Just some recordings from practice sessions throughout the years

I am a composer of Modern concert music for acoustic instruments, electro-acoustic instruments, and mixed ensembles consisting of both (and often more!). One of my driving passions is the search for and discovery of exciting and engaging musical experiences: as an active composer and musical researcher, this passion has introduced many computer music techniques and digital signal processing procedures into my creative practice. My musicological research has resulted in years of transcriptions of musical works ranging from ancient China to West Africa (and elsewhere), and these too have become central (consciously or not) to the thinking in many of my recent compositions.

I also write, circulate, and publish articles and texts on a variety of musical subjects, ranging from early speculative studies in Music to contemporary musical aesthetics to analyses of computer music compositions. While many of my articles are formatted for scholarly research, many of my texts are overtly expressive of my artistic and musical concerns of the time.

Tania Lanfer is a Brazilian composer. She did her master's degree at UCSD in music composition and is currently living in Oakland, CA.

The yogi sat in prison and tried to tune himself to the "frequency" of the prison walls. Scientists tried to measure the vibrational frequency of his brain. If there is any sustainable development, it must be opening and movement, said yogi. Our 11-dimension knot of emotion resonates always in certain "point" of the "frequency band" of consciousness. That "point" is our reality tunnel with cave walls. Learning is to tune the own "frequency" with others tunnel: to be compassionate, open and curious with co-prisoners. Or to tune it for the escape. No frequency is better than other. They are just higher and lower. Low is good in its purpose. High is good in its purpose. Only thing not good is incapability to move between them under ones deepest will and love. To heal trauma is highest goal of being. (8.8.2020)

https://jannenummela.blogspot.com/2019/03/castalia.html?view=mosaic

http://jannenummela.blogspot.fi/2016/06/interview-by-hs.html

Jeffrey Treviño (b. 1983, Los Angeles, USA) is a pianist and composer working in California's San Francisco Bay area. His compositions and transcriptions have been performed by some of the most accomplished soloists and ensembles of our time, including pianist Steven Beck (New York Philharmonic), harpsichordist Mahan Esfahani, the Arditti String Quartet, carillonneur Tiffany Ng, bass clarinetist Anthony Burr, percussionist Ross Karre (ICE), pianist Rei Nakamura, contrabassist James Ilgenfritz, violinist Batya MacAdam-Somer, and Wild Rumpus, with notable premieres at the International Computer Music Conference, the Oberlin Conservatory Percussion Institute, New York City's Symphony Space, Germany's Akademie Schloss Solitude Summer Residencies, South Korea's Seoul International Computer Music Festival, Mexico's Visiones Sonoras, SIGGRAPH, the International Conference of the Society for Improvised Music, the Freiburg Hochschule für Musik, June in Buffalo, Portugal's Vila Real Conservatory, New York City's Miguel Abreu Gallery, the Carlsbad Music Festival, Freiburg im Breisgau's E-Werk, and Berlin's Hanns Eisler Akademie. Treviño received his PhD in Music from the University of California at San Diego in 2013 and taught from 2013-2020 at Carleton College, Colorado College, and California State University Monterey Bay. Most recently, he taught orchestration and electronic music composition at the University of California, Santa Cruz.

I am fascinated by the arbitrariness of contemporary music. Some sound intricate but lacking, whereas others sound sincere and committed. 
And you can say the same for my likes and dislikes. 
Here's a tiny survey about MCM listening habits. I will appreciate if you can make an input. 
https://goo.gl/forms/vfkmf2rlMyPaGJHP2
Many thanks in advance.  
Keep composing, I'm listening.

www.lydiawinsorbrindamour.com

lydiawinsorbrindamour@gmail.com

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