Tell Me Something

Label: @adromusicgroup
Beatport: https://www.beatport.com/track/siona/16831300

GC System - Siona (Original Mix)

Vital Signs - RUSH Cover

Ready…Set (all respect due to the great Terminator X

now we have all tracks from the electronics only EP *Phase Ov Energy* here, and I am almost sure this will be the last upload for this page NEUROLOGIcK DEFENDS ITSELF.
 wish you all great festive days and a burst ov ENERGY for  year TWENTY-THREEEEE :)))

https://neurologickthunder.bandcamp.com/album/phase-ov-energy

Phase Ov Energy

Please enjoy the private pre-release album IN FULL!

Mediocrity (prod. By Uezurii & Ljazz Beats)

Orthodox bastards

L1ND3CIS - Réminiscence

DnBad Trip. FREESTYLE VOL.1 is a concept drum and bass album built around controlled genre collisions. Each track explores drum and bass as a core system forced into contact with another musical language - from jazz and classical motifs to tribal rhythms, ambient noise and broken club aesthetics.

This is not a fusion record in the traditional sense. The secondary genres are not blended smoothly but distorted, absorbed or rejected by the DnB framework, creating tension, instability and altered perception. The album moves like a single night trip: fragmented, intense, sometimes disorienting, but always intentional.

FREESTYLE VOL.1 focuses on experimentation without commercial pressure, preserving raw ideas, unexpected transitions and imperfect beauty. Dark atmospheres, rolling breakbeats, deep bass pressure and cinematic sound design define the journey.

Recommended for listeners interested in experimental drum and bass, jungle mutations, cross-genre electronic music and narrative-driven albums.

Concrete Waltz

Late Nights

Technetium's Bach and Too Hot To Handel is a bold and imaginative reinterpretation of classical music’s most iconic figures through the lens of Technetium’s signature electronic style. On this project, centuries-old compositions by the Baroque masters — from the intellectual rigor of Johann Sebastian Bach to the dramatic flair of George Frideric Handel — are revitalized and reengineered with modern sonic power. Rather than presenting faithful period performances, Technetium resurrects and unleashes these timeless themes into a high-energy, cinematic electronic tapestry that blurs the boundaries between classical tradition and contemporary electronic trance. The result is both a celebration and a transformation: the familiar harmonic depth and contrapuntal brilliance of Bach and Handel are refracted through pulsing rhythms, expansive synthesizer landscapes, and bold production, giving listeners a fresh way to experience Baroque genius — as if these towering figures of music history have been transported into the present moment and like Technetium are too hot to Handel in their electrifying new context