Unipersonal gestado desde 2001, con base en Arequipa - Perú, admite cualquier manifestación sonora, desde acusticidades rústicas hasta manierismos electrónicos.Estética minimalista y proclive al ruidismo, al trip hop, la electrónica experimental, el EBM, lo sinfónico, el freak folk y otros géneros avant garde. L-Ror, recurre al azar, la improvisación y el amateurismo en un contexto no provocado. L-Ror es Víctor Miranda Ormachea

L - Ror - Amusing Horrifysong

L - Ror - 0001

"Other" or "Others" sonopoetry recordings given to me by Ilaria Boffa towards creation of a piece that ultimately issued as Arpeggios of Silence. On this and the last rainy day I reviewed and recombined acousmatic sources with new materials arriving at this new arrangement. I didn't remix so much as dance with the sounds or juggle them lightly into a new configuration.

Others Rainy Day Redance w Ilaria Boffa

Music produced & mixed by
Cristina Tasnic & P è n i n ș o l a r
Vocals by Tremmór
Visual by Rika Ryzhykova
vimeo.com/443423263

Purchase on Bandcamp

P è n i n ș o l a r Cristina Tasnic feat vocals by Tremmór - In Between Obfuscate Coordinates

Time Slip

Loop 34 (Bucles)

In September the trees shake their knees,
This is the sound
As they fall to the ground.

This track is from the album
https://peteswinton.bandcamp.com/album/im-the-god-who-sets-my-head-on-fire

The Echoes Of September Trees

Life In Decay

Stellar transmissions arrive outside the eArth ... 
How humans will survive on Earth? Scientists have identified key ingredients that appear to be essential for life to evolve... The eight ingredients for life in space are water, carbon, nitrogen, phosphorus, sulphur, time ... deep sounds .......... electronic music ................


What's outside the eArth

Two worlds, photography and Sound Art mixed together.
/ latente / photo book by Claudio Rosa and music by SAN Ā T ANA.

Analog photography, used as a means of orientation within a new collective human condition, intimately reveals a vitality forced into domestic environments where presences and absences interpenetrate and coexist.

The Frames
Photographs taken using an analog point-and-shoot camera loaded with 400 ISO Kentmere black and white film. The entire process of shooting, developing the negatives and acquiring the images was performed by the artist in his own laboratory.

The Music
7 short compositions based on repetition were born as a function of the image. The geometries and the superimpositions of the different planes intersect and interpenetrate, showing a vitality not yet considered. The music therefore tries to tell what is hidden but which somehow re-emerges, generating a loop of different states of being.

Claudio Rosa, visual artist, originally from Sant’Antioco, carries on his double research on visual perception and on the reuse of objects of mass consumption characterized by a strong geometry. His art seeks the spontaneity of a child's play but does so through a methodical, and even obsessive, semantic processing, apparently cold but deeply linked to childhood.

SANĀTANA aka Marco Salaris is a musician born in Sardinia in 1988. His music has its roots in Noise and Drone Music, developing and finding new trajectories more akin to Electroacoustic and avant-garde music. His creative process is articulated around the improvisation, listening and sound processing practices, typical of Electronic Music. In 2019 he released his first solo album "SANATANA" for the SUPRANU Records label.

supranurecords.com  
credits
released January 11, 2021

Composition: Marco Salaris aka SANĀTANA
Percussion samples: Giacomo Salis L 01, L 02, L 04
Graphics and Handmade book: Claudio Rosa
Communication and management: SUPRANU Records
Master: TeraMastering di Marco Vincis

all rights reserved

/ latente /

L 05

One-person project gestated since 2001, based in Arequipa - Peru, the project includes any expressive manifestation that seeks to materialize in sound, from rustic acoustics to extensive electro-effective manipulations. Minimalist and carefree aesthetics, prone to noise, trip hop, experimental electronics, EBM, symphony, folk freak and other avant garde genres. L-Ror also has improvisation and amateurism in an unprovoked context as a random support, in addition, occasionally it uses poetic cut grammatical constructions.