blkot

LIES-170
Emma DJ-Good Booth
from the upcoming "Melon Siesto" lp
to be released July 8th 2022

Melon Siesto

Buy Direct

EMMA DJ-Good Booth (LIES-170)

klein - claim It

'Boost'

Final single from forthcoming album 'Great Doubt' out on Escho Jan 26, 2024

Listen here:
https://astridsonne.lnk.to/boost

Preorder vinyl:
www.escho.net/shop/esc192-astrid…eat-doubt-preorder
astridsonne.bandcamp.com/album/great-doubt

Boost

Track: 1725 THEBAN
Artist: PARRISH SMITH
Release: ESPLENDOR
Label: L.I.E.S. RECORDS
Catalog: LIES-095
Release Date: 2017

Mastered By – Bonati Mastering
Producer – Parrish Smith

Discogs:https://www.discogs.com/release/10632289-Parrish-Smith-Esplendor
STREAM: songwhip.com/parrishsmith/esplendor
BANDCAMP: parrishsmith.bandcamp.com/album/esplendor

ESPLENDOR

A2 - 1725 THEBAN [2017]

PHNTMZN - deep rain (prod. phntmzn bR)

PIT (prod.hikari)

スターストライカー

Put Me In Your Sig Instrumental

coctura

Evening Gleam Between Clouds (Remixed by mondii (from RdL))

Fite

MARANASATI 19111 is the debut full-length from @NinaKeith, a trans woman composer and multi-instrumentalist from Philadelphia. The album features textured piano arrangements laced with vocals, flute, electronics and found sounds. While rooted in contemporary classical music, the record ebbs and flows with a unique human quality, informed by its compelling narrative. 

Set in the woods, hospitals, and churches of Northeast Philadelphia, MARANASATI 19111 delves deeply into the memory networks of childhood. Inspired by her experience in EMDR therapy, Nina Keith explores a personal history marked by community tragedy and paranormal incidents, and seeks to create a more equanimous, reverent relationship with death and the unknown.

PURCHASE 🎹

Nina Keith - Hereditary Trauma Dream Sprinting (Oxford Circle)

'Skinned' is an album by ML Buch
Released July 3rd 2020 on Anyines

'Skinned' album website: anyines.com/skinned/
Stream: mlbuch.lnk.to/Skinned
Videos: www.youtube.com/c/MLBuch

Can You Hear My Heart Leave, I’m A Girl You Can Hold IRL, Can’t Get Over You With You, Stone Bridge, Watering Mouth, Sap, Boarding, Mw written and produced by ML Buch

Touching Screens, O and I Feel Like Giving You Things written and produced by ML Buch and Oliver Nehammer

All lyrics by ML Buch

Bass on Can You Hear My Heart Leave, Touching Screens and Mw by Johan Polder
Drums on Touching Screens and Mw by Kristof Gasior
Viola on Stone Bridge by Astrid Sonne
Midi drums and keys on Touching Screens by Oliver Nehammer

Mix by ML Buch, Oliver Nehammer & Jacob Brøndlund

Mastered by Emil Thomsen at ET Mastering

Follow at:
Soundcloud: @mlbuch
Instagram: www.instagram.com/mlbuch_/
Facebook: www.facebook.com/mlbuchmlbuch

I Feel Like Giving You Things

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - Bringing Me Back (PAN 112)

L.I.E.S. Records, label is based out of Brooklyn, New York releasing a wide scope of various strains of electronic music. 

For all EU bookings contact: hessel@heatamsterdam.com
For all US bookings contact: alo@prismaartists.com
For all licensing contact: info@liesrecords.com


All domestic distribution and mailorder for L.I.E.S. releases in the U.S. is handled direct via the label. Please contact us at info@liesrecords.com

Distribution in the EU through <a href="http://www.rushhour.nl" rel="nofollow" target="_blank">http://www.rushhour.nl</a>

EMMA DJ-Good Booth (LIES-170)

L.I.E.S.

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