Bass House thumpin the speakers turn this one up!!

Mix Downs

Slave To The Rhythm

Denver based DJ/Producers Phenetic & Rob-E-Rob are bringing the dance floor heat! Influences to L.E.F. sound... Breakbeat, Drum &Bass, Hip Hop, Bass, Metal

This SoundCloud has cultivated and shaped my life the last couple of years since my spiritual awakening in 2015. If you look through my Likes you can see the evolution of my life evolve with my music and songs that play around with stories that had the most impact on me over the years. I have become the performer I’ve always wanted to be and I owe a lot of that to the music I listen to and how it influences me to move my body and tell my story. Thanks for finding my page, I think I would die if I didn’t have my music that I have on here. Take a listen, XO - the girl you’ll never get over. <3

A veteran DJ for nearly 35 years, Chris Gallagher got his start at the legendary SIMONS nightclub in Gainesville, Florida, a venue that at one time was always highly ranked by international and touring DJs alike as one of their Top 5 places to play. Considering “the vibe”, crowd response, and the open mindedness of the patrons towards new music, it is easy to see why DJs like Carl Cox, Danny Tenaglia, Sasha, John Digweed, and Superstar DJ Keoki, all raved about this renowned underground spot nestled in a swampy college town in the sticks of North Central Florida.  SIMONS opened its doors in the Fall of 1990, and in the very beginnings of the club, Chris warmed up the crowd for Troy Davis, who also had a very successful Saturday night residency at another downtown club, almost directly across the street, called REV. This was not to last, however. The demands of being a full-time student attending sound recording school two hours away in Orlando, compounded with his Saturday night gig at REV, proved to be rather demanding and thusly, did not figure into the equation any longer  regarding the Friday night lineup. Back then, there really wasn’t a true lineup in today’s sense of the word. You had one DJ for the whole night, maybe two. So there was a big hole left to fill after Troy Davis left. Simon Semrani, the local DJ   who owned a small, avant-garde clothing and records store, and now this new space which would become an internationally known venue in a few short years, asked Chris if he could play the entire night; open to close, midnight until ...whenever.  Of course Chris agreed, stepped up his game, and then began a torrid residency, playing 7-8 hour sets every Friday night for two and a half years, until February of 1993, when he moved to Atlanta.  These critical years played a huge role in putting SIMONS on the map and bringing the club to the forefront of the Florida underground music scene. Back then Chris ran the gamut of new sounds, taking people on serious journeys while still incorporating multiple genres of music, some electronic and some not. But whatever style Chris played, the dancefloor was always the place to be. The legend of Chris Gallagher began by being the first, longterm resident DJ of SIMONS, a special place where people’s lives changed after one night, and in turn helped to give SIMONS the reputation it has today as one of the best underground clubs of the 1990s.  

In addition to maintaining a quarterly residency at SIMONS for over ten years, Chris was consistently a major figure in the Southeastern rave circuit, with performances too numerous to list here. However, he has had the pleasure of opening for such notables as: Paul Van Dyk, DJ Dan, Frankie Bones, John Debo, Doc Martin, Kimball Collins, Simply Jeff, DJ Icey, DJ Feelgood, Terry Mullan, Aphrodite, AK1200, Keoki, and Lady Miss Kier to name a few, as well as sharing the bill with Kimball for Sasha's first gig ever in the United States, at SIMONS in 92. Due to countless gigs over the years, Chris has been mentioned in magazines such as URB, Mixer, Streetsounds, Details, and other various publications. 

Chris currently is focusing on the current techno sound, not too mention remixing his official DJ website! Stay tuned.

Slave To The Rhythm

L.E.F. Low End Frequency