Highlights

Guitar&piano mazzika

praise hymns

Catholic & Latin Hymns, Classical, Taizé

Choral Music

santo's list

catholic hymns

موسيقى فيلم حبيبى دائماً

The first of five bagatelles for solo piano: short character pieces.

Eric Tran, pianist

Solemn

O Lord my God, When I in awesome wonder,
Consider all the worlds Thy Hands have made;
I see the stars, I hear the rolling thunder,
Thy power throughout the universe displayed.

Chorus:
Then sings my soul, My Saviour God, to Thee,
How great Thou art, How great Thou art!

And when I think, that God, His Son not sparing;
Sent Him to die, I scarce can take it in;
That on the Cross, my burden gladly bearing,
He bled and died to take away my sin.

When Christ shall come, with shout of acclamation,
And take me home, what joy shall fill my heart.
Then I shall bow, in humble adoration,
And then proclaim: "My God, how great Thou art!"

How Great Thou Art-Carrie Underwood

 الموسيقى التصويريه لفيلم :اين عقلي  للرائع عمر خورشيد 

اين عقلى -عمر خورشيد

Trance - كلمة حلوة و كلمتين - موسيقي

Pange Lingua - Tantum Ergo

from the Modern Polyphony Mass - work in progress

Kyrie II - American Creators Chorus, Craig Hella Johnson, conductor

"Kyrie (dense)" for Mixed Choir

Winner of the American Prize in Choral Composition, 2015 (student)

Finalist piece in the Morton Gould Young Composers Awards, 2015

Performed by Choral Chameleon
Matthew Oltman, conductor
Vince Peterson, director
Kyle Randall, composer

Choral Chameleon Institute 2014 Closing Concert
June 20, 2014 at St. Paul's Episcopal Church in Brooklyn, NY


Lyrics:

Kyrie eleison        //         Lord have mercy
Christe eleison     //         Christ have mercy
Kyrie eleison        //         Lord have mercy

Kyrie (dense) - from the "New Gothic Mass"

Agnus Dei,
Qui tollis peccata mundi,
Miserere nobis.

Agnus Dei,
Qui tollis peccata mundi,
Miserere nobis.

Agnus Dei,
Qui tollis peccata mundi,
Dona nobis pacem.

Agnus Dei

Premiere by Ignition Duo (http://www.ignitionduo.com/): David Gonzales and Ramon Fermin on electric guitar at the Center for New Music, San Francisco.

This piece was commissioned for Ignition Duo in collaboration with the Guerrilla Composers Guild (http://www.guerrillamusic.org/), as part of a project to produce new works for electric guitar duo.

Zach Miley, recording

Winter Landscapes - for electric guitar duo

The world premiere performance of the "New Gothic Mass" for choir and organ, in San Francisco. 

Kyle Randall, conductor and composer 
Eric Choate, organist 
Collin Whitfield, assistant music director 

with a choir including: 
Kristina Blehm 
Sam Maurer 
Mark Shattuck 
Collin Whitfield 
Kevin Gino (soloist in the Sanctus) 
David Oorbeck 
and more 

Lyrics:

Sanctus, Sanctus, Sanctus // Holy, Holy, Holy 
Dominus Deus Sabaoth; // Lord God of Hosts; 
pleni sunt coeli et terra gloria tua // Heaven and earth are full of Your glory 
Hosanna in excelsis // Hosanna in the highest

Note:

I'm thrilled to share this work, and to bring it to realization with the help of some truly amazing musicians. This mass is particularly close to my heart; in some ways it's fairly traditional—it is a mass, after all—but there's something about it that I find intensely new and striking, and I hope this comes through in the recording.

Before I began working on this piece, I had been wanting to write a mass for some time. I tried starting into the project several times, but while each followed the sentiment of the mass and illustrated the words well, something seemed to be missing. I knew that I would only be happy with a setting if it not only brought the words to life but presented a vivid musical interpretation of the idea of a mass. The music, in other words, would need to speak completely for itself.

It wasn't until an extended period of traveling across the country that the right ideas began to come. The Kyrie began to take shape during these travels, and most of that movement came suddenly during a wild thunderstorm in Brooklyn, while I sat in an old building looking out at the stone walls of an old cathedral. The feel of that thunderstorm is still almost tangible to me—as is the peculiar exhilaration and awe that I felt at seeing it after having been away from dramatic weather for years since moving from the east coast to San Francisco—and it stayed with me as I wrote the rest of the mass.

This setting of the mass is particularly dark and tremendous, and some may complain that movements like the Gloria are less celebratory than is conventional. For me, though, this is a sincere and deeply human interpretation. It focuses on the human experience of worship in a way that is perhaps closer to the medieval or Renaissance tradition than to the Classical and Romantic interpretations, embracing the turmoil, fear, awe, wonder, and sublimity inherent in the text and practice of the mass, and refusing to shy away from the intensity of the experience. In this way, I hope it evokes the ageless sentiments of the mass and brings them to the present in a way that feels both ancient and electrifyingly real.

Sanctus

Premiered by Choral Chameleon in Brooklyn, NY. Vince Peterson, director.

Lyrics: To Autumn, by William Blake

O Autumn, laden with fruit, and stained
With the blood of the grape, pass not, but stay
Beneath my shady roof; there thou may rest,
And tune thy jolly voice to my fresh pipe,
And all the daughters of the year shall dance!
Sing now the lusty song of fruits and flowers.

The narrow bud opens her beauties to
The sun, and love runs in her thrilling veins;
Blossoms hang round the brows of Morning, and
Flourish down the bright cheek of modest Eve,
Till clust’ring Summer breaks forth into singing,
And feather’d clouds strew flowers round her head.

“The spirits of the air live on the smells
Of fruit; and Joy, with pinions light, roves round
The gardens, or sits singing in the trees.”

Thus sang the jolly Autumn as he sat;
Then rose, girded himself, and o’er the bleak
Hills fled from our sight; but left his golden load.

To Autumn

A suite of material for an environmental exploration and puzzle game called Origins. It takes place in a dark, enchanted forest.

Enchanted Forest - Origins Suite

Emmet And Choir - -Panis Angelicus

A trio for viola, cello, and bass

Sheet music available: https://www.sheetmusicplus.com/publishers/kyle-randall-sheet-music/3003472

Deep Trio

Pierre Chatton (*1924)

<a href="http://www.novantiqua-sion.ch/cds.php#chatton"> Pierre Chatton - Florilège d'oeuvres sacrées et profanes</a>
Studio Tibor Varga, Grimisuat
16-17.09.2004

O Salutaris Hostia

A choir setting of Shakespeare's Sonnet #30, performed by the Harvard University Choir. Score available here: http://notenova.com/catalog/work/when-to-the-sessions-of-sweet-silent-thought/

When to the Sessions of Sweet Silent Thought

www.Cradle-Catholic.com

"Cradle Catholic is a Catholic Metal band out of San Angelo in the USA. Their release “Libera Me Domine” (“Deliver Me, O Lord”) is an excellent showcase of Michael Brumley’s musical vision and should be enjoyed by fans of Catholic Metal everywhere. “Must have” album." 
-Dave Flitton, CatholicMetal.Com

Performed, Written, and Mixed By Mike Brumley 
Mastered By Dave Flitton at Writ In Water Studios

Ave Maria

Pater Noster

Our God - Chris Tomlin

ELVIS PRESLEY - How Great Thou Art

01 pater noster

Antonio Lotti - Crucifixus à 8

We adore thee - Palestrina

Palestrina - Sicut Cervus

A TTBB choral setting of W.B. Yeat's poem, "When You Are Old", written for and premiered by the Harvard Glee Club in Carnegie Hall, January 2013.

When You Are Old

عمر خورشيد - حتى أخر العمر

Palestrina: Ave Maria

مقطوعة جيتار - عمر خورشيد

The touching Stabat Mater by Giovanni Battista Pergolesi is perhaps the most famous version of the Stabat Mater, a cycle of songs about Virgin Mary. The final number he wrote when he was on his deathbed (1736). Pergolesi had in fact very dangerous TBC which was caused that he died at the age of 26. The master of the Italian Baroque chose an intimate composition: soprano, alto, two violins, viola and continuo. The moving Stabat Mater by Pergolesi with Olga Zinovieva and Sytse Buwalda. The Bach Orchestra of the Netherlands, Pieter Jan Leusink – conductor

Pergolesi Stabat Mater - nr.1 Stabat Mater Dolorosa

www.kylerandall.com

Born and raised in the forests of New Hampshire, Kyle Randall is an internationally-performed, award-winning composer of a wide variety of music, with premieres from Carnegie Hall to La Schola Cantorum in Paris, and commissions from renowned groups such as the Harvard Glee Club and Choral Chameleon. He strives for vividness and sincerity in his music, and he is not afraid to draw on the past as well as the present in his writing. After receiving a B.A. from Harvard, he came to San Francisco Conservatory to study with David Garner for a Masters in composition. Kyle was a winner of the American Prize in Composition for 2015, and a finalist in the Morton Gould ASCAP Composer prizes.

(photo credit Heike Liss, http://heikelisscreativeportraits.tumblr.com/)

Sanctus

Kyle C Randall