Hi, I'm Kyle, a student filmmaker looking for good music to use, listen to, and promote. 

boxofwolves@gmail.com

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boxofwolves@gmail.com

Box of Wolves is a hybrid 90's Summer Nostalgia/Chill-/Synthwave music project nursed by Gabriel Akinrinmade out of the whims of his sundry synth modulator experiments. Even to bottom-tier music aficionado, runs like a non-obnoxious transcendental LSD alt-party set list. It's equal parts chill, equal parts solid, thanks in part to basic but grippingly steady beats.

RŌNIN II - PRE-ORDER NOW
http://lnk.to/unkleronin2

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


Né dans les années 70, compositeur, concepteur, mixer et arrangeur, Pascal Doguet  est un artiste complet.
Batteur depuis l'âge de 6 ans, diplômé de l'école Agostini, il met un peu de côté la batterie pour se tourner vers les platines,à l’époque...

À force de temps, de passion et de pratique, il perfectionne son apprentissage.
D’abord autodidacte, il s’oriente vers des techniques de créations plus élaborées.
Il forge ainsi son propre style, allant de l’électro à la musique ambiante.
 
Bleu mécanique, son premier album, sort en Octobre 2007,plutôt aux couleurs électro hypnodark.

En 2011, il sort deux albums d’ambiance new age, Einziger Sohn et Air Lock

En 2012, il produit entièrement son tout nouvel album RESET,  un album zen 
qui appelle au voyage, une ambiance, un paysage cinématographique qui se 
déroule tout au long de cette découverte musicale.

En 2014 c'est la distribution d'amour , avec Wholesale of love.

En 2017 , on ne connaît pas exactement le nombre de titre , d'albums et de collaborations ... une machine des temps modernes dur, dure , à suivre!











Born in the 70s , composer , designer, mixer and arranger, Ambiant Konnekt is a complete artist.
Drummer since the age of 6 years , graduate school Agostini , he put a little aside the battery to turn to the turntables at the time
where the vinyl was still king.
Then it says , very early, by the German artist Edgar Froeze , a pioneer in electronic music,
qu'Ambiant Konnekt appropriates this genre.
By dint of time, passion and practice, he perfected his apprenticeship .
On the self first , he turned to techniques more elaborate creations .
He and forge his own style, ranging from electro to ambient music.
 
Mechanical blue, her first album , was released in October 2009 , rather the colors electro Dance
In 2011 , he released two albums ambient new age , Einziger Sohn and Air Lock

In 2012, he produced entirely his new album RESET , a Zen album
which calls for the trip, an atmosphere, a cinematic landscape that
place throughout this musical discovery.

In 2014 it is the distribution of love, of love with Wholesale .

The Mick (F.K.A. CMC)
[Music]

Syracuse, NY

Musician, producer and cultural agitator. Love collabs with writers, filmmakers, museums, podcasts...and you :)

A Hertfordshire lad and self-taught electronic music producer, Myles’ creative journey started when he learned to play the guitar, violin and piano at the age of 15, getting a grounding in the basics of harmony and melody. But it wasn’t until he discovered Ulrich Schnauss’ debut album Far Away Trains Passing Me By that he found his true passion. From then on, he knew he wanted to produce his own electronic music.

He’s been doing just this since the early 2000s, developing a style that’s laid-back, detailed and melodic, drawing on the ambient and progressive movements to create tracks that take listeners on a journey through landscapes of sound. Inspired by film scores and uplifting music that tells stories, Myles is a huge fan of artists like Jon Hopkins, Nils Frahm and Ulrich Schnauss.

He self-released his debut album as Xspance, Night Echoes, in February 2014, on Bandcamp. Since then, he’s remixed numerous tracks for artists all over the globe, including Julie Mintz (a singer from electronica star Moby’s band), Russian Linesman, Fractal Architect, and many more. His remix of a track from Echaskech’s album Origin featured in the huge charity compilation Touched Two. 

After being discovered by Norman Hines’ Stripped label, Xspance released his sultry track “Disappear With Me”, which led to him releasing his first 10-track LP, Melodyheart, for Tripswitch’s label Section Records. This attracted attention to the more eloquent side of the ambient electronic sound he was working with at the time, and over the years since he’s released a host of singles, EPs and LPs for a myriad of labels, including Just Music, Cinematique and Soundgarden. He has also collaborated with UK producer Audioglider to create two unique albums for Section Records - Kollision (2017) and Sensory Reception (2019) - which cleverly harmonise the artists’ individual electronic styles. 

Nowadays, Xspance’s music is highly regarded in the electronica community, garnering interest from prominent figures around the world, including top DJs Nick Warren, Solumun and Guy J. With listeners around the world, his music regularly reaches around 8000 streams a month on Spotify. Several of his recent releases have made it into the top ten most popular tracks on Beatport in the electronic and organic house genres, and he has in the past hosted his own monthly radio show, Eclipsed, for Bloop London. With a total of eleven long players to his name – including seven solo studio albums and four collaborative projects – he continues to release new material, including a long player titled Across Waves (2021, Astir Recordings) created in collaboration with US producer Joey Fehrenbach, and an LP collaboration, Merged Horizons, with UK-based DJ/singer-songwriter Daniela Rhodes, which is set to be released in 2022 alongside another solo album.

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