I live for music, follow me if you feel the same way.

Sophisticated Delinquency is an independent record label and artist collective founded in 2016 by producer Jean Sean in Miami, FL. The label focuses on artist development and releasing eclectic, globally influenced music showcasing the best in the scene.

Roster:
@jeanseanmusic
@alldayrayatx
@dj-sicstyle
@donreysounds
@junkfooddj

Got music you want us to hear? Submit it to: http://bit.ly/Demos4Deadbeats

Personifying the sound of the playlist generation, Celldweller (Klayton) creates a fusion of digital and organic elements, ignoring genre boundaries and creating a pioneering vision for the future of modern music.

Celldweller has become a worldwide phenomenon with fans in over 130 countries and a catalog of music garnering over 500,000,000 streams.

Klayton, the multifaceted producer behind Celldweller, not only creates artist albums that have garnered an intense cult following, but is well known in the media industry for his music appearing in hundreds of major Film / TV & Video Games, such as Westworld, Suicide Squad, Jack Reacher, Deadpool, Collide, Lucy, John Wick, Robocop, Pacific Rim, Killer Instinct Season 3, Now You See Me, Dead Rising 3, Call of Duty: Elite, Assassin’s Creed, UFC & more.

Management: FiXT
james@fixtonline.com

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all tracks exec prod by @ranceriley

merch: https://darcistore.shop/

° • · Darcimerch@gmail.com

Booking:
hunter.williams@caa.com
evan.greenberg@caa.com

Management: harrison@2plus2.net
Bookings(North America): jake.bernstein@teamwass.com
Bookings (Aus/NZ): Paul@posterchild.com.au
Demos: mgmt@sippyau.com
Facebook: facebook.com/sippyau
Instagram: instagram.com/sippyau
Tik Tok: https://www.tiktok.com/@sippyau?lang=en

SIPPY is a Sydney-born bass music powerhouse — anyone who’s spent time on the Australian bass music circuit knows the name. A notable alumnus of Los Angeles’ ICON Collective, Sippy prides herself on bringing much-needed courage and integrity to the scene. Working her way up through Australia's famous clubs and festivals, Sippy spent years performing multiple headline tours and at notable festivals such as Touch Bass and Spilt Milk, even earning a sponsorship with Nike from her success. Once she dominated the Australian circuit, she then set her sights on building globally — now based in Los Angeles, Sippy has become an international treasure.

Transitioning from a supporting act for headliners like Zeds Dead, Excision, and Dirt Monkey to playing her own headline shows, Sippy is becoming a staple at the biggest bass music events in the United States, performing at iconic venues such as Colorado’s Red Rocks Amphitheater and large-scale festivals including Lost Lands and HARD Summer.

She’s released on bass music’s most notable labels such as Deadbeats, Bassrush, UKF, and more while dishing out official remixes for A-list artists including The Chainsmokers, Zeds Dead, NERVO, and more. Sippy counts the world’s biggest bass and EDM producers among her most avid and vocal supporters: she’s worked with household names including Bear Grillz, Virus Syndicate, and even Marshmello for his Grammy-nominated album Shockwave.

Sippy’s early accolades in the US have not only cemented her as a must-have act in the US touring circuit, but proves that she’s not slowing down. With a global audience and an energy that enchants any stage she sets foot on, Sippy is a force to be reckoned with.

Itsu creates complex, forward-thinking drum and bass with a foundation in detailed, multi-layered sound design and a distinct science-fiction vibe. Spanning deep and moody halftime to metal-influenced, all out, neurofunk head-bangers, Itsu's music transcends the traditional borders of drum and bass. 

After cutting his teeth on a range of lower tempo bass music genres over the course of five EP’s released between 2012 and 2015 on labels such as Merkaba Music and Hopskotch Records, Itsu has returned to the genre that brought him to electronic music production in the first place, and has earned a reputation as something of a sound design and production pundit, as well as a consummate performer. With a steadfast refusal to conform to the DnB norm of “build, drop, rewind, build, double-drop” Dj sets that feature only a couple of original tracks, Itsu takes audiences on a journey through the flavours of drum and bass using live performance techniques and controllerism, and has a track record for setting dance floors on fire with a constantly evolving live show that never plays out the same way twice.

After four years of live performances on Australian festival circuit and countless club shows across the east coast, Itsu embarked on his first North American tour in 2015, with seven shows across five weeks, in three states. Since returning to Australia, Itsu has been locked in the studio exploring the worlds of modular synthesisers and DSP programming in the Kyma environment, and preparing his next body of work, with two DnB releases and one experimental, cinematic IDM release due in late 2016 and early 2017.

Kyle A. Root is following