booking: camila@abtouring.com
management: management@laikabeats.com

steady slurkn 
Booking: peter@minttalentgroup.com, lauren@minttalentgroup.com
MGMT: George@vividkind.com
________________________________________________________________________
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Releases:
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-cHLL sMTH Vol. 1 (Free)
https://killsmith.bandcamp.com/album/chll-smth-vol-1

-Flummoxed (Bandcamp)
https://killsmith.bandcamp.com/album/flummoxed

- Disheveled EP (Free)
https://killsmith.bandcamp.com/album/disheveled

-Telescopic Future (Addictech Records)
http://www.addictech.com/p/161051

-Voluminous EP (Free)
http://killsmith.bandcamp.com/album/voluminous
-----------------------------------
Serendipitous Travels (Simplify)
http://www.addictech.com/p/102298
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-Groundscore EP (Free)
 http://killsmith.bandcamp.com/
-----------------------------------
-Blapahedronous- 2NUTZ (Prime Dub Records) released February 13th 2012:

Addictech: http://www.addictech.com/p/91871
or
Beatport: http://www.beatport.com/release/blapahedronous/861554

Celtic/Tribal/Pagan/Medieval Folktronica

Booking Contact: 
Scott Sterling
drumspyder@icloud.com

"Morning Star" Video:
https://youtu.be/3AP3l5Pe3Zo?si=KUWR77dfqhwdZp6p

"Wild Hunt" Video:
https://www.youtube.com/watch?v=TxYhZ9RoC4E

Drumspyder weaves a web of percussive rhythm, melody, and line. Framedrums, tambourines, and  low whistles mingle with bass beats and ethereal atmospheres, bringing the Celtic and British Islands traditional music into vital contemporary expression.

Scott Sterling has always followed the path of rhythm. Over the course of a long journey through diverse forms of drumming and dance music: avant-garde circus, slinky bellydance troupes, and acclaimed bass-music productions, the one constant has been the beat of the drum. 

Over the past several years he has specialised in the realm of framedrums and tambourines. Influenced by modern framedrum masters such as Glen Velez and David Kuckhermann, but also inspired by the rhythms of the Irish bodhran, he follows a distinctive path through the world of contemporary percussion: fusing his experience with cross-cultural framedrum techniques and Arabic rhythms with a new-found love of Celtic dance music. 

To this rhythmic foundation he adds traditional melodies (played on low whistles and various keyboards) drawn from the folk music of Ireland, Scotland, and England , as well as the rich repertoire of Medieval and Renaissance music from the British Isles. 

Out of the alchemy of rhythm, melody, and his long experience in dance music production, he has forged a unique approach to Celtic and Medieval fusion, where elements of trance, bass-heavy electronica, and ethereal atmospheres mingle into an intoxicating brew. His overall ambition is to connect traditional rhythms and melodies with the contemporary dancefloor.

Booking: Jason Kupperman // Goldengate Talent Agency
kup@goldengateagency.com

Management: Mammoth Music Group
thefloozies@mammothmusicgroup.com

💜🐈‍⬛🦋🖖👽🥰🪲😘🐿🕺🤌🏻🌵😵‍💫

Buy Music: https://geometrae.bandcamp.com/

For bookings and questions, please send an email with details to: 
Geometrae@gmail.com

1/2 of @prophici

People’s Blues of Richmond brings a carnival-like mayhem to their dark, blues-infused psychedelia. The power trio’s new album "Quit or Die" is their third studio release and was recorded in Richmond, Va at The Ward Recording Studio with Ricky Olson. Within the past 24 months they have signed with Madison House Booking, toured full time, put out a full length album released June 10th, 2016 and recorded a 7-inch LP produced & engineered by the highly sought-after Mark Neill, the man behind The Black Key’s platinum-selling, Grammy-winning Brothers record.
“The reason we pursued Mark—we already had a pretty firm grasp on our frenetic live sound but making a song sound beautiful in the studio is a whole other animal,” says singer-guitarist Tim Beavers II. “Mark’s sound doesn’t come from a million digital studio tricks on his computer, but from a diligent set up, an intimate understanding of sound, and a belief in himself, his gear and in the bands he’s recording. Working with him, we learned how to push ourselves harder than ever before.”
With the anticipated new album on the way, word is starting to spread about the manic intensity of PBR’s live performances as they burn up the road, sharing bills with an impressive collection of artists from Tom Petty, ZZ Top, and The Allman Brothers to J Roddy Walston & the Business and festival favorites Modest Mouse & Gogol Bordello.
People’s Blues of Richmond co-founders and lifelong friends Beavers and Matt Volkes (bass, backing vox) began playing music together in college as a way to grieve the loss of a mutual friend. Those bleak, drug-fueled days pushed the two into an artistic bender of rock and blues that led to their 2011 debut LP, Hard-On Blues. They followed with the self-released Good Time Suicide in 2013, the album recorded on the exact same handmade ’68 Flickinger board used to record T. Rex’s Futuristic Dragon. Immediately following this album, People’s Blues of Richmond’s lineup finally solidified with the addition of friend and powerhouse drummer Neko Williams (son of Drummie Zeb of legendary reggae band The Wailers).
After years together, on the road and off, the three are more than just bandmates, they’re brothers. It’s a camaraderie that show in their music and beyond. “No matter what, we look out for each other,” Volkes says. “If I have a sandwich, Tim and Neko get a bite, too. We’re all in this together.”
“The whole concept behind People’s Blues of Richmond,” Beavers says, “is that we all struggle, we all experience pain. Life is full of highs and lows, and we all work hard to survive. So we do the only thing we know how—we get out on the road, and we keep moving forward. We become a part of something bigger than ourselves.”

“A maelstrom of songwriting.” – Guitar World
“Brings to mind two recent rock LPs in particular, both by the same artist: the Black Keys. The first is 2014’s Turn Blue; the psychedelic washes of “Outta My Mind” align quite closely with the ’60s psych mood of that album. Most of all, however, it brings to mind the megahit record Brothers, with its retro-minded production and songwriting.” – PopMatters
“Blues-meets-Modest-Mouse-inspired crunch.” – Relix 
"...the groups execution of their own sound, as well as the ease in which they seem to have defined it, is so fluid that their stylistic convolution feels new, if not entirely uncharted until now." -Baeble Music
"Quit or Die will be released on June 10th, and the title track comes across like a warning shot: Take this band seriously, or miss hearing what vital guitar rock sounds like in 2016." -Consequence of Sound

Delhi 2 Dublin is a band from Vancouver BC. They invented the genre 'celtic punjabi electronica' which sounds pretty dumb on paper, but is actually super badass. They play really LOUD party music, so don't invite them over for 'that ethnic feel' at your next cocktail part cause 'that ethnic feel' will slap your guests straight upside the bhangra muscle. Many people like them, from little kids to grannies. Seriously, their shows are like scenes from an alternate dimension where people are nice to each other and everything's ok. 

Kyle Bara is following