Magnificent electronic work!!🔝🔝💯

A      072

Instrumental sat for over a year before I came up with lyric and vocals.https://soundcloud.com/conover/fools-forever

Slide Into Now

birds, birds, and more birds

recorded in Tiohtià:ke (Montréal), on the 15th of May, 2023
around sunrise time

using a Zoom H4n

Exceptionally I used some high pass filter and some noise
reduction on this one, for the low hum of traffic and air conditioning,
and motorized vehicles passing in front of my apartment.

Early Risers

“Trapped in the Dark”  by Luke

Beats by Luke
Keys & Piano & Synthesizer & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
LukeHanson.Photography
Beats by Luke…

“Trapped in the Dark” by Luke

Experimental, electronic soundscape by Spasmodular and VCO (Vincent Carlton Overdrive). This composition was created from field recordings, shortwave radio noise, and multiple synthesizers. 
c) 2023

Salapärane Tunnel

•I'm driving down the neon streets
The city's alive with electric beats
Memories of you come flooding back
I'm lost in time, I'm off the track

CHORUS
And I never saw it coming,
Details running wild, passing all the cars
Mad to live, mad to be saved
I'm falling
And the visions were so stunning,
Exploding like spiders across the stars
Mad to live, mad to be saved
I'm falling

•The glow of arcade screens and starry skies
We danced through endless nights, chasing butterflies
And watched the sunsets fade like a cosmic show
In our naked dreams to the past we'd go.

•There's no place to escape at night
The road is long, with no one in sight
Slowly transcending into the black 
I'm lost again, but can't go back. 

CHORUS
And I never saw it coming,
Details running wild, passing all the cars
Mad to live, mad to be saved
I'm falling
And the visions were so stunning,
Exploding like spiders across the stars
Mad to live, mad to be saved
I'm falling

#retrowave #synthwave #electronic #nostalgicvibes

Dark Escape

Windowpane

Sprinting Gazelle /Reem Kelani (Mountain full Edition remix)

Northern Lights Pt.1

Please use headphones for much better listening experience!
Btw, that´s me in that photo.
I was a rather weird kid, listened to Spike Jones, Benny Goodman, fifties rock´n´ roll and my father´s jazz record collection (O.  Peterson, Bird, C. Brown, W. Montgomery etc.)
 Later I discovered Psychedelia, New wave/Punk, Japanese noise (especially C.C.C.C.), 60-70s rock classics, Debussy&Messiaen, Dub reggae, Prog (Gabriel era Genesis, Van der Graaf Generator....), vintage Beninese stuff (Orchestre Poly Rythmo de Cotonou, Gnonnas Pedro  and so on), UK Freakbeat, out-there Jazz, Bowie/Floyd bootlegs, J. Zorn, early 90s Indie, F. Zappa, antique French Pop (Dutronc, Laforet...), U. Srinivas plus labels like Delerium Records, Shimmy Disc, Japan Overseas (Osaka), RecRec music and God knows what.
Additionally, I should mention that my all time favorite Finnish album is Sperm "Shh! Heinäsirkat". Check it out!
Various literary and "cinematic" influences have molded my music.  The more predictable stuff like Surrealism, Dada, Situationism, Beats (mainly W. Burroughs) of course, but I have also been influenced by the old-school Finnish Radio Drama, Beninese "traditions", the ramblings/books by P .Levenda, Megalithic Structures&Art, the humor of H.S. Thompson, 70s-80s Eastern European Animation, Yakuza films and by the cult movies re-released by Blue Underground, Something Weird Videos, Mondo Macabro, Arrow Films and so forth. Pretty far-out stuff that could destroy your mind permanently?
 And nope, my photo is not from the 50s or from the 60´s (It was taken around 358 BC, hahaha).
Enjoy this more or less bizarre music.
Happy trails to you!

Bluzius Gryphon III and his fabulous farewell machine

BB67 - Under The Sea (ft. NuFunkLab) (2024-01)
------------------------------------------------------------------
Entry for Beat Battle "BB67 - Subaquatic" By Nu Funk Lab.
Guitar riff and solo recorded with Fender Stratocaster SRV Guitar.
Bass rhythm recorded with Marcus Miller v3 2nd Gen Bass. 
Synth Arturia KeyLab with u-he Diva and Arturia V plugins.
EmVoice/ Lucy synth vocals. 
Samples from NuFunkLab and 3rd parties

Lyrics:
Under the sea
In this ocean so fragile
The whales cry in the blue deep

Under the sea
The dolphins dance in a mesmerizing spree

Under the sea
Where the jellyfish gleam
The sea-horse twirl in the flow

Under the sea
An octopus hides into the coral’s seams

Under the sea
As turtles glide with ease
And the manta rays soar free

Under the sea
With sharks that patrol, mysterious and grand

Under the sea
Jewel of nature where
Seagulls dive and seashells sing

Under the sea
In an underwater symphony of life

Under the sea
Outside mankind’s madness
It’s a magic wonderland

Under the sea
We have to protect all that beauty and wildlife

Under The Sea

Our bodies are enslaved, but our minds and our spirits do not have to be. Do not fear thinking outside what is considered normal, do not fear to think unlike your peers. If they judge you, let them; their opinions are of ill importance; what matters is your heart, what matters is the truth. This physical existence is but only a short chapter in the epic tale of you and I; a tale that connects us all and stretches throughout eternity.
	As your lives are spent working day in and day out to reach the a-typical material goals, ask yourself in a deeper sense: are you happy? Do you know true happiness? Or do you merely find comfort within the confines of societal boundaries because it is safer to follow the majority?
	Liberate your spirit; even if it means being criticised, even if it means being considered abnormal; everyone has the right and/or power to be themselves, we just need to break free from the shackles of fear which hold us back from revealing what is behind the mask.

Marty Andersson: From the Archives - Liberation (Spoken Word)

The original :
https://soundcloud.com/sonic_kitchen/keep-luck-alive

Sonic Kitchen KEEP LUCK ALIVE noxpox Take Two Rmx

This is the last suspense track for the yet unreleased game Anthador.
I always wanted to experiment with an odd meter and this was a good opportunity as it introduces the feeling of uncertainty the piece needed.
Additionally I recorded some subtle sound design elements (rolling hacky sack and fingers wiping a micro fiber cloth) to portray the „creeping menace“.
Though looking pretty creepy the cover art was a fun family project that involved rubbing our hands in dirt and a decent amount of image editing.

Creeping Menace

Schaleschanen

Intangible Fold

here is a new song
hope you like it, please give feedback :)

please don't copy my music track

Intangible Fold

Kyu-bi

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