Creaks: Bonus, Live & Remixes

Extending (Ben Lukas Boysen Rework)

Solid Shape Records 
Release Date : 12/05/14

Tracklist 
01 An Everlasting Journey In The Middle Of Nowhere (Original Mix)
02  An Everlasting Journey In The Middle Of Nowhere (The Same Remix)
03 An Everlasting Journey In The Middle Of Nowhere (Isolated Lines Remix)


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Placyde - An Everlasting Journey In The Middle Of Nowhere (Original Mix)

What Do You Do

Phet

A Chill Out Version of the great track Sun Is Shining by Axwell Ingrosso

Lady Tanaka - Sun Is Shining  (Chill Out Version)

Feel the room unfold
Every touch turns gold
Every sound I hold

Shadows bend with the bassline
Slow lights curve around my sight
A fingertip of echo follows
Every breath turning into twilight

Feel the room unfold
Sense the colors in the cold
Every touch turns gold
When the night moves slow
Feel the room unfold
Let the hidden waves roll
Every sound I hold
Leads me deeper into glow

Velvet dust in the silence
A pulse sliding under my feet
Textures bloom in the corners
As the rhythm warms the heat

Close eyes, let it rise
All the quiet magnified
Soft waves inside

Feel the room unfold
Sense the colors in the cold
Every touch turns gold
When the night moves slow
Feel the room unfold
Let the hidden waves roll
Every sound I hold
Leads me deeper into glow


Feel the room unfold

Woke up late

WAUD version 2 (bonus)

Ebb & Flow EP by Luo.

Featuring three tracks off our upcoming full-length album, this EP marks the first of our recordings as a full band and is hopefully our most successful attempt at blending IDM with live instrumentation yet.

Written & produced by Josh Trinnaman
Additional writing & guitars by Jake Keeble
Bass by Rik Coe
Live drums by Sam Hughes

Live drums tracked by Small Pond Recordings 
Artwork by Nick Hewetson

Special thanks to:
Vlad Matveikov
Sam Coveney
Chris Allen

www.facebook.com/herebeluo
www.luomusic.bandcamp.com
www.smallpondrec.co.uk

Sleep Spindles

from 'Facades' [CD|10''|DIGITAL]
Denovali Records · den290
available on all formats at [http://www.denovali.com/orsonhentschel]

Only six months after his sophomore album, which has showcased a "tense repetition of short phrases, often building big, dramatic pieces starting with a single stuck-in-the-machine sound" (Decoder) and an "analogue cyber trip-hop of an impressive depth of focus as an acoustic furniture for an apocalypse lounge" (Groove), Hentschel returns with a two-piece EP showcasing yet another aspect of his musical spectrum. While the first two albums featured only instrumental tracks, "Facades" are the first two pieces in which Orson Hentschel works with text as a main musical element for his composition, although he approaches vocals from a rather particular perspective.

For Hentschel, the spoken word is always music and thus not different than any other instrumental input or sound layer. Consequently, he is only interested in the sound of the spoken words on Facades, but not in any content they convey. The idea for Facades was born at a time when Hentschel was struggling with a writer's block for several days in a row. He realised that just writing about nothing was the only honest way for him to express himself through text as a medium. After doing some research on the subject he found John Cage's "Lecture on nothing" which has appeared in the book "Silence" (1961). This encouraged him to work out his idea and he wrote a German text which then Danhee Joe, an accidental acquaintance of his, translated into Korean and spoke with her warm voice. Thus Orson Hentschel used the text in the same way as he uses any sound material - it is transformed into something else, it is being alienated. The spoken words are embedded in repetitive and minimal-minded electronic sound layers which even penetrate primordial technoid territories. However, sticking to his trademark long arcs of suspense, the listener has to wait until the last two minutes of the second track for the first, cathartic beat.

Facades

Orson Hentschel - Facade I

An atmospheric track/edit that uses a sample of "Slow Jam" by Fourtet at a basis.

Slow Life (Fourtet - Slow Jam Edit)

Lampros Mentis a.k.a L.A.BROW was born in Athens in 1986,started playing music in 1999 with his brother's tapes and vinyls...He started producing music in 2002 with various types of programs and hardwares as the MPC...His music is more sample based music(hiphop,trip-hop,experimental beats)...His passion about sound mixin and engineering made him a professional DJ/Producer that can stand his livin on that...He plays as resident Dj at different bars/clubs in greece(Athens/Ioannina/Thessaloniki)and as Guest everywhere they call him...