A song about a man who lost at love and can't move on

Time is No Friend

Building bridges between past and present; being moved by a detail… With fine precision, Arewe exploring electropopmusic songs that fuses vintage influences with contemporary beats. Are we able to remember ? Arewe ?

My music pieces are all piano improvisations expressing emotions. It is music telling stories without the words. In my earIy years I sang and played piano in piano bars or fronted bands of different styles, from country to heavy metal and to 40. I've been composing, teaching and performing most of my life.  I'm getting old(er) now 😔 but the great thing about creating music is it gets better the longer you play, and you have more to write about! 

This is what I leave of me to my generations to come who wonder where their desire to make music comes from. My mother, grandmother and great grandmother were both accomplished pianists when they were young. My son is also exceptional.  My great grandmother and gr grandfather sang and danced in minstrel shows (vaudeville) in the early 1900's. Kids today have no idea what life was like before moving pictures.  I now have great-grandchildren. They will know who I am through my music. When I am gone my music will still be here. What a wonderful thought! 

Believer, Husband, Father, Grandfather, Great Grandfather, and song writer

Guitars, bass and vocals by Michel and Matteo on drums. Home recording with drums recorded by Matteo. Mixing and mastering in Studio.

Music, Lyrics & Graphic design Michel Alioscia Mazzolini
© Michel Alioscia Mazzolini - Smashing Again® 
Mix and Master Città della Musica

Producteur amateur pour le plaisir de la musique.
Looking for vocals. PM me for collab

Songs from the edge of somewhere.
You don’t know if you’re walking into a protest, a party, or a funeral.
Bluesy, soulful rock’n’roll.
Haunted, deep and raw. 
The kind of raw you can’t fake.

“You don’t sound like anyone else,” said Danny Thompson - legendary bassist for Nick Drake and Joe Strummer - about English producer Conil.

Tchad Blake, sonic architect for Tom Waits and Elvis Costello, agreed: “Strange Part of the Country is an amazing album. I still listen to it.”

Fleetwood Mac’s Peter Green was also a fan, making a rare visit to Conil’s studio to record a mellow take on “Woke Up Around Midnight,” his smoky tribute to the jazz greats.

Conil’s distinct sound has drawn praise from Marc Ribot, Davey Graham, Pino Palladino, and John Leckie - artists and producers known for recognising the real thing when they hear it.

Upon release, Strange Part of the Country made quiet but lasting waves. Q Magazine gave it four stars and a Q Recommends stamp. Blues Matters Magazine put Conil on the cover, calling him “one of the most original artists out there.” In the U.S., “Years Between” climbed to number three on the Alternative Radio Chart.

Raised in England on the Rolling Stones, the Velvet Underground, and Tom Waits, Conil later lived in some of the world’s most musically charged cities - New Orleans, New York, Chicago, Austin and Berlin - chasing sound wherever he went.

That began early. He travelled far, met the Dalai Lama, climbed Kilimanjaro, and crossed the Himalayas - experiences that shaped his perspective and his music.

He is now finishing his long-awaited second album - recorded in New Orleans, Chicago, London and Greece - with Danny Thompson, Tchad Blake and more.

I am a pro musician and multi-instrumentalist and singer. 
My main instrument is the tenor sax though. 
I was a member of a famous Dutch band, the Dizzy Man's Band. 
I played in big theatre shows and musicals and later on had a solo career as Nick McAlley.
 I still feel the urge to write and record my own music.  
 I thank you for taking the time to listen!  Especially if you're an old soul with a young heart.

Time is No Friend

L Stanton