed an interesting way to explore while paying a tribute to the very much regretted «thin white duke..»
Ghost Cup is an unpublished tune propelled by the mellow and biting beats of Blackjoy’s productions. Brisa enlightens us with an epic R’nB flavored lyrical performance blended with a groovy bassline that keeps the tension building all the way through the night club!

WEBSITE - www.brisaroche.com/
FB - www.facebook.com/labrisadayroche/
TWITTER - twitter.com/labrisadayroche
INSTAGRAM - www.instagram.com/brisadayroche/
YOUTUBE - www.youtube.com/user/Brisaroche
SOUNDCLOUD - @brisaroche

Beau Oui Comme Bowie (Gainsbourg Cover)

For her new single ‘Lit Accent’ Brisa Roché calls out Nick Zinner’s guitars and strings arrangements (yeah yeah yeahs guitarist with whom she had already co-written the hit song ‘Whistle’) for a power-ballad with New York’s indie-pop accents.In this universe, Brisa has fun on short formats, her voice amplifies and teases those of Kate Bush and Lana Del Rey.
Kid Francescoli ’s rework loaded with sub-bass, raw, layered vocals and spectral synths turns ‘Lit Accent’ into a new powerhit of twilight groove and emotions. Multi millions views electronic wizzard at his best!
Beau oui comme Bowie was orignally composed by French dandy Serge Gainsbourg for Isabelle Adjani. The idea of the combination of David Bowie and Gainsbourg sung in French by an American artist seemed an interesting way to explore while paying a tribute to the very much regretted «thin white duke..»
Ghost Cup is an unpublished tune propelled by the mellow and biting beats of Blackjoy’s productions. Brisa enlightens us with an epic R’nB flavored lyrical performance blended with a groovy bassline that keeps the tension building all the way through the night club!

WEBSITE - www.brisaroche.com/
FB - www.facebook.com/labrisadayroche/
TWITTER - twitter.com/labrisadayroche
INSTAGRAM - www.instagram.com/brisadayroche/
YOUTUBE - www.youtube.com/user/Brisaroche
SOUNDCLOUD - @brisaroche

Lit Accent (Kid Francescoli Remix)

Kwaidan is a music label founded by french producer and composer Marc Collin at the end of the 90′s.  https://www.kwaidanrecords.net

Contact us :  contact@kwaidanrecords.net

Initially dedicated to produce and release the multiple projects of Collin like Volga select,Dirty jesus, Les Petroleuses, Suburbia and many more!
After the worldwide success of the Nouvelle Vague project in 2004, Kwaidan (illusion in japanese and inspired by the movie of Kobayashi) became a bigger structure producing and releasing a lot of different and various artists such as  Yasmine Hamdan, Jay-Jay Johanson, Brisa Roche, Mélanie Pain, The Living Gods Of Haiti, Wendy Bevan, Manysheva, La Féline, Phoebe Killdeer, Mélanie Pain, Maxence Cyrin, Nicolas Comment, Olga Kouklaki, Marina Celeste and more… , and working on multiples genre of music.

Kwaidan is trying to follow great 80′s indie labels like Les disques du Crepuscule , Crammed and Factory records.