Audiotree Live Sessions - part 6

Helado Negro, "Are I Here"

Mountain Man - Play It Right

Written and Produced by Bells Atlas
Recorded by Jacob Winik at Zoo Labs
Mastered by Bijan Sharifi
Artwork by Sophie Roach

Lyrics:
Who are you Must be brother Rooted by you Like no other Oh this story This story must be jaded Oh it's jaded ah ah....

Who are you Must be sister Rooted by you Like no other Oh this story Oh this story must be gone

Intertwined by things we'll never see, never feel, never know, never we try
You can try to think about the ones that think about you

Well I know,
But I say,
Please don't go,
But you can't stay

I've got no choice
But to leave
I've got no voice
Nor eyes to see

Working for the
Working for the queen
We control the
Sugar to the Queen

Lost in these thoughts that you'll never know, never hear, never ask, never you'll care
You can try to put yourself behind the eyes of others

Well I know,
But I say,
Please don't go,
But you can't stay

I've got no choice
But to leave
I've got no voice
Nor eyes to see

Working for the
Working for the queen
We control the
Sugar to the Queen

Purchase Hyperlust

Sugar for the Queen

Mr. Whisper

Following her return with the uplifting single “The Work," Mercury Music Prize-winning British rapper Speech Debelle’s journey continues with “Terms & Conditions,” a smooth and sensual reflection on the cycles in toxic relationships.

Watch the video: https://youtu.be/lfqUDs819Gk

Produced by Wayne Lotek, written and co-produced by Nick Trepka and Speech Debelle, with backing vocals by Shingai Shoniwa (of the Noisettes) and Miss Baby Sol.


Terms & Conditions

Runaway Brother on Audiotree Live

Conscience in Tumult (Audiotree Live Version)

Hummingbird (Audiotree Live Version)

Paws (Audiotree Live Version)

Apply Care Directly (Audiotree Live Version)

L.A. Salami on Audiotree Live

Who's Cursing Us Now? (Audiotree Live Version)

Produced and Engineered by Peter Lyon's.




You know as well as I
that even beauty has to die,
and beauty is a bed of joy
where we two lovers lie.

And these moments may just be
a flash in the frying pan, 
“You see, nothing lasts”
is what you said to me
- it’s what we both believe.

And I know you’ve a lover back at home
but it pleases me just to be alone
with you
- you said you felt it, too.

And must I bid you adieu?
Is your Irish song to take leave soon?
Is it fear that will take your lips away?

It’s a problem that we grasp in between
the laughter.
But you say “Hey, forget it. We’ll solve it after.”


When you climb on top of me
it makes it easier to see
that delight is a fair maiden,
and I shall not darken thee.

And even when I am fatigued
in fact, I’d say especially,
it’s then that you will
melt my melancholy.

And it ain’t so strenuous to see 
that you just might be
even drowsily,
mine.

But must I,
with this aching pleasure nigh,
fear that your soul will go away?

It’s a problem that we’ve yet to master.
But you say “Hey, forget it. We’ll solve it after.”

But eventually I’ll have to leave
despite how I dread to leave you be;
that bed of ours is so serene
- it is quite a scene.

But even scenes, however long they seem,
have to cease to be, “You see, nothing lasts,”
is what you said to me
- it’s what we both believe.

But for a moment can we just see
what it’s like to leave the world be…

And must I
put aside this dream?
Is it fear that will take your words away?

It’s a problem that we grasp as our hearts beat faster.
But you say “Hey, forget it. We’ll solve it after.”


We'll Solve It After

Holy Hive, the group that coined the genre Folk/Soul, comes out swinging with this monster Single. “Oh I Miss Her So” is pulled from their upcoming release Harping EP: a drop dead gorgeous tune of love and longing featuring the harping of Mary Lattimore. The tune serves as a testament to The Hive’s gift for songwriting and arrangement, taking the listener on a ride from the first notes of Paul’s falsetto to the outro featuring Dave Guy’s (The Roots) gorgeous trumpet solo. 

Taken from the upcoming Holy Hive EP "Harping". 

BIG CROWN WEBSTORE: 
 https://bigcrownrecords.com/store/harping-ep/

Stream on Spotify:
https://open.spotify.com/artist/1AcZuMRjIAdmksbzApOXnw


Follow Holy Hive:
https://www.instagram.com/holyhivemusic/
https://www.facebook.com/holyhive
http://www.Holyhivemusic.com

Visit us at:
https://bigcrownrecords.com 

Follow Big Crown Records: 
https://open.spotify.com/user/bigcrownrecords
https://www.instagram.com/bigcrownrecords
https://www.facebook.com/bigcrownrecords
https://twitter.com/bigcrownrecords?lang=en
https://soundcloud.com/bigcrownrecords
https://www.mixcloud.com/BigCrownRecords

Harping

Buy at BCR

Holy Hive - The Things Themselves

BUY LP/CD

Dougie Poole - Los Angeles (From 'The Freelancer's Blues' album out 6/12)

Okey Dokey on Audiotree Live

Boodydew (Audiotree Live Version)

Our Two Skins

Sandwiches

"Canary Island" by Houndstooth. Ride Out The Dark is the Portland bands debut CD/LP and will be in stores 7/16. Pre-order now at noquarter.net

"Canary Island" by Houndstooth

OTTOLINE PRE-ORDER –– https://orcd.co/ottoline

"Desperate Times, Mediocre Measures" is a song that tackles the idea of the cyclical and corrosive nature of power structures across our societies - Hierarchical Structures that, like all structures in our reality, are made up of, and reinforced by people who find themselves, more often than not, enforcing the very corrupted elements of those structures, sometimes purely due to the fact that this can become the prime method of propping themselves up within that structure. How can one separate the agendas of massive faceless corporations from politics when the politicians need donations from those corporations to get ahead on a ballot?; to be able to afford to advertise themselves to the masses?; to be able to rent a tour bus?; to get in the position of power in the first place?
If the public servants rely so heavily on these corporations, then their agendas will inevitably become intertwined, and prioritised over the agendas of the public they are supposed to be serving, however good the initial intentions are of those who aspire to take office. This is the natural corrosion of any structure that has been around for a while, whether built with steel, or ideals, eventually it will need to be tended to before it collapses on top of whomever it plans on sheltering.
I find this to be true of things even down to the mind of a human individual - Every so often render repair work must be done to keep a structure strong. The song makes reference to that in a round about way, but don't feel obliged to concentrate on the words. In an era where an all encompassing God has lost its power to influence over the pervasive wants and needs of the individual, we find ourselves, ironically, in a time of deity-like absolutes that have just as much power to destroy the collective ideals that allowed for these progressive structures, destined to corrode, to even be built in the first place. You can't just smash it down and start over again; that, in practical terms, is equivalent to war and chaos. It's an important time for individuals to recognise the gods within themselves, to overcome the instinct to destroy out of fear, and instead build out of love; Something in our nature that can take the most trying times to learn how to excavate.
These times are desperate.
Hate is mediocre.
Violence is mediocre.
Absolutes are mediocre.
The song is out now.
It is from an upcoming album called "Ottoline"
Give it a listen if it pleases thee

Who's Cursing Us Now? (Audiotree Live Version)

L.A. Salami

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